Authors
Found in 3888 Collections and/or Records:
“Harm”; Author annotated manuscript drafts of Harm, correspondence with the University of Nevada Press, 2001
“Harm: Corrected Page Proofs”; Correspondence and corrected page proofs for Harm, 2000
“Harm-Reader Reports/Editorial Board My Responses”; Reader reports, editorial board meeting, correspondence and notes University of Nevada Press, 1998 - 2000
“Harm – Reviews & Ads”; Reviews and ads for Harm, correspondence with the University of Nevada Press, 2003 - 2010
Harm University of Nevada Press correspondence, original and copyedited manuscript, 2000, 2003
“Harm/Nevada/Campbell/House et/emails”; CD, correspondence pertaining Harm marketing, awards, cover design University of Nevada press, 2002 - 2004
“Harney County/High Desert/Dying in Oregon-See Blossom Bar”; Typescript copies and annotated Drafts of poem
Harold Washington College, Chicago
Hart, Elva Treniño, 1994, 1999-2003
“Hats,” 1 photocopy page (2 drafts), 1988
Later Poems span 1985-2014 and did not come in any original order. They are arranged alphabetically. Most poems are single drafts, but or insight into Cisneros’ revision process, there are eight progressive drafts of the 1995 poem “Morning After Tango.”
"Have fun in New York…Movie work heating up. I'm getting drawn into production of Brokeback Mountain which shoots 15 May - 1 July in Canada. At least it's getting made after 7 years." Handwritten, 1 page plus envelope, Postmarked March 11, 2004
The Sipper Collection is comprised of over 100 letters from Larry McMurtry to Ralph Sipper ranging from 1982-2018. Arranged chronologically, they document McMurtry’s practice of and thoughts on book selling and buying. Frequent topics include the sale of screenplays, his work in the film business, and mutual acquaintances in the literary world.
“Having A Little Esperanza in All of Us", Fall 1993
“Having Recently Escaped from the Maws of a Deathly Life…” 1 print out page with reader comments, July 23, 2011
Later Poems span 1985-2014 and did not come in any original order. They are arranged alphabetically. Most poems are single drafts, but or insight into Cisneros’ revision process, there are eight progressive drafts of the 1995 poem “Morning After Tango.”
Hawaii trip, 1999
Subjects include Terry Ybañez and others (56 photographs)
He
“He Left the Land,” 1 typed page, corrected
Head shot, photograph by Chayo Mata, August 1984. Taken for journal published by Humanities Texas, 1983
Portraits are formal, posed photographs of Cisneros, and are arranged chronologically. Photographers include her brother, Henry (Kiki) Cisneros, Joan Frederick, Alexandro Galindo, Ruben Guzman, Armando Rascón, Al Rendon, and Diana Solís, among others. Also included are a number of portraits of Cisneros with others, notably with her mother in 1998, and Gertrude Baker, Ruben Guzman, Denise Chavez, Jasna Karaula, and Emma Tenayuca.
Head shot, photograph by David McDonald, Seattle, Washington
Portraits are formal, posed photographs of Cisneros, and are arranged chronologically. Photographers include her brother, Henry (Kiki) Cisneros, Joan Frederick, Alexandro Galindo, Ruben Guzman, Armando Rascón, Al Rendon, and Diana Solís, among others. Also included are a number of portraits of Cisneros with others, notably with her mother in 1998, and Gertrude Baker, Ruben Guzman, Denise Chavez, Jasna Karaula, and Emma Tenayuca.
Head shot, photographer unidentified (tear in bottom center)
Portraits are formal, posed photographs of Cisneros, and are arranged chronologically. Photographers include her brother, Henry (Kiki) Cisneros, Joan Frederick, Alexandro Galindo, Ruben Guzman, Armando Rascón, Al Rendon, and Diana Solís, among others. Also included are a number of portraits of Cisneros with others, notably with her mother in 1998, and Gertrude Baker, Ruben Guzman, Denise Chavez, Jasna Karaula, and Emma Tenayuca.