Authors, American -- Texas -- 20th century
Found in 4995 Collections and/or Records:
Joe "King" Manana
The majority of phonographs in this series are from Patoski's personal collection, but some were sent to him as promotional material. The audio cassettes are mostly non-professional recordings of music, and a few are of interviews with musicians. A relatively large portion of the audio cassettes are of the band Joe "King" Carrasco, which Patoski managed during the 1980s.
Joe Nick #1
The majority of phonographs in this series are from Patoski's personal collection, but some were sent to him as promotional material. The audio cassettes are mostly non-professional recordings of music, and a few are of interviews with musicians. A relatively large portion of the audio cassettes are of the band Joe "King" Carrasco, which Patoski managed during the 1980s.
“Joe Pool of HUAC,” Harper’s, November 1966
Joe Turner - "Morning, Noon & Night," "The Chicken and the Hawk,"
The majority of phonographs in this series are from Patoski's personal collection, but some were sent to him as promotional material. The audio cassettes are mostly non-professional recordings of music, and a few are of interviews with musicians. A relatively large portion of the audio cassettes are of the band Joe "King" Carrasco, which Patoski managed during the 1980s.
Joe Turner - "Sally Zu-Zaz-Blues," "Rock O'Gibralter-Blues"
The majority of phonographs in this series are from Patoski's personal collection, but some were sent to him as promotional material. The audio cassettes are mostly non-professional recordings of music, and a few are of interviews with musicians. A relatively large portion of the audio cassettes are of the band Joe "King" Carrasco, which Patoski managed during the 1980s.
John Cale
This series of subject files and artist files, made up of newspaper clippings, notes, interviews, photographs and ephemera, illustrates Patoski's many areas of interest and his research methods. Patoski wrote about and published pieces relating to many of the topics and people in the subject and artist files. Of particular note is the large amount on material on Joe "King" Carrasco and his band, who Patoski managed in the 1980s.
John Cale
This series of subject files and artist files, made up of newspaper clippings, notes, interviews, photographs and ephemera, illustrates Patoski's many areas of interest and his research methods. Patoski wrote about and published pieces relating to many of the topics and people in the subject and artist files. Of particular note is the large amount on material on Joe "King" Carrasco and his band, who Patoski managed in the 1980s.
John Connally - Correspondence, circa 1973-1976
John Connally - Related material, circa 1973-1976
John F. Kennedy symposium, 1993
John F. Kennedy symposium
John Francis Knott
This series of subject files and artist files, made up of newspaper clippings, notes, interviews, photographs and ephemera, illustrates Patoski's many areas of interest and his research methods. Patoski wrote about and published pieces relating to many of the topics and people in the subject and artist files. Of particular note is the large amount on material on Joe "King" Carrasco and his band, who Patoski managed in the 1980s.
“John Graves” by unknown author - photocopy of essay, undated
John Graves Day, 1994-1997
This series is arranged chronologically, and contains mainly invitations, programs and photographs related to awards and honors bestowed upon Graves. A significant portion of this series deals with the Dallas Museum of Art’s “John Graves Day,” celebrated in May 1995, and includes video recordings of the event as well as correspondence, clippings and programs.
“John Graves Essay Contest”, 1997-1998
“John Graves Tribute, November 11, 2000” by William Broyles - printout of speech, 2000
John Graves’s silver “infinity” belt buckle and leather belt, undated
Photographs and artifacts collected from Hard Scrabble for the John Graves archive. This collection includes photographs of John Graves and his family, including early 20th and late 19th century family photographs. This collection also contains two clay jugs, one leather belt with the silver “infinity” symbol belt buckle worn by John Graves, the camp box that Graves used during his canoe trip for Goodbye to a River, and a 7 weight Loomis fly rod made by Graves.