Literature

Scope and Contents

Callens, Johan (to Lois Berman), October 1, 1993

Kulkhe, K., October 6, 1993

Scope and Contents

Shelley, Guy, March 15, 1994

Boals, Judy, April 15, 1994. Includes poster and slides from a Paris production of Icarus’s Mother.

Scope and Contents

Boals, Judy, March 24, 1995. Includes Theater Hall of Fame program

Scope and Contents O'Hearn, Patrick, March 12, 1996West, Robert, Jr., March 17, 1996Jones, O-Lan, March 21, 1996Boals, Judy, April 19, 1996Boals, Judy, April 22, 1996Kirchwey, Karl, April 22, 1996Morris, Tom (to Judy Boals), April 24, 1996Houghton, James, April,25, 1996McKimmie, Ilyse, May 1, 1996West, Robert Jr., May 1, 1996Boals, Judy, May 2, 1996Oliver, Liz, May 2, 1996...

Scope and Contents

Notice from Academy of Arts and Letters re: death of Alan Ginsberg, April 5, 1997

Aronowitz, Al, May 1, 1997

Adolphe, Bruce (to Judy Boals), August 14, 1997

"Santo,” October 21, 1997

Scope and Contents

Shepard, Sam (to Magic Theater ), April 29, 1998

Boals, Judy, July 23, 1998

Callahan, Michael (to Judy Boals), September 14, 1998

Scope and Contents

"Freddie and Lara" (first names only)

McAdams, "Coach"

Multiple authors (first names only)

Series Description From the Series:

Topics include the publication of Shepard’s works in magazines and journals as excerpts, as well as in their entirety; correspondence with agent Lois Berman. Aside from general correspondence, this series also includes correspondence from Joseph Chaikin and Barry Daniels and correspondence from Shepard’s son, Jesse, as noted [Restricted]. For Shepard’s 40-year correspondence with Johnny Dark, see the Southwestern Writers Collection 106, The Sam Shepard and Johnny Dark Collection.

Scope and Contents

Lawson, Wayne, November 10, 1982

Scope and Contents

Phillips, Jerrold, March 2, 1983

Berman, Lois, August 18, 1983

Cuyama Valley Exchange Club. August 29, 1983

Mitchell, Joni, circa 1983

Scope and Contents Rogers, S[Sam], April 13, 1984Gantcher, Neal(to Martin Licker), June 6, 1984Kirwin, Lynne (to Lois Berman), June 27, 1984Allen, Lewis (to Lois Berman), June 29, 1984Shewey, Don (to Lois Berman), July 12, 1984Shewey, Don, July 12, 1984Berman, Lois, July 17, 1984Allen, Lewis, July 17, 1984McCrum, Robert (to Lois Berman), August 23, 1984* restricted Shepard, Jesse, October 9, 1984...

Scope and Contents

* restricted Shepard, Jesse, February 20, 1985

Ward, Melinda, February 28, 1985

Weiler, Robert S., June 28, 1985

Allen, Lewis, July 3, 1985

Sato, Suzanne, July 8, 1985

Scope and Contents

* restricted Shepard, Jesse, February 2, 1986

Gotlieb, Howard, April 4, 1986. (Includes Boston University’s Shepard collection listing.)

Scope and Contents

Klein, Don, April 25, 1988

Mark, Steven (to Martin Licker), June 7, 1988

Wenders, Wim, July 22, 1988

Crane, Joan, July 28, 1988

Crane, Joan, August 2, 1988

Wexler, Haskell, September 30, 1988

Wexler, Haskell, October 21, 1988

“Mom,” November 2, 1988

Bryer, Jackson, November 30, 1988

Daugherty, Pat, December 19, 1988

Scope and Contents

Daniels, Barry, January 5, 1989

Berman, Lois, May 17, 1989. Includes “American Dreams” programs

Ford, Richard, August 10, 1989

Sinise, Gary, November 4, 1989

Series Description

Two 1990 letters from Sepich to Bill Wittliff, regarding the donation of this material to the Southwestern Writers Collection.

Series Description

Topics include the publication of Shepard’s works in magazines and journals as excerpts, as well as in their entirety; correspondence with agent Lois Berman. Aside from general correspondence, this series also includes correspondence from Joseph Chaikin and Barry Daniels and correspondence from Shepard’s son, Jesse, as noted [Restricted]. For Shepard’s 40-year correspondence with Johnny Dark, see the Southwestern Writers Collection 106, The Sam Shepard and Johnny Dark Collection.

Series Description From the Series:

The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.

Series Description From the Series:

The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.

Series Description From the Series:

The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.