Authors
Found in 3954 Collections and/or Records:
“Year of my near death. Austin to Chico period.” Teaching at Women’s Peace Center with students including Laura Lippman and Liliana Valenzuela. Notes for commencement speech at Latino Youth where she began writing A House on Mango Street, poetry notes for Rodrigo poems. Approximately 37 pages. Spiral bound; hearts on cover, 1987
Yerba Buena High School
Yerba Buena High School
Yerba Buena High School, Leslie Wilde’s class
Y.E.S. College Prep
"Yes, I ____ about Peter a day before the fateful diagnosis…" Handwritten, 1 page plus envelope, January 26, 2010
The Sipper Collection is comprised of over 100 letters from Larry McMurtry to Ralph Sipper ranging from 1982-2018. Arranged chronologically, they document McMurtry’s practice of and thoughts on book selling and buying. Frequent topics include the sale of screenplays, his work in the film business, and mutual acquaintances in the literary world.
Yo - Z
“You and [Larry] are of course welcome in Texas…” Handwritten and typed, 1 page, July 17, 1995
The Sipper Collection is comprised of over 100 letters from Larry McMurtry to Ralph Sipper ranging from 1982-2018. Arranged chronologically, they document McMurtry’s practice of and thoughts on book selling and buying. Frequent topics include the sale of screenplays, his work in the film business, and mutual acquaintances in the literary world.
“You Are God’ Exhibition, [San Antonio], circa 1997
19 photographs)
“You Better Not Put Me in a Poem,” 10 drafts, corrected, January 2007
Later Poems span 1985-2014 and did not come in any original order. They are arranged alphabetically. Most poems are single drafts, but or insight into Cisneros’ revision process, there are eight progressive drafts of the 1995 poem “Morning After Tango.”
“You Bring Out the Mexican in Me,” 2 typed pages, no corrections, July 20, 1992
The bulk of the material for Loose Woman are the poems, arranged alphabetically. Many were originally housed in a folder titled “complete book.” Additional material includes proofs from Knopf, promotional displays, and Spanish translations by Paloma Zozaya and Marilar Aleixandre.
“You Called Me Corazón,” 1 typed page, no corrections; 1 photocopy, 1990
The bulk of the material for Loose Woman are the poems, arranged alphabetically. Many were originally housed in a folder titled “complete book.” Additional material includes proofs from Knopf, promotional displays, and Spanish translations by Paloma Zozaya and Marilar Aleixandre.
You Like to Give and Watch Me My Pleasure,” 1 typed page, no corrections, August 16, 1992
The bulk of the material for Loose Woman are the poems, arranged alphabetically. Many were originally housed in a folder titled “complete book.” Additional material includes proofs from Knopf, promotional displays, and Spanish translations by Paloma Zozaya and Marilar Aleixandre.
“You Ought To,” 1 print out page, with reader Comments, November 11, 2011
Later Poems span 1985-2014 and did not come in any original order. They are arranged alphabetically. Most poems are single drafts, but or insight into Cisneros’ revision process, there are eight progressive drafts of the 1995 poem “Morning After Tango.”
“You, Theodore Roethke”; Typescript copies, annotated typescript and holograph drafts of poem
“You used to be pretty…”
“Young Ino”
Materials between Cisneros and agent Susan Bergholz relating to Caramelo includes correspondence and shared drafts and fragments.
“Young Lolita, S.C., Ray, and Outdoor Event” San Antonio, 2004
Subjects include Ray. (12 photographs)
Young, Reggie, 1991-1992, 2012, undated
Young, Reggie “Crimes in Bluesville”
Writings by others span 1985-2014 and contain works by contemporaries and friends of Cisneros, as well as writings sent to her either by an author or publisher. Of note are works by: Norma Alarcón; Julia Alvarez; Daniel Arreola; Tony Beckwith; Ruth Behar; Norma Cantú; Denise Chávez; Joan Frederick; Pat LittleDog; Levi Romero; Jim Sagel; Liliana Valenzuela; and Reggie Young.