Women authors, American -- Texas -- 20th century
Found in 2163 Collections and/or Records:
The Paths from Nudist Beach review
The Paths From the Nudist Beach, 1989
The Purgatoire: “Antelope Season” , 2001
The Rag (Issue 124): “Looking Down, I See Time is Space” , 2008
The Rag (Issue 127): “What We Didn’t See” , 2009
The Rag (Issue 135): Untitled “You eat the map” , 2009
The Red Pagoda, Reptiles of the Mind, Ribbons
The Red Pagoda (Volume 3, Issue 4): Untitled “A line of geese” , 1986
The Red Pagoda (Volume 4, Issue 1): Untitled “Old woman on horseback”, 1988
“The Runaway Scrape” annotated incomplete draft, undated
Materials related to Elizabeth Crook’s novels The Raven’s Bride, Promised Lands, Dog Hill Diaries (unpublished, working title)
“The Runaway Scrape” annotated partial typescript, undated
Materials related to Elizabeth Crook’s novels The Raven’s Bride, Promised Lands, Dog Hill Diaries (unpublished, working title)
The Spring Has Brought a Glad Surprise
Although Kirkland never officially published her poetry on its own, it appears in her novels and short stories. For many years, her Christmas cards featured her Christmas poems which are listed here in chronological order by year. Also of particular interest is a one-of-a- kind handmade booklet of Kirkland's war poems written for World War II soldiers. Poems listed with quotation marks represent the first line of untitled poems.
The Sun (Issue 220): “The Rain Maker” , 1994
The Sun: Various clippings featuring articles by Sagan, undated
"The Taxpayer's Dream" (a Skit for B. and P. W. Dinner), undated
Arranged in alphabetical order by the name of the series or show, these scripts date from Kirkland days at UT Austin's Radio House, circa 1940-1947. Typescripts and working drafts are included, as well as some photographs of the Radio House staff, including J. Frank Dobie. Of particular interest is the series entitled "Guardians of Freedom", which includes documents related to the Peck Woodside story Kirkland covered in Mexico.
The Texian Calendar, undated
Materials from Jean Flynn’s writing career, materials include brochures from the Ruth Taylor Theater and the Dallas Theater, correspondence, research materials used for stories, manuscripts, thank you notes, newspaper clippings, posters, audiocassettes, drafts, various hats, and one Royal typewriter.