Motion picture industry

Sub-Series Description From the Sub-Series:

Final shooting script has original drawing by Wittliff and is autographed by Wittliff and Willie Nelson. Produced by Nelson and Wittliff. Directed by Wittliff. Script Supervisor Cate Hardman Roach. Film was edited in Wittliff's offices by Eric A. Williams and Stephen Purvis. Slides removed from original sleeves and put in archival sleeves. Marked original sleeves are in front of re-sleeved slides.

Sub-Series Description From the Sub-Series:

Final shooting script has original drawing by Wittliff and is autographed by Wittliff and Willie Nelson. Produced by Nelson and Wittliff. Directed by Wittliff. Script Supervisor Cate Hardman Roach. Film was edited in Wittliff's offices by Eric A. Williams and Stephen Purvis. Slides removed from original sleeves and put in archival sleeves. Marked original sleeves are in front of re-sleeved slides.

Sub-Series Description From the Sub-Series:

A film loosely based on Wittliff’s mother’s life about a young, divorced mother of two sons working as a telephone operator in small-town Texas during World War II. Starring Sissy Spacek, Sam Shepard, and Eric Roberts. Early drafts are titled "Nita, Henry and Harry."

Series Description

These files are comprised of editorial correspondence regarding the publication of Zagst’s writing. They include a copy of a letter from Bruce J. Freidman introducing Zagst to Donald I. Fine, the publisher who would later publish three of Zagst’s works.

Series Description From the Series:

These files are comprised of editorial correspondence regarding the publication of Zagst’s writing. They include a copy of a letter from Bruce J. Freidman introducing Zagst to Donald I. Fine, the publisher who would later publish three of Zagst’s works.

Description From the Sub-Series:

6 part series, five of which aired August 1993 on CBS-TV.

Sub-Series Description The Encino Press file contains posters designed by Bill Wittliff and printed by Encino Press. There are original illustrations by John Groth for John Graves' The Last Running. The manuscript for Larry L. King's That Terrible Night That Santa Got Lost In The Woods is included along with correspondence, editing and original pen and ink scratchboard drawings by the Pulitzer Prize winning cartoonist, Pat Oliphant. Also contains manuscripts submitted to Wittliff for publication and the...

Sub-Series Description From the Sub-Series: The Encino Press file contains posters designed by Bill Wittliff and printed by Encino Press. There are original illustrations by John Groth for John Graves' The Last Running. The manuscript for Larry L. King's That Terrible Night That Santa Got Lost In The Woods is included along with correspondence, editing and original pen and ink scratchboard drawings by the Pulitzer Prize winning cartoonist, Pat Oliphant. Also contains manuscripts submitted to Wittliff for publication and the...

Sub-Series Description From the Sub-Series: The Encino Press file contains posters designed by Bill Wittliff and printed by Encino Press. There are original illustrations by John Groth for John Graves' The Last Running. The manuscript for Larry L. King's That Terrible Night That Santa Got Lost In The Woods is included along with correspondence, editing and original pen and ink scratchboard drawings by the Pulitzer Prize winning cartoonist, Pat Oliphant. Also contains manuscripts submitted to Wittliff for publication and the...

Sub-Series Description From the Sub-Series: The Sundance Institute for Film and Television was founded by Robert Redford to foster emerging talents, often found outside the mainstream of the traditional entertainment industry. For six years during the 1980s, Bill Wittliff served on the Board of Trustees for the Institute, working in particular on the Selection Committee. He also donated his time as a writer's mentor during the June Workshop at Sundance Resort near Provo, Utah and at the Writer's Workshop held during the January...

Description

Entertainment industry notebook gives suggestions on the media presentation of various social issues such as alcoholism, seat belts, tobacco, etc. Props file has drawings of gear by Brad Johnson. Continuity photos have photos from 1991 pilot mixed in.

Sub-Series Description From the Sub-Series:

A western starring Gary Busey and Willie Nelson. This series contains drafts of the script, costumes, photographs by Wittliff, the script supervisor's files, the editing and sound notes, publicity, distribution, and clippings of reviews and interviews. The archive also contains the dailies on film reels and a 16mm print of the film.

Sub-Series Description From the Sub-Series:

This sub-series contains Wittliff's collection of book catalogs, exhibition catalogs, printing pamphlets and historical society brochures. Invitations to readings, art and literature shows, directories, flyers, articles, clippings and notices are also present.

Sub-Series Description From the Sub-Series: Original carved and inked woodblocks created by Barbara Whitehead commissioned by the Encino Press. These blocks have been scanned and printed on plain paper for ease of access. See print-outs and accompanying zip-disks in box 877. Print-outs are annotated with either a title taken from the block or simply a descriptive cataloger-assigned title; these are the titles listed in this quide. Prnt-outs are also annotated with the titles of books in which the images appeared, such as: Deep Like...

Sub-Series Description From the Sub-Series:

Final shooting script has original drawing by Wittliff and is autographed by Wittliff and Willie Nelson. Produced by Nelson and Wittliff. Directed by Wittliff. Script Supervisor Cate Hardman Roach. Film was edited in Wittliff's offices by Eric A. Williams and Stephen Purvis. Slides removed from original sleeves and put in archival sleeves. Marked original sleeves are in front of re-sleeved slides.

Series Description

This series includes film rental agreements, distribution contracts, correspondence between Maverick Films, Inc. and the film distribution companies, and documentation of a legal dispute of a film distribution agreement. Separated into sub-series: Cinema Perspectives, First Run Features, Public Broadcasting Service (PBS), and Pahl Films (German TV).

Series Description From the Series:

This series includes film rental agreements, distribution contracts, correspondence between Maverick Films, Inc. and the film distribution companies, and documentation of a legal dispute of a film distribution agreement. Separated into sub-series: Cinema Perspectives, First Run Features, Public Broadcasting Service (PBS), and Pahl Films (German TV).

Series Description From the Series:

This series includes film rental agreements, distribution contracts, correspondence between Maverick Films, Inc. and the film distribution companies, and documentation of a legal dispute of a film distribution agreement. Separated into sub-series: Cinema Perspectives, First Run Features, Public Broadcasting Service (PBS), and Pahl Films (German TV).

Series Description From the Series:

This series includes film rental agreements, distribution contracts, correspondence between Maverick Films, Inc. and the film distribution companies, and documentation of a legal dispute of a film distribution agreement. Separated into sub-series: Cinema Perspectives, First Run Features, Public Broadcasting Service (PBS), and Pahl Films (German TV).

Series Description From the Series:

This series includes film rental agreements, distribution contracts, correspondence between Maverick Films, Inc. and the film distribution companies, and documentation of a legal dispute of a film distribution agreement. Separated into sub-series: Cinema Perspectives, First Run Features, Public Broadcasting Service (PBS), and Pahl Films (German TV).