Literature
Found in 6114 Collections and/or Records:
Paris. 7 pages with two laid-in scraps. Blue cloth “Remember me” cover, 1996
Paris. 10 pages. Blue “Remember me” cover, circa 1996
Paris, France, circa 2004
(27 photographs)
Paris, France. Approximately 200 pages with 2 pages of laid-in notes. Yellow Fiorucci cover, 1982
“Paris Metro”, 2003
Subjects include Aleksandra Cisneros. (4 photographs)
Paris, TX (1984)
Paris vacation, 2002
(2 folders: 100, 104 photographs)
“Paris Where the Lonely Go Insane,” 3 typed pages, heavily corrected
Europe Poems were originally housed together in one folder and date from Cisneros’ time abroad in Greece, 1982-1983. Some were later published in My Wicked Wicked Ways and Loose Woman. The poems are arranged alphabetically, with untitled poems and fragments at the end.
Part 6 editing notes and revisions
Partial corrected draft printout
Partial corrected draft printout with insert
Partial draft, January 3, 1983
"This one got stuck between thinking and feeling. The best stuff (the old men, the feathered airplane, the Mask itself) come from cutting the subconscious loose. Much of the rest of the story is contrivance--that is to say, thought out. The two didn't mix." Bill Wittliff, February 24, 1989
Partial draft with comments, undated
Partial early draft, undated
Partial early draft, June 29, 2001
Partial early draft of Part III, undated
Materials between Cisneros and agent Susan Bergholz relating to Caramelo includes correspondence and shared drafts and fragments.
Partial Early Drafts, 2000, undated
Partial manuscript, 100 handwritten pages in blue spiral notebook includes set drawings , 1989
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Partial manuscript and annotated typescript titled States of Panic, crossed out titles include Lost Partners, A Fear of Unknown Origin, and The Man Who Couldn’t Stop Weeping, November 12, 1988
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.