Literature
Found in 5880 Collections and/or Records:
“A Little Grief Like Gouache,” 1 photocopy page, corrected and including poem, “Fan of a Floating Woman After Shikibu”, 1988
The bulk of the material for Loose Woman are the poems, arranged alphabetically. Many were originally housed in a folder titled “complete book.” Additional material includes proofs from Knopf, promotional displays, and Spanish translations by Paloma Zozaya and Marilar Aleixandre.
“A New Chapter” (2 copies) Hispanic Magazine, September 1992
Publicity Material spans 1978-2014 and is divided into the following subseries: Cisneros Cover Stories; Magazines with Articles about Cisneros; Newspaper and Other Articles; Appearance Publicity; Oversized; and Book Publisher Catalogs.
A Rage of Unknown Origin, undated
A Reader of New American Fiction. Includes “Meme Ortiz”, 1981
Arranged chronologically, Publications span 1970-2003 and include magazines and journals that contain contributions by Cisneros. The earliest items are literary magazines Now and Cadence, from Josephinum Academy and Loyola University, respectively. For each publication, the date and title of the Cisneros contribution is included in the container list. Oversized publications are in box 85.
“A Rice Sandwich,” [published in My Wicked Wicked Ways], 2 photocopy pages, no corrections
“A Room of Her Own,” 4 holograph pages
Cisneros’ nonfiction writings are arranged alphabetically and include speeches, editorials, and essays. Many were eventually published in anthologies or magazines. In cases when the date and location of a speech is known, that information is included in the listing. This series also contains interviews Cisneros conducted with other writers while working at the Guadalupe Cultural Arts Center (box 41).
“A Sort of Preface”
Articles and essays in this subseries relate to Vliet’s own writing process and influences. All are in typescript form and most have handwritten annotations.
“A Tango for Astor,” 3 print out pages (2 copies); fragment, July 2005
Cisneros’ nonfiction writings are arranged alphabetically and include speeches, editorials, and essays. Many were eventually published in anthologies or magazines. In cases when the date and location of a speech is known, that information is included in the listing. This series also contains interviews Cisneros conducted with other writers while working at the Guadalupe Cultural Arts Center (box 41).
“A Tennessee Ballad,” [Working title: “The Ballad of a Tennessee Girl,” multiple drafts
“A Valentine for Marguerite Duras,” holograph notes; drafts; email correspondence with Marie Arana at Washington Post, January 26, 2005
Cisneros’ nonfiction writings are arranged alphabetically and include speeches, editorials, and essays. Many were eventually published in anthologies or magazines. In cases when the date and location of a speech is known, that information is included in the listing. This series also contains interviews Cisneros conducted with other writers while working at the Guadalupe Cultural Arts Center (box 41).
“A Valentine Story / La Valentina,” 2 corrected facsimile pages, November 23, 1998
“A White Flower,” [for Dr. Marga Speicher], 3 print out pages (6 drafts)
Cisneros’ nonfiction writings are arranged alphabetically and include speeches, editorials, and essays. Many were eventually published in anthologies or magazines. In cases when the date and location of a speech is known, that information is included in the listing. This series also contains interviews Cisneros conducted with other writers while working at the Guadalupe Cultural Arts Center (box 41).
“A Woman Cutting Celery,” 1 photocopy page
Europe Poems were originally housed together in one folder and date from Cisneros’ time abroad in Greece, 1982-1983. Some were later published in My Wicked Wicked Ways and Loose Woman. The poems are arranged alphabetically, with untitled poems and fragments at the end.
“A Woman Like Me,” 2 print out pages, no corrections
Later Poems span 1985-2014 and did not come in any original order. They are arranged alphabetically. Most poems are single drafts, but or insight into Cisneros’ revision process, there are eight progressive drafts of the 1995 poem “Morning After Tango.”
“A Woman Like You,” [Introduction for Beatriz Badikian’s Mapmaker], 2 print out pages, no corrections, 1 photocopy, August 7, 1993
Later Poems span 1985-2014 and did not come in any original order. They are arranged alphabetically. Most poems are single drafts, but or insight into Cisneros’ revision process, there are eight progressive drafts of the 1995 poem “Morning After Tango.”
“A Woman of No Consequence / Una Mujer Cualquiera,” presented as keynote at the National Lesbian and Gay Journalist Association’s third annual conference, San Antonio. 7 print out pages (draft read at conference); 9 page final draft; correspondence re: conference, February 18, 1995
Cisneros’ nonfiction writings are arranged alphabetically and include speeches, editorials, and essays. Many were eventually published in anthologies or magazines. In cases when the date and location of a speech is known, that information is included in the listing. This series also contains interviews Cisneros conducted with other writers while working at the Guadalupe Cultural Arts Center (box 41).