Literature

Subseries Description From the Sub-Series:

Permissions and Other Contracts span 1986-2010 and are housed in boxes 152-160. These are arranged by year and are divided into permissions, royalties, and contracts for appearances.

Subseries Description From the Sub-Series:

Permissions and Other Contracts span 1986-2010 and are housed in boxes 152-160. These are arranged by year and are divided into permissions, royalties, and contracts for appearances.

Subseries Description From the Sub-Series:

Permissions and Other Contracts span 1986-2010 and are housed in boxes 152-160. These are arranged by year and are divided into permissions, royalties, and contracts for appearances.

Subseries Description From the Sub-Series:

Permissions and Other Contracts span 1986-2010 and are housed in boxes 152-160. These are arranged by year and are divided into permissions, royalties, and contracts for appearances.

Subseries Description From the Sub-Series:

Permissions and Other Contracts span 1986-2010 and are housed in boxes 152-160. These are arranged by year and are divided into permissions, royalties, and contracts for appearances.

Subseries Description From the Sub-Series:

Permissions and Other Contracts span 1986-2010 and are housed in boxes 152-160. These are arranged by year and are divided into permissions, royalties, and contracts for appearances.

Subseries Description From the Sub-Series:

Permissions and Other Contracts span 1986-2010 and are housed in boxes 152-160. These are arranged by year and are divided into permissions, royalties, and contracts for appearances.

Subseries Description From the Sub-Series:

Permissions and Other Contracts span 1986-2010 and are housed in boxes 152-160. These are arranged by year and are divided into permissions, royalties, and contracts for appearances.

Subseries Description From the Sub-Series:

Permissions and Other Contracts span 1986-2010 and are housed in boxes 152-160. These are arranged by year and are divided into permissions, royalties, and contracts for appearances.

Subseries Description From the Sub-Series:

Permissions and Other Contracts span 1986-2010 and are housed in boxes 152-160. These are arranged by year and are divided into permissions, royalties, and contracts for appearances.

Subseries Description From the Sub-Series:

Permissions and Other Contracts span 1986-2010 and are housed in boxes 152-160. These are arranged by year and are divided into permissions, royalties, and contracts for appearances.

Subseries Description From the Sub-Series:

Permissions and Other Contracts span 1986-2010 and are housed in boxes 152-160. These are arranged by year and are divided into permissions, royalties, and contracts for appearances.

Subseries Description From the Sub-Series:

Permissions and Other Contracts span 1986-2010 and are housed in boxes 152-160. These are arranged by year and are divided into permissions, royalties, and contracts for appearances.

Subseries Description From the Sub-Series:

Permissions and Other Contracts span 1986-2010 and are housed in boxes 152-160. These are arranged by year and are divided into permissions, royalties, and contracts for appearances.

Subseries Description From the Sub-Series:

The bulk of the material for Loose Woman are the poems, arranged alphabetically. Many were originally housed in a folder titled “complete book.” Additional material includes proofs from Knopf, promotional displays, and Spanish translations by Paloma Zozaya and Marilar Aleixandre.

Series Description From the Series: The extensive correspondence files span 1980-2013 and are arranged alphabetically by correspondent. Every correspondent is included in the container list, and when known, organizational affiliations are listed in parenthesis. Individuals with a significant quantity of letters include: Jeffrey Abrahams; Norma Alarcón; Dorothy Allison; Julia Alvarez; Beatrix Badikian; Gertrude Baker; Ruth Behar; Ronnie Burke; Norma Cantu; Ana Castillo; Denise Chávez; Carlos Cumpián; Ted Dvoracek; Gayle...

Scope and Contents

This series includes a medal Troncoso won in grade school, a full year run of Pow-Wow(the high school paper he was editor of at Ysleta High School), and name badges from Harvard reunions. Of particular note are Troncoso’s handwritten college application essays and academic papers from his studies at Harvard and Yale.

Sub-Series Description Personal correspondence in this subseries includes letters to Vliet from long-time friends such as Ruth Bloom, Harry Clauss, Alan Distler, John Haag, Ralph Houston, and David Lyttle. Several letters from Vliet to Ralph Houston are also included here, presumably sent to Ann Vliet after R.G. Vliet’s death. These letters are of special interest in that they discuss Vliet’s writing and his health. Correspondence from Vliet’s family include genealogical information, and a letter from Vliet’s...

Series Description From the Series: The Correspondence Series is arranged chronologically and constitutes the bulk of the record group. The Winifred Sanford subseries, 1924- 1982, is divided into two categories, the first of which contains letters documenting her literary career. Of special interest are numerous letters to and from H. L. Mencken, many of which contain his encouragements and advice to her, (see Correspondence List). The series also includes original incoming letters written by publishers and editors to Winifred...

Series Description From the Series: The Correspondence Series is arranged chronologically and constitutes the bulk of the record group. The Winifred Sanford subseries, 1924- 1982, is divided into two categories, the first of which contains letters documenting her literary career. Of special interest are numerous letters to and from H. L. Mencken, many of which contain his encouragements and advice to her, (see Correspondence List). The series also includes original incoming letters written by publishers and editors to Winifred...