Literature
Found in 6114 Collections and/or Records:
“Where Warren Lives,” 1 typed page, heavily corrected (3 drafts)
Whirligig, 1976
The Screenplays are arranged chronologically according to when they were written. The order does not reflect the order in which the films were released. The date following the title in parentheses is the release date. Photographs, film, and videotape may not be duplicated without permission from the Wittliff estate.
White Sands, New Mexico, circa 2003
(15 photographs)
White, W. and G. B. Williams
This series includes extensive research files and many annotated typescripts of Crook’s first novel. The research files include clippings, handwritten notes, photographs, and correspondence with research assistant Eva B. Denning, of Gallatin, TN, 1984-90. The typescripts have been arranged in alphabetical order by working titles.
Whitehead and Whitehead , undated
Whitworth, Mr. and Mrs. (from Vliet), 1964
“Why I am Not Hispanic,” 3 holograph pages; 2 print outs, corrected
Cisneros’ nonfiction writings are arranged alphabetically and include speeches, editorials, and essays. Many were eventually published in anthologies or magazines. In cases when the date and location of a speech is known, that information is included in the listing. This series also contains interviews Cisneros conducted with other writers while working at the Guadalupe Cultural Arts Center (box 41).
“Why I am Not Married,” 2 print out pages, no Corrections, March 20, 2013
Later Poems span 1985-2014 and did not come in any original order. They are arranged alphabetically. Most poems are single drafts, but or insight into Cisneros’ revision process, there are eight progressive drafts of the 1995 poem “Morning After Tango.”
“Why I Didn’t,” 1 photocopy page from published version (2 copies)
The bulk of the material for Loose Woman are the poems, arranged alphabetically. Many were originally housed in a folder titled “complete book.” Additional material includes proofs from Knopf, promotional displays, and Spanish translations by Paloma Zozaya and Marilar Aleixandre.
“Why I will never run out of stories as long as I live in Texas” clippings
The series Notes consists of loose pages and clippings for story ideas. Of particular interest are seven folders of “buttons” – often a single phrase or line, that Cisneros filed away as inspiration for potential poems or stories.
Wi
Wiatt, Jim (ICM), 1978-1997, undated
Wichita North High School, Stacie Valdez’s class
Wilcken, Geoff – Written Music for Three of Sandra Cisnero’s Poems, undated
“Wild Sala Diaz Party” San Antonio, 1996
Subjects include Alejandro Diaz, Chuck Ramirez, Franco, Juan. “(Alejandro Diaz or Chuck Ramirez apt) and Franco’s apt – whole cast of characters. I wore a vintage lace dress that dissolved as I wore it! Juan the squish my boyfriend then.” (38 photographs)
“Wildlife and Fishing”, undated
Materials related to Elizabeth Crook’s novels The Raven’s Bride, Promised Lands, Dog Hill Diaries (unpublished, working title)
William Morrow catalog, autographed
Williams, Tennessee. "The Man in the Overstuffed Chair," photocopy from published source
Arranged by genre (articles, books, sound recordings, screenplays, short stories and teleplays), most of the works in this series are based on or inspired by Shepard’s works. Authors mailed the works to Shepard for his comments, and many items include typescripts annotated by Shepard and correspondence.
Williams, Willoughby
This series includes extensive research files and many annotated typescripts of Crook’s first novel. The research files include clippings, handwritten notes, photographs, and correspondence with research assistant Eva B. Denning, of Gallatin, TN, 1984-90. The typescripts have been arranged in alphabetical order by working titles.