Literature

Series Description From the Series: Shrake kept files of works by various writers, which are kept in this series. Some of these files contain editing notes by Shrake or correspondence from the writer. The series is arranged alphabetically by author’s last name. Included are the production files for Another Pair of Aces, a TV movie written by Rob Gilmer that was a sequel to Shrake and Cartwright’s Pair of Aces. Shrake was a co-producer of this movie. In the late...

Subseries Description From the Sub-Series:

Later Poems span 1985-2014 and did not come in any original order. They are arranged alphabetically. Most poems are single drafts, but or insight into Cisneros’ revision process, there are eight progressive drafts of the 1995 poem “Morning After Tango.”

Scope and Contents From the Sub-subseries:

Multiple drafts and notes for each chapter, arranged in order as they appear in the novel; complete novel drafts begin in box 63

Sub-Series Description From the Sub-Series:

Individual handwritten and typed poems, and hand-bound books of poetry, comprise this subseries. Many of the individual poems are accompanied by drafts, some are single copies. Individual poems are arranged alphabetically, followed by books of poetry, also arranged alphabetically. See also Series 2 : Personal, Subseries C: Scrapbook, for early drafts of poetry.

Subseries Description From the Sub-Series:

Europe Poems were originally housed together in one folder and date from Cisneros’ time abroad in Greece, 1982-1983. Some were later published in My Wicked Wicked Ways and Loose Woman. The poems are arranged alphabetically, with untitled poems and fragments at the end.

Series Description From the Series:

The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.

Subseries Description From the Sub-Series: Early poems span 1971-1986 and are arranged alphabetically. Many were originally housed in two black binders. The first binder contents are in folders 1-51 and were from Cisneros’ time at The University of Iowa. The second binder is in folder 53 and contains early poems, many later published in My Wicked Wicked Ways. Additional early poems not originally housed in one of the two binders are listed alphabetically and include high school poems. Also included are titles with numerous...

Subseries Description From the Sub-Series: Early poems span 1971-1986 and are arranged alphabetically. Many were originally housed in two black binders. The first binder contents are in folders 1-51 and were from Cisneros’ time at The University of Iowa. The second binder is in folder 53 and contains early poems, many later published in My Wicked Wicked Ways. Additional early poems not originally housed in one of the two binders are listed alphabetically and include high school poems. Also included are titles with numerous...

Series Description From the Series:

The Screenplays are arranged chronologically according to when they were written. The order does not reflect the order in which the films were released. The date following the title in parentheses is the release date. Photographs, film, and videotape may not be duplicated without permission from the Wittliff estate.

Scope and Contents

(15 photographs)

Series Description From the Series:

This series includes extensive research files and many annotated typescripts of Crook’s first novel. The research files include clippings, handwritten notes, photographs, and correspondence with research assistant Eva B. Denning, of Gallatin, TN, 1984-90. The typescripts have been arranged in alphabetical order by working titles.

Sub-Series Description From the Sub-Series: Business correspondence relates to Vliet’s writing career, and covers such subjects as writing submissions, editing of works to be published, royalties for published works. Correspondents include various poetry and literary journals, Texas Institute of Letters, the Ford Foundation, and Vliet’s agent, Lucy Kroll, of the Lucy Kroll Agency. Two non-correspondence files were filed by the author with this business correspondence, and are located at the beginning of this group of...

Sub-Series Description From the Sub-Series: Personal correspondence in this subseries includes letters to Vliet from long-time friends such as Ruth Bloom, Harry Clauss, Alan Distler, John Haag, Ralph Houston, and David Lyttle. Several letters from Vliet to Ralph Houston are also included here, presumably sent to Ann Vliet after R.G. Vliet’s death. These letters are of special interest in that they discuss Vliet’s writing and his health. Correspondence from Vliet’s family include genealogical information, and a letter from Vliet’s...

Series Description From the Series:

Cisneros’ nonfiction writings are arranged alphabetically and include speeches, editorials, and essays. Many were eventually published in anthologies or magazines. In cases when the date and location of a speech is known, that information is included in the listing. This series also contains interviews Cisneros conducted with other writers while working at the Guadalupe Cultural Arts Center (box 41).

Subseries Description From the Sub-Series:

Later Poems span 1985-2014 and did not come in any original order. They are arranged alphabetically. Most poems are single drafts, but or insight into Cisneros’ revision process, there are eight progressive drafts of the 1995 poem “Morning After Tango.”

Subseries Description From the Sub-Series:

The bulk of the material for Loose Woman are the poems, arranged alphabetically. Many were originally housed in a folder titled “complete book.” Additional material includes proofs from Knopf, promotional displays, and Spanish translations by Paloma Zozaya and Marilar Aleixandre.

Series Description From the Series:

The series Notes consists of loose pages and clippings for story ideas. Of particular interest are seven folders of “buttons” – often a single phrase or line, that Cisneros filed away as inspiration for potential poems or stories.

Correspondents Widener, Sndra (Globe Fearon), undated; Williams, Adriana, 2011; Williams, Jan, 1995; Williams, Maria (veterinarian), undated; Williams, Mary Lou, 1993; Williams, Shelley (Koninck), 1992, 1994; Wilson, Adam D. (Holt, Rinehart and Winston), 1994; Wilson, Miles (Southwest Texas State University), 1992; Winchester, Martin (Teach for America), 1998; Wink, Marion, 1995; Winogradksy, Steve, 2002; Winslow, Kathleen (Attorney), 1992, 1995, 1998-1999; Wirmusky, Peter (Sette...

Series Description From the Series: Two main subseries constitute the Correspondence series: Alphabetical and Chronological. This arrangement reflects Shrake’s, in that he filed some of his letters by correspondent, and some by year. Most correspondence in the Alphabetical sub-series are with friends, collaborators, and family members. The Chronological sub-series contains correspondence from a far wider range of addressors, some strangers to Shrake and others intimate friends. A name index for the chronological...

Series Description From the Series: Reader Correspondence, 1990-2013, is arranged chronologically. Each year is separated into letters from individuals and letters from classes. The individual letters are typical fan letters and document the effect her writing has had on her readers. The class letters are often packets sent by teachers containing letters from students who have read her works in class, and sometimes thank-you letters from students whose class Cisneros visited. When known, the school name is included in the...