Authors
Found in 3888 Collections and/or Records:
Ogden, Kathy “Final Paper Dreams and Surfaces”, May 1990
These writings about Cisneros are arranged chronologically from 1981-2012 and include academic articles, interviews, and writer’s biographies. Undated writings about Cisneros are housed in box 89 and are arranged alphabetically by author. Newspaper articles and publicity writings about Cisneros can be found in Series XIX: Publicity.
"Oh. I've added by ____ _____ about 100 books to the Matheson well.." Handwritten, 1 page plus envelope, February 4, 2010
The Sipper Collection is comprised of over 100 letters from Larry McMurtry to Ralph Sipper ranging from 1982-2018. Arranged chronologically, they document McMurtry’s practice of and thoughts on book selling and buying. Frequent topics include the sale of screenplays, his work in the film business, and mutual acquaintances in the literary world.
"Oh no, Dope Danley is not for me. I just wonder if my Big Ticket books are being sold for these I sign.", May 23, 2003
The Sipper Collection is comprised of over 100 letters from Larry McMurtry to Ralph Sipper ranging from 1982-2018. Arranged chronologically, they document McMurtry’s practice of and thoughts on book selling and buying. Frequent topics include the sale of screenplays, his work in the film business, and mutual acquaintances in the literary world.
"Oh thanks, we have Neville II. We've always subscribed to all books / mss Sotheby's / Christies -- although I weeded out hundreds of the old green London sales when we moved to AC…" Typed, 1 page plus envelope, November 3, 2004
The Sipper Collection is comprised of over 100 letters from Larry McMurtry to Ralph Sipper ranging from 1982-2018. Arranged chronologically, they document McMurtry’s practice of and thoughts on book selling and buying. Frequent topics include the sale of screenplays, his work in the film business, and mutual acquaintances in the literary world.
Oil rig
Oil rig
Ojarasca, no 26. Includes “Ojos de Zapata” [in Spanish], November 1993
Arranged chronologically, Publications span 1970-2003 and include magazines and journals that contain contributions by Cisneros. The earliest items are literary magazines Now and Cadence, from Josephinum Academy and Loyola University, respectively. For each publication, the date and title of the Cisneros contribution is included in the container list. Oversized publications are in box 85.
Ok - Op
Okita, Dwight, 2004; Okjakeller, Nora, 1996; O’Leary, Blanca, undated; Oliver, Linda, 1994; Olivo, Estella B., 1985, 2007; Olquin, Ben V., 2008; Olsen, Cheryl, undated; Olsen, Eric (International Institute of Modern Letters), 2001-2006; Olson, Debra, 2000; O’Malley, Carol (Yanaguana Cruise), 1995; O’Neal, Tom, 1995; O’Neill, Dennis (St. Martha Catholic Church), 2002; Opiat, Jim (Third Woman Press), 1994; Opitz, Lynne, 1994
Okra
“Old Maids,” 1 typed page, no corrections; 2 photocopies, August 1988
The bulk of the material for Loose Woman are the poems, arranged alphabetically. Many were originally housed in a folder titled “complete book.” Additional material includes proofs from Knopf, promotional displays, and Spanish translations by Paloma Zozaya and Marilar Aleixandre.
Olinka, Sharon, 2011 - 2012
Olivares, Julián “Sandra Cisneros’ The House on Mango Street, and the Poetics of Space”, 1989
These writings about Cisneros are arranged chronologically from 1981-2012 and include academic articles, interviews, and writer’s biographies. Undated writings about Cisneros are housed in box 89 and are arranged alphabetically by author. Newspaper articles and publicity writings about Cisneros can be found in Series XIX: Publicity.
OLLU student reading, Twig Bookshop, San Antonio
On book tour in Paris, photographs by John Foley (5) 7x9 prints, postcard, 1996
Portraits are formal, posed photographs of Cisneros, and are arranged chronologically. Photographers include her brother, Henry (Kiki) Cisneros, Joan Frederick, Alexandro Galindo, Ruben Guzman, Armando Rascón, Al Rendon, and Diana Solís, among others. Also included are a number of portraits of Cisneros with others, notably with her mother in 1998, and Gertrude Baker, Ruben Guzman, Denise Chavez, Jasna Karaula, and Emma Tenayuca.
On porch, Guenther House. Photograph by Henry (Kiki) Cisneros, Summer 1997
Portraits are formal, posed photographs of Cisneros, and are arranged chronologically. Photographers include her brother, Henry (Kiki) Cisneros, Joan Frederick, Alexandro Galindo, Ruben Guzman, Armando Rascón, Al Rendon, and Diana Solís, among others. Also included are a number of portraits of Cisneros with others, notably with her mother in 1998, and Gertrude Baker, Ruben Guzman, Denise Chavez, Jasna Karaula, and Emma Tenayuca.
On porch in San Antonio, photographs by Ruben Guzman (6) 5x7 prints, contact sheets, 1992
Portraits are formal, posed photographs of Cisneros, and are arranged chronologically. Photographers include her brother, Henry (Kiki) Cisneros, Joan Frederick, Alexandro Galindo, Ruben Guzman, Armando Rascón, Al Rendon, and Diana Solís, among others. Also included are a number of portraits of Cisneros with others, notably with her mother in 1998, and Gertrude Baker, Ruben Guzman, Denise Chavez, Jasna Karaula, and Emma Tenayuca.
On porch in white shirt (21 color), circa 1994
Portraits are formal, posed photographs of Cisneros, and are arranged chronologically. Photographers include her brother, Henry (Kiki) Cisneros, Joan Frederick, Alexandro Galindo, Ruben Guzman, Armando Rascón, Al Rendon, and Diana Solís, among others. Also included are a number of portraits of Cisneros with others, notably with her mother in 1998, and Gertrude Baker, Ruben Guzman, Denise Chavez, Jasna Karaula, and Emma Tenayuca.
On steps with stack of books, High School, early 1970s
Portraits are formal, posed photographs of Cisneros, and are arranged chronologically. Photographers include her brother, Henry (Kiki) Cisneros, Joan Frederick, Alexandro Galindo, Ruben Guzman, Armando Rascón, Al Rendon, and Diana Solís, among others. Also included are a number of portraits of Cisneros with others, notably with her mother in 1998, and Gertrude Baker, Ruben Guzman, Denise Chavez, Jasna Karaula, and Emma Tenayuca.
“On Tour with Max”; Annotated manuscript drafts, including The Dallas Morning News article about “On Tour with Max”, 1995 - 2009
“Once Again I Prove the Theory of Relativity,”2 photocopy pages, no corrections; 1 typed page (incomplete), May 23, 1993
The bulk of the material for Loose Woman are the poems, arranged alphabetically. Many were originally housed in a folder titled “complete book.” Additional material includes proofs from Knopf, promotional displays, and Spanish translations by Paloma Zozaya and Marilar Aleixandre.