Literature
Found in 5880 Collections and/or Records:
Maldonado “Constructing a Deconstruction of Authority Figures Within Latina Writings”, June 14, 2004
These writings about Cisneros are arranged chronologically from 1981-2012 and include academic articles, interviews, and writer’s biographies. Undated writings about Cisneros are housed in box 89 and are arranged alphabetically by author. Newspaper articles and publicity writings about Cisneros can be found in Series XIX: Publicity.
“Males Conference, Laredo, TX”, 1992
Subjects include [Norma Castro], Marcia Ochoa, Sonia, Yvonne, Norma A. (49 Photographs)
"Malestroms Large and Small: An Evening of Primo Levi," Manhattan Theater Club script and correspondence, 1991
This series is comprised of Shepard’s notes, correspondence and annotated photocopies of excerpts of his work read at various events. Arranged in chronological order by the event’s date.
“Mama’s Birthday” [Chicago], 2003
Subjects include Elvira Cordero Anguiano (9 photographs)
Man on horse
Man playing fiddle
Mango, vol 2. Includes “Mariela” and “In a Red- neck Bar Down the Street”, Winter/Fall 1979/1980
Arranged chronologically, Publications span 1970-2003 and include magazines and journals that contain contributions by Cisneros. The earliest items are literary magazines Now and Cadence, from Josephinum Academy and Loyola University, respectively. For each publication, the date and title of the Cisneros contribution is included in the container list. Oversized publications are in box 85.
Manny Newburger, 1990, undated
Seven subjects of a legal nature are documented in this series: Austin Sun Publishing Company, Jan Demetri, ICM Contracts, Gary DeShazo, D.W.I., Buttercup Mountain and Manny Newburger. The series is arranged chronologically.
Manuscript and typescript pages for early draft titled Chattanooga, Fanatics, and, Chattanooga Breakdown , January-May 1989
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Manuscript draft
Manuscript draft with inserts and notes, November 1980
Manuscript musical score by Loren Toolajian [housed in box 26], 1997
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Manuscript notes
Manuscript (pencil draft)
Manuscript (pencil draft)
Drafts of plays (mostly handwritten in pencil and annotated) and typescripts (mostly mimeographs or photocopies with annotations) are arranged in this subseries in alphabetical order. For reviews and further information regarding the author’s plays, see Series II: Personal, Newsclippings.
Manuscript, pencil draft, undated
Manuscripts used in revision of Soledad, 1982
Maps
This series includes extensive research files and many annotated typescripts of Crook’s first novel. The research files include clippings, handwritten notes, photographs, and correspondence with research assistant Eva B. Denning, of Gallatin, TN, 1984-90. The typescripts have been arranged in alphabetical order by working titles.
“Maps”, undated
Materials related to Elizabeth Crook’s novels The Raven’s Bride, Promised Lands, Dog Hill Diaries (unpublished, working title)
Maps
Handwritten and typed notes, clippings, and photocopies, arranged in alphabetical order by the author’s subject categories, comprise the majority of this subseries. Also included are several folders of topographical and road maps of various Texas counties and other locations.