Authors
Found in 3888 Collections and/or Records:
First draft, September 30, 1975
The Screenplays are arranged chronologically according to when they were written. The order does not reflect the order in which the films were released. The date following the title in parentheses is the release date. Photographs, film, and videotape may not be duplicated without permission from the Wittliff estate.
First draft, September 1975
The Screenplays are arranged chronologically according to when they were written. The order does not reflect the order in which the films were released. The date following the title in parentheses is the release date. Photographs, film, and videotape may not be duplicated without permission from the Wittliff estate.
First draft
The Screenplays are arranged chronologically according to when they were written. The order does not reflect the order in which the films were released. The date following the title in parentheses is the release date. Photographs, film, and videotape may not be duplicated without permission from the Wittliff estate.
First draft, May 17, 1992
The Screenplays are arranged chronologically according to when they were written. The order does not reflect the order in which the films were released. The date following the title in parentheses is the release date. Photographs, film, and videotape may not be duplicated without permission from the Wittliff estate.
First draft, September 17, 1986
This started as a rewrite of Pistoleers--"My first couple of drafts were set in New York City--then Crocodile Dundee came out and the studio asked me to reset the story in Washington, D. C. to avoid comparison. Against my better judgment I agreed to give it a try and the whole thing (meaning the writing) went downhill after that." Bill Wittliff, February 16, 1989. Includes notes by Wittliff's assistant at the time, Connie Todd.
First draft and revisions, April 1993
6 part series, five of which aired August 1993 on CBS-TV.
First draft and rough draft, January 27, 1974
A film loosely based on Wittliff’s mother’s life about a young, divorced mother of two sons working as a telephone operator in small-town Texas during World War II. Starring Sissy Spacek, Sam Shepard, and Eric Roberts. Early drafts are titled "Nita, Henry and Harry."
First draft revisions, undated
A western starring Gary Busey and Willie Nelson. This series contains drafts of the script, costumes, photographs by Wittliff, the script supervisor's files, the editing and sound notes, publicity, distribution, and clippings of reviews and interviews. The archive also contains the dailies on film reels and a 16mm print of the film.
First draft with corrections, January 27, 1974
A film loosely based on Wittliff’s mother’s life about a young, divorced mother of two sons working as a telephone operator in small-town Texas during World War II. Starring Sissy Spacek, Sam Shepard, and Eric Roberts. Early drafts are titled "Nita, Henry and Harry."
First galley, February 24, 1979
A film loosely based on Wittliff’s mother’s life about a young, divorced mother of two sons working as a telephone operator in small-town Texas during World War II. Starring Sissy Spacek, Sam Shepard, and Eric Roberts. Early drafts are titled "Nita, Henry and Harry."
First grade class group photograph, Hefferan School, November 1961
Portraits are formal, posed photographs of Cisneros, and are arranged chronologically. Photographers include her brother, Henry (Kiki) Cisneros, Joan Frederick, Alexandro Galindo, Ruben Guzman, Armando Rascón, Al Rendon, and Diana Solís, among others. Also included are a number of portraits of Cisneros with others, notably with her mother in 1998, and Gertrude Baker, Ruben Guzman, Denise Chavez, Jasna Karaula, and Emma Tenayuca.
First pass proofs (Spanish), March 21, 2012
First rewrite, July 1975
The film was eventually produced in 2013 starring Robert Duvall.
First rough draft, June 1, 1977
The film was eventually produced in 2013 starring Robert Duvall.
First rough draft, March 20 - April 7, 1989
The Screenplays are arranged chronologically according to when they were written. The order does not reflect the order in which the films were released. The date following the title in parentheses is the release date. Photographs, film, and videotape may not be duplicated without permission from the Wittliff estate.
Fiscal, Maria Rosa (U. Nacional Autonoma de Mexico), 1992 - 1993
Fiscal, María Rosa “Yo No Decido, Sino Que Soy Producto de Mi Ambiente: Sandra Cisneros”, October 14, 1993
These writings about Cisneros are arranged chronologically from 1981-2012 and include academic articles, interviews, and writer’s biographies. Undated writings about Cisneros are housed in box 89 and are arranged alphabetically by author. Newspaper articles and publicity writings about Cisneros can be found in Series XIX: Publicity.
“Fishing Calamari by Moon,” [published in My Wicked Wicked Ways], 1 photocopy page
Europe Poems were originally housed together in one folder and date from Cisneros’ time abroad in Greece, 1982-1983. Some were later published in My Wicked Wicked Ways and Loose Woman. The poems are arranged alphabetically, with untitled poems and fragments at the end.
Fl
Flato, Katy (San Antonio Public Library), 1995; Fleischman, Mel, 2012; FLOC, 1999, 2010; Flores, Anel I., 2004, 2012; Flores, Carlos, 1990; Flores, Leticia, 1999; Flores, Lucy, 2006-2007; Flores, Roger (Councilman), 1998; Flores, Yvette, 1990, 1992; Flores and Casasola Family, undated; Flusberg, Yael, 2007, 2010, 2011; Fly, Everett, 1995, 1997; Flying Chalupa Productions, undated; Flynn, Patricia, 2006, undated
Fletcher, Melissa “Pros and Cons from the Poet Laureate: Sandra Cisneros Take the Next Step Beyond The House on Mango Street to Better the Quality of Chicana Life , March 8, 1987
These writings about Cisneros are arranged chronologically from 1981-2012 and include academic articles, interviews, and writer’s biographies. Undated writings about Cisneros are housed in box 89 and are arranged alphabetically by author. Newspaper articles and publicity writings about Cisneros can be found in Series XIX: Publicity.