Literature
Found in 5880 Collections and/or Records:
The Noctuary Annotated typed early draft, with added editing notes, for Crook’s previous agent, The Rafael Sagalyn Agency, undated
Materials related to Elizabeth Crook’s novels The Raven’s Bride, Promised Lands, Dog Hill Diaries (unpublished, working title)
The Noctuary Typed draft edited by Judy Reed, Archeologist at Pecos National Monument, undated
Materials related to Elizabeth Crook’s novels The Raven’s Bride, Promised Lands, Dog Hill Diaries (unpublished, working title)
“The Opening Line”
Individual handwritten and typed poems, and hand-bound books of poetry, comprise this subseries. Many of the individual poems are accompanied by drafts, some are single copies. Individual poems are arranged alphabetically, followed by books of poetry, also arranged alphabetically. See also Series 2 : Personal, Subseries C: Scrapbook, for early drafts of poetry.
The Packinghouse Review, Volume 2, Number 3. “New Englander, 2011
Many stories in The Last Tortilla and Other Stories and Crossing Borders: Personal Essays were first published in these publications. It is arranged chronologically
The Packinghouse Review, Volume 2, Number 4. “Harvardiana Latino” , 2011
Many stories in The Last Tortilla and Other Stories and Crossing Borders: Personal Essays were first published in these publications. It is arranged chronologically
The Passion of Dellie O'Barr, 1996
Series I: Novels (1991-1999) documents the writing and editing process of Bonner’s four published novels, Lily, Looking After Lily, The Passion of Dellie O’Barr, and Right from Wrong. This series also includesthe unpublished novel “Flossie/War Dreams." Formats include research notes, annotated drafts, proofs, and correspondence.
“The Phantom Lover,” 1 typed page, corrected
Europe Poems were originally housed together in one folder and date from Cisneros’ time abroad in Greece, 1982-1983. Some were later published in My Wicked Wicked Ways and Loose Woman. The poems are arranged alphabetically, with untitled poems and fragments at the end.
“The Pico Rivera Anthology", 1999
“The Place of Experimentation in the College Theater”, an Address by Baker to the Northwest Drama Conference, 1953
“The Progress of War” typescript
Drafts of plays (mostly handwritten in pencil and annotated) and typescripts (mostly mimeographs or photocopies with annotations) are arranged in this subseries in alphabetical order. For reviews and further information regarding the author’s plays, see Series II: Personal, Newsclippings.
The Progressive, vol 71, no 7. Includes “Prayer for the New Millennium”, July 2007
Arranged chronologically, Publications span 1970-2003 and include magazines and journals that contain contributions by Cisneros. The earliest items are literary magazines Now and Cadence, from Josephinum Academy and Loyola University, respectively. For each publication, the date and title of the Cisneros contribution is included in the container list. Oversized publications are in box 85.
“The Public Libraries: Quiet as Snow, a Space for Myself to Go, Clean as Paper Before the Poem,” 3 print out pages, minor corrections; letter from Linda Wallace at the American Library Association, 1993
Cisneros’ nonfiction writings are arranged alphabetically and include speeches, editorials, and essays. Many were eventually published in anthologies or magazines. In cases when the date and location of a speech is known, that information is included in the listing. This series also contains interviews Cisneros conducted with other writers while working at the Guadalupe Cultural Arts Center (box 41).
“The Purple House,” Portrait on porch, Guenther Street house, photograph by Joan Frederick, April 1, 2000
Portraits are formal, posed photographs of Cisneros, and are arranged chronologically. Photographers include her brother, Henry (Kiki) Cisneros, Joan Frederick, Alexandro Galindo, Ruben Guzman, Armando Rascón, Al Rendon, and Diana Solís, among others. Also included are a number of portraits of Cisneros with others, notably with her mother in 1998, and Gertrude Baker, Ruben Guzman, Denise Chavez, Jasna Karaula, and Emma Tenayuca.
“The Regions of Noon”, 1977 - 1982
Drafts of plays (mostly handwritten in pencil and annotated) and typescripts (mostly mimeographs or photocopies with annotations) are arranged in this subseries in alphabetical order. For reviews and further information regarding the author’s plays, see Series II: Personal, Newsclippings.
"The road chews up every body. Fortunately James has a regular gig in Austin which he can fall back on when he's exhausted…" Discusses hopes for son James' success. Typed with handwritten addition, 1 page plus envelope, June 18, 2004
The Sipper Collection is comprised of over 100 letters from Larry McMurtry to Ralph Sipper ranging from 1982-2018. Arranged chronologically, they document McMurtry’s practice of and thoughts on book selling and buying. Frequent topics include the sale of screenplays, his work in the film business, and mutual acquaintances in the literary world.
“The Runaway Scrape” annotated incomplete draft, undated
Materials related to Elizabeth Crook’s novels The Raven’s Bride, Promised Lands, Dog Hill Diaries (unpublished, working title)
“The Runaway Scrape” annotated partial typescript, undated
Materials related to Elizabeth Crook’s novels The Raven’s Bride, Promised Lands, Dog Hill Diaries (unpublished, working title)