Authors, American -- Texas -- 20th century
Found in 4995 Collections and/or Records:
Four unsigned letters, from Gilb to Texas Monthly editor Evan Smith, regarding Texas Monthly’s decision not to publish “The Pocho Tour of Mexico", November-December 2000
These papers are comprised of annotated drafts, typescripts, and correspondence relating to an essay by Gilb which was commissioned by Texas Monthly in 2000. The magazine declined to publish the story as Gilb envisioned it, and it was later published in Harper’s as “Blue Eyes, Brown Eyes: A Pocho Tours Mexico,” June 2001. Dates range from 2000-2001.
‘Fragment: an ending for a story’ - typescript page, undated
Framed drawing of man with fish on his head, undated
Frances C. Graves estate
Francis, Kevin
This series contains correspondence regarding Cartwright’s writing projects and those of others. The letters are arranged alphabetically. Notable correspondents include Bill Broyles, Cartwright family members, A.C. Greene, Stephen Harrigan, Ann Richards, and Bud Shrake as well as Playboy Magazine, Rolling Stone, and Texas Monthly.
Frankie Ford - "Chinatown My Chinatown," "Time After Time," "Sea Cruise," "Roberta"
The majority of phonographs in this series are from Patoski's personal collection, but some were sent to him as promotional material. The audio cassettes are mostly non-professional recordings of music, and a few are of interviews with musicians. A relatively large portion of the audio cassettes are of the band Joe "King" Carrasco, which Patoski managed during the 1980s.
Freddie Steady - "I Hear Neon Angles Sing," "Big Blue Diamonds"
The majority of phonographs in this series are from Patoski's personal collection, but some were sent to him as promotional material. The audio cassettes are mostly non-professional recordings of music, and a few are of interviews with musicians. A relatively large portion of the audio cassettes are of the band Joe "King" Carrasco, which Patoski managed during the 1980s.
Freddy Fender
This series of subject files and artist files, made up of newspaper clippings, notes, interviews, photographs and ephemera, illustrates Patoski's many areas of interest and his research methods. Patoski wrote about and published pieces relating to many of the topics and people in the subject and artist files. Of particular note is the large amount on material on Joe "King" Carrasco and his band, who Patoski managed in the 1980s.
Freddy Fender - "Before the Next Teardrop Falls," "Crazy Baby"
The majority of phonographs in this series are from Patoski's personal collection, but some were sent to him as promotional material. The audio cassettes are mostly non-professional recordings of music, and a few are of interviews with musicians. A relatively large portion of the audio cassettes are of the band Joe "King" Carrasco, which Patoski managed during the 1980s.
Freddy Fender Show
The majority of phonographs in this series are from Patoski's personal collection, but some were sent to him as promotional material. The audio cassettes are mostly non-professional recordings of music, and a few are of interviews with musicians. A relatively large portion of the audio cassettes are of the band Joe "King" Carrasco, which Patoski managed during the 1980s.
French press release and copy of review of Freelance: Grover Lewis a Rolling Stone…, May 5-6, 2009
“Friends of the EE. UU.” - corrected typescript, undated
From a Limestone Ledge, 1978-1981
From Hell to Breakfast, book of poetry by James Whitaker
This series contains the typescripts of one screenplay and two books by writers other than Harrigan. Arrangement is alphabetical by author.
"From Keith Love"; Letter to Rae Lewis from Keith Love, photocopies of color photos of Ellensburg, Washington, January 1997
Frontier Guns catalogue introduction - correspondence, corrected carbon copy, catalogues (2), 1964
Full Circle Records
The promotional material series is predominately made up of photographic and printed material sent to Patoski from music, television and film production companies, record companies, and talent agencies. Other promotional materials in this series include catalogs, newsletters, festival advertisements, press releases and ephemera all relating to the music industry.