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Literature

 Subject
Subject Source: Library of Congress Subject Headings

Found in 6114 Collections and/or Records:

Manuscript draft with inserts and notes, November 1980

 File — Box 70, Folder: 5
Series Description From the Series: Again, this series is divided into Produced and Unproduced material.The sub-series of produced works is arranged by production date. The bulk of the sub-series consists of Pancho Villa’s Wedding Day, which, after Shrake turned it from a film script into a play script, underwent more incarnations, including as a musical. Numerous, corrected drafts are included, from 1977 to 1994, when he stopped revising it. The play was staged in 1984. The...
Dates: November 1980

Manuscript musical score by Loren Toolajian [housed in box 26], 1997

 File — Multiple Containers
Series Description From the Series:

The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.

Dates: 1997

Manuscript notes

 File — Box 35, Folder: 2
Series Description From the Series: This series is also divided into Produced and Unproduced work. The Produced sub-series is arranged by production date. It contains similar materials: drafts, correspondence, contracts, promotional materials and press clippings. The three projects Shrake was most closely involved with — Kid Blue, Songwriter and Pair of Aces — contain the most materials. The Beverly Hills Cop II folders...
Dates: 1978-1985, undated

Manuscript (pencil draft)

 File — Box 14, Folder: 6-8
Sub-Series Description From the Sub-Series: This subseries very clearly shows Vliet’s process of writing from preliminary research through final product. It includes extensive background research files including files by subject containing clippings from newspapers and magazines, library call slips, color and black and white photographs, and handwritten notes. Following these research files are drafts of chapters handwritten in pencil, annotated typescripts, clean typescripts, and (minimal) correspondence. Perhaps most meticulously...
Dates: Publication: 1977

Manuscript (pencil draft)

 File — Box 23, Folder: 5
Sub-Series Description From the Sub-Series:

Drafts of plays (mostly handwritten in pencil and annotated) and typescripts (mostly mimeographs or photocopies with annotations) are arranged in this subseries in alphabetical order. For reviews and further information regarding the author’s plays, see Series II: Personal, Newsclippings.

Dates: 1960

Manuscript, pencil draft, undated

 File — Box 3, Folder: 6
Sub-Series Description From the Sub-Series: This subseries very clearly shows Vliet’s process of writing from preliminary research through final product. It includes extensive background research files including files by subject containing clippings from newspapers and magazines, library call slips, color and black and white photographs, and handwritten notes. Following these research files are drafts of chapters handwritten in pencil, annotated typescripts, clean typescripts, and (minimal) correspondence. Perhaps most meticulously...
Dates: Other: undated

Manuscripts used in revision of Soledad, 1982

 File — Box 18, Folder: 6
Sub-Series Description From the Sub-Series: This subseries very clearly shows Vliet’s process of writing from preliminary research through final product. It includes extensive background research files including files by subject containing clippings from newspapers and magazines, library call slips, color and black and white photographs, and handwritten notes. Following these research files are drafts of chapters handwritten in pencil, annotated typescripts, clean typescripts, and (minimal) correspondence. Perhaps most meticulously...
Dates: 1982

Maps

 File — Box 3, Folder: 7
Series Description From the Series:

This series includes extensive research files and many annotated typescripts of Crook’s first novel. The research files include clippings, handwritten notes, photographs, and correspondence with research assistant Eva B. Denning, of Gallatin, TN, 1984-90. The typescripts have been arranged in alphabetical order by working titles.

Dates: 1984-1990, undated

Maps

 File — Box 31, Folder: 7
Sub-Series Description From the Sub-Series:

Handwritten and typed notes, clippings, and photocopies, arranged in alphabetical order by the author’s subject categories, comprise the majority of this subseries. Also included are several folders of topographical and road maps of various Texas counties and other locations.

Dates: undated

“Maps”, undated

 File — Box 1995, Folder: 11
Scope and Contents From the Collection:

Materials related to Elizabeth Crook’s novels The Raven’s Bride, Promised Lands, Dog Hill Diaries (unpublished, working title)

Dates: undated

Maps – 2 maps: Mexico and Mexico and Central America [Maps are not SC’s; likely Kiki’s]

 File — Box 56, Folder: 4
Subseries Description From the Sub-Series: The largest subseries in Monographs is material relating to the writing and publication of Caramelo. Research, notes, chapter drafts, and book drafts document Cisneros’ writing process. Research files and notes provide evidence of the depth of research that went into the book, loosely based on her own family history. Included among the topics are immigration, Mexico, San Antonio, music, and war. Notes includes story development “road maps,” outlines, and files that Cisneros created on topics...
Dates: 1993 - 2002

