Authors

Scope and Contents

(18 photographs)

Subseries Description From the Sub-Series: Woman Hollering Creek may have had the working title “The Sky Has Little Eyes,” as there are four folders so labeled in this series. That material was kept together in box 51, folders 2-8, with drafts of all of the stories arranged alphabetically beginning in box 51, folder 9. Nearly every story contains multiple drafts, some with translations, such as “Eleven,” “Eyes of Zapata,” “La Fabulosa, A Texas Operetta,” “Never Marry a Mexican,” “Tepeyac,” and “Woman Hollering Creek.” Additional...

Series Description From the Series:

The Screenplays are arranged chronologically according to when they were written. The order does not reflect the order in which the films were released. The date following the title in parentheses is the release date. Photographs, film, and videotape may not be duplicated without permission from the Wittliff estate.

Description From the Sub-Series:

6 part series, five of which aired August 1993 on CBS-TV.

Series Description From the Series: The extensive correspondence files span 1980-2013 and are arranged alphabetically by correspondent. Every correspondent is included in the container list, and when known, organizational affiliations are listed in parenthesis. Individuals with a significant quantity of letters include: Jeffrey Abrahams; Norma Alarcón; Dorothy Allison; Julia Alvarez; Beatrix Badikian; Gertrude Baker; Ruth Behar; Ronnie Burke; Norma Cantu; Ana Castillo; Denise Chávez; Carlos Cumpián; Ted Dvoracek; Gayle...

Series Description From the Series: The extensive correspondence files span 1980-2013 and are arranged alphabetically by correspondent. Every correspondent is included in the container list, and when known, organizational affiliations are listed in parenthesis. Individuals with a significant quantity of letters include: Jeffrey Abrahams; Norma Alarcón; Dorothy Allison; Julia Alvarez; Beatrix Badikian; Gertrude Baker; Ruth Behar; Ronnie Burke; Norma Cantu; Ana Castillo; Denise Chávez; Carlos Cumpián; Ted Dvoracek; Gayle...

Series Description From the Series: The extensive correspondence files span 1980-2013 and are arranged alphabetically by correspondent. Every correspondent is included in the container list, and when known, organizational affiliations are listed in parenthesis. Individuals with a significant quantity of letters include: Jeffrey Abrahams; Norma Alarcón; Dorothy Allison; Julia Alvarez; Beatrix Badikian; Gertrude Baker; Ruth Behar; Ronnie Burke; Norma Cantu; Ana Castillo; Denise Chávez; Carlos Cumpián; Ted Dvoracek; Gayle...

Series Description From the Series:

These writings about Cisneros are arranged chronologically from 1981-2012 and include academic articles, interviews, and writer’s biographies. Undated writings about Cisneros are housed in box 89 and are arranged alphabetically by author. Newspaper articles and publicity writings about Cisneros can be found in Series XIX: Publicity.

Sub-Series Description From the Sub-Series: Original carved and inked woodblocks created by Barbara Whitehead commissioned by the Encino Press. These blocks have been scanned and printed on plain paper for ease of access. See print-outs and accompanying zip-disks in box 877. Print-outs are annotated with either a title taken from the block or simply a descriptive cataloger-assigned title; these are the titles listed in this quide. Prnt-outs are also annotated with the titles of books in which the images appeared, such as: Deep Like...

Scope and Contents From the Collection:

The Sipper Collection is comprised of over 100 letters from Larry McMurtry to Ralph Sipper ranging from 1982-2018. Arranged chronologically, they document McMurtry’s practice of and thoughts on book selling and buying. Frequent topics include the sale of screenplays, his work in the film business, and mutual acquaintances in the literary world.

Series Description From the Series:

Cisneros’ nonfiction writings are arranged alphabetically and include speeches, editorials, and essays. Many were eventually published in anthologies or magazines. In cases when the date and location of a speech is known, that information is included in the listing. This series also contains interviews Cisneros conducted with other writers while working at the Guadalupe Cultural Arts Center (box 41).

Subseries Description From the Sub-Series:

Europe Poems were originally housed together in one folder and date from Cisneros’ time abroad in Greece, 1982-1983. Some were later published in My Wicked Wicked Ways and Loose Woman. The poems are arranged alphabetically, with untitled poems and fragments at the end.

Correspondents Orlen, Steve (University of Arizona), 1988-1989; Orozco-Santiago, Natalya, 2012; Ortalda, Claire and Floyd Salas, 1995; Ortega, Luther, 1997; Ortega, Madeline Rodriguez, 1995; Ortega, Shirley (Santa Fe Public Library), undated; Ortiz, Guadalupe S (Chabot College), 2002; Ortiz, H. (Univision), undated; Ortiz, Rainy Dawn, 1988 (photograph); Ortiz, Sylvia, 2000, 2003, 2005; Osborn, Carolyn (Texas Institute of Letters), 1999; O’Shaughnessy, Michael (Red Crane Books), 1992;...

Subseries Description From the Sub-Series:

Later Poems span 1985-2014 and did not come in any original order. They are arranged alphabetically. Most poems are single drafts, but or insight into Cisneros’ revision process, there are eight progressive drafts of the 1995 poem “Morning After Tango.”

Scope and Contents From the Series: This series contains manuscripts, research notes, correspondence with editors, magazines, reviews, and drawings. Some examples of the material that can be found here are: correspondence between the editor of Omni magazine and the author resulting in changes in the short story, "Diner"; research notes on the Big Thicket (used as a setting in two of Barrett's westerns, Snaketown and Lone...

Abstract From the Series: Archival materials from author Miles Wilson dating 1965-2016. Material includes correspondence pertaining to the acquisition of the J. Frank Dobie papers by William Wittliff and the inception of the Southwest Writers Collection at Southwest Texas State University (Texas State University) San Marcos, Texas, as well as annotated drafts of early poetry and short prose; submissions to various poetry and short story anthologies; rejection slips and editor correspondence. The bulk of the material...

Contents From the Sub-subseries:

Materials between Cisneros and agent Susan Bergholz relating to Caramelo includes correspondence and shared drafts and fragments.

Subseries Description From the Sub-Series: The House on Mango Street does not include any of the manuscript material from the 1984 Arte Público Press edition, but there is the original artwork for that book. And the series does include Cisneros’ original drafts from The University of Iowa. The bulk of the series relates to the 1990 Random House edition with proofs, and new introduction and “about the author” materials. Translations are also well represented, with a Spanish translation by Elena Poniatowska and Juan Ascencio, and a...

Subseries Description From the Sub-Series: The largest subseries in Monographs is material relating to the writing and publication of Caramelo. Research, notes, chapter drafts, and book drafts document Cisneros’ writing process. Research files and notes provide evidence of the depth of research that went into the book, loosely based on her own family history. Included among the topics are immigration, Mexico, San Antonio, music, and war. Notes includes story development “road maps,” outlines, and files that Cisneros created on topics...

Subseries Description From the Sub-Series:

Europe Poems were originally housed together in one folder and date from Cisneros’ time abroad in Greece, 1982-1983. Some were later published in My Wicked Wicked Ways and Loose Woman. The poems are arranged alphabetically, with untitled poems and fragments at the end.