Literature
Found in 6114 Collections and/or Records:
Annotated The Which Way Tree manuscript draft, pgs. 151-269 (2 of 2), undated
Annotated The Which Way Tree manuscript draft, pgs. 205-265 (2 of 4), undated
Annotated The Which Way Tree manuscript, pgs. 1-140 (1 of 2), undated
Annotated The Which Way Tree manuscript, pgs. 141-266 (2 of 2), undated
Annotated [The Which Way Tree] screenplay draft, undated
Annotated The Which Way Tree screenplay draft, June 24, 2016
Annotated The Which Way Tree screenplay draft, October 1, 2016
Annotated The Which Way Tree screenplay draft, January 21, 2018
Annotated The Which Way Tree screenplay draft, May 16, 2016
Annotated The Which Way Tree screenplay draft, including notes, November 28, 2016
Annotated The Which Way Tree screenplay draft, including notes, January 25, 2017-December 7, 2017
Annotated The Which Way Tree screenplay draft, pgs. 1-111, including script notes, 2016
Annotated The Which Way Tree typescript manuscript draft with Crook’s and Ben George’s comments (1 of 2), June 19-July 3, 2017
Annotated The Which Way Tree typescript manuscript draft with Crook’s and Ben George’s comments (2 of 2), July 1-27, 2017
Annotated transcript photocopy, 1975
Annotated typed draft, undated
Materials related to Elizabeth Crook’s novels The Raven’s Bride, Promised Lands, Dog Hill Diaries (unpublished, working title)
Annotated typed draft, undated
Materials related to Elizabeth Crook’s novels The Raven’s Bride, Promised Lands, Dog Hill Diaries (unpublished, working title)
Annotated typed manuscript, edited by Eleanor Crook (Elizabeth Crook’s mother) prior to be being sent to the publisher, undated
Materials related to Elizabeth Crook’s novels The Raven’s Bride, Promised Lands, Dog Hill Diaries (unpublished, working title)
Annotated typed manuscript with revisions made for Gail Hochman, Crook’s agent, undated
Materials related to Elizabeth Crook’s novels The Raven’s Bride, Promised Lands, Dog Hill Diaries (unpublished, working title)
Annotated typescript, undated
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