Maps, brochures, “A Letter to the West”

 File — Box 4, Folder: 6
Sub-Series Description From the Sub-Series: The subseries Causes documented Cisneros’ interest in civic and global issues. Included are letters she wrote to the editors of carious newspapers (1995-2013); materials relating to her appearance at the 1996 Democratic National Convention; peace proposals; and files relating to the San Antonio Public Library – and specifically, the need to include more Latino and Latina voices. Also included is a number of files relating to the war in Sarajevo in 1989 – a place that Cisneros visited in...
Dates: 1989, 1993

Mar - Martin

 File — Box 125, Folder: 8
Correspondents Marbut, Robert, 1998; Marello, Laura, 1982-1983, 1994; Margo, Adair (Texas Cultural Trust), 2010; Mariani, Philomena (Dia Center for the Arts), 1991; Marino, Lisa, 1989; [Markovizov], Maria, 1992; Marquez, Carmen, 2010; Marquez, Maria, 1995; Marquez, Teresa (The University of New Mexico), 1991, 1993; Marr, Patsy, 2001; Marrou, Valerie (Stockdale Independent School District), 2005; Marshall, Caroline, 1994; Marshall, Donald (The University of Illinois at Chicago),...
Dates: 1980 - 2013

Margolin and Parker – “The Wileys” , 1969

 File — Box 142, Folder: 1
Series Description From the Series: Shrake kept files of works by various writers, which are kept in this series. Some of these files contain editing notes by Shrake or correspondence from the writer. The series is arranged alphabetically by author’s last name. Included are the production files for Another Pair of Aces, a TV movie written by Rob Gilmer that was a sequel to Shrake and Cartwright’s Pair of Aces. Shrake was a co-producer of this movie. In the late...
Dates: 1969

Mariana Nunn, 2001

 Item — Box 163, Folder: 15
Subseries Description From the Sub-Series:

Portraits are formal, posed photographs of Cisneros, and are arranged chronologically. Photographers include her brother, Henry (Kiki) Cisneros, Joan Frederick, Alexandro Galindo, Ruben Guzman, Armando Rascón, Al Rendon, and Diana Solís, among others. Also included are a number of portraits of Cisneros with others, notably with her mother in 1998, and Gertrude Baker, Ruben Guzman, Denise Chavez, Jasna Karaula, and Emma Tenayuca.

Dates: 2001

“Mariela,” [published in My Wicked Wicked Ways], 1 photocopy page; Spanish translation by Barbara Brinson-Pineda

 File — Box 42, Folder: 23
Subseries Description From the Sub-Series: Early poems span 1971-1986 and are arranged alphabetically. Many were originally housed in two black binders. The first binder contents are in folders 1-51 and were from Cisneros’ time at The University of Iowa. The second binder is in folder 53 and contains early poems, many later published in My Wicked Wicked Ways. Additional early poems not originally housed in one of the two binders are listed alphabetically and include high school poems. Also included are titles with numerous...
Dates: 1971 - 1985

Marist High School, Chicago

 File — Box 259, Folder: 17
Series Description From the Series: Reader Correspondence, 1990-2013, is arranged chronologically. Each year is separated into letters from individuals and letters from classes. The individual letters are typical fan letters and document the effect her writing has had on her readers. The class letters are often packets sent by teachers containing letters from students who have read her works in class, and sometimes thank-you letters from students whose class Cisneros visited. When known, the school name is included in the...
Dates: 2010

Mark Rothbaum (2 interviews; 2 copies each)

 File — Box 81, Folder: 9
Scope and Contents From the Series: Though essentially consisting of only three projects, all published, this sub-series contains a voluminous amount of research on its subjects, especially Willie Nelson. Included in the Willie materials are numerous tapes and transcripts of interviews Shrake and others did with Nelson and his acquaintances. Also included are clipping files on Nelson and country music going back to 1978 (when Shrake was writing the Songwriter screenplay), and many files of...
Dates: 1978-2002, undated

Market list, undated

 File — Box 32, Folder: 7
Sub-Series Description From the Sub-Series: Business correspondence relates to Vliet’s writing career, and covers such subjects as writing submissions, editing of works to be published, royalties for published works. Correspondents include various poetry and literary journals, Texas Institute of Letters, the Ford Foundation, and Vliet’s agent, Lucy Kroll, of the Lucy Kroll Agency. Two non-correspondence files were filed by the author with this business correspondence, and are located at the beginning of this group of...
Dates: undated