Literature

Sub-Series Description From the Sub-Series: Thaddeus Rose and Eddie was the first script written by Wittliff to be produced. The working title was "Sledge and Eddie," and some of the early drafts are titled as such. Wittliff's agent brought the script to the attention of producers Rod Sheldon and Dan Paulson. The TV movie was directed by Texas director Jack Starrett and starred Bo Hopkins and Johnny Cash. The film aired on the CBS network Friday Night Movies, February 24, 1978 to generally favorable reviews. The production brought...

Sub-Series Description From the Sub-Series:

Drafts of plays (mostly handwritten in pencil and annotated) and typescripts (mostly mimeographs or photocopies with annotations) are arranged in this subseries in alphabetical order. For reviews and further information regarding the author’s plays, see Series II: Personal, Newsclippings.

Series Description From the Series:

The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.

Series Description From the Series: This series is also divided into Produced and Unproduced work. The Produced sub-series is arranged by production date. It contains similar materials: drafts, correspondence, contracts, promotional materials and press clippings. The three projects Shrake was most closely involved with — Kid Blue, Songwriter and Pair of Aces — contain the most materials. The Beverly Hills Cop II folders...

Series Description From the Series: This series is also divided into Produced and Unproduced work. The Produced sub-series is arranged by production date. It contains similar materials: drafts, correspondence, contracts, promotional materials and press clippings. The three projects Shrake was most closely involved with — Kid Blue, Songwriter and Pair of Aces — contain the most materials. The Beverly Hills Cop II folders...

Series Description From the Series: This series is also divided into Produced and Unproduced work. The Produced sub-series is arranged by production date. It contains similar materials: drafts, correspondence, contracts, promotional materials and press clippings. The three projects Shrake was most closely involved with — Kid Blue, Songwriter and Pair of Aces — contain the most materials. The Beverly Hills Cop II folders...

Sub-Series Description From the Sub-Series:

Final shooting script has original drawing by Wittliff and is autographed by Wittliff and Willie Nelson. Produced by Nelson and Wittliff. Directed by Wittliff. Script Supervisor Cate Hardman Roach. Film was edited in Wittliff's offices by Eric A. Williams and Stephen Purvis. Slides removed from original sleeves and put in archival sleeves. Marked original sleeves are in front of re-sleeved slides.

Series Description From the Series:

The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.

Sub-Series Description From the Sub-Series:

Drafts of plays (mostly handwritten in pencil and annotated) and typescripts (mostly mimeographs or photocopies with annotations) are arranged in this subseries in alphabetical order. For reviews and further information regarding the author’s plays, see Series II: Personal, Newsclippings.

Sub-Series Description From the Sub-Series:

Drafts of plays (mostly handwritten in pencil and annotated) and typescripts (mostly mimeographs or photocopies with annotations) are arranged in this subseries in alphabetical order. For reviews and further information regarding the author’s plays, see Series II: Personal, Newsclippings.

Series Description From the Series:

The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.

Series Description From the Series: Again, this series is divided into Produced and Unproduced material.The sub-series of produced works is arranged by production date. The bulk of the sub-series consists of Pancho Villa’s Wedding Day, which, after Shrake turned it from a film script into a play script, underwent more incarnations, including as a musical. Numerous, corrected drafts are included, from 1977 to 1994, when he stopped revising it. The play was staged in 1984. The...

Scope and Contents From the Series: Though essentially consisting of only three projects, all published, this sub-series contains a voluminous amount of research on its subjects, especially Willie Nelson. Included in the Willie materials are numerous tapes and transcripts of interviews Shrake and others did with Nelson and his acquaintances. Also included are clipping files on Nelson and country music going back to 1978 (when Shrake was writing the Songwriter screenplay), and many files of...

Sub-Series Description From the Sub-Series:

Check registers, bank statements, tax receipts and notes comprise one-half of this subseries. The second half includes financial notes and notebooks maintained by R. G. Vliet, which document expenditures relating to research and writing and may have been tax deductible.

Series Description This series is arranged chronologically, and contains receipts, income taxes, expense reports, financial statements and other documents related to various aspects of Shrake’s life. The financial records tend to give snapshots of Shrake’s financial situation and lifestyle through the years, rather than a complete picture. Besides expense reports from Sports Illustrated that go to 1976, the financial records do not contain any documents between 1972 and...

Series Description From the Series:

This seriesdocuments the two corporations that Shrake started and operated: Mad Dog, Inc. and East Pole Corporation. The Mad Dog, Inc. Corporate Structure and correspondence reflect the company’s satirical nature. The East Pole Corporation materials include receipts, reports, a budget, tax records, pension plan and an embosser.

Sub-Series Description

Check registers, bank statements, tax receipts and notes comprise one-half of this subseries. The second half includes financial notes and notebooks maintained by R. G. Vliet, which document expenditures relating to research and writing and may have been tax deductible.

Series Description From the Series: This series is arranged chronologically, and contains receipts, income taxes, expense reports, financial statements and other documents related to various aspects of Shrake’s life. The financial records tend to give snapshots of Shrake’s financial situation and lifestyle through the years, rather than a complete picture. Besides expense reports from Sports Illustrated that go to 1976, the financial records do not contain any documents between 1972 and...

Scope and Contents From the Series: This series contains drafts of Troncoso’s published works and makes up the bulk of the collection. The series is arranged chronologically beginning with The Last Tortilla and Other Stories(1999) and ending with From This Wicked Patch of Dust(2011). The Nature of Truth(2003; 2014) is particularly well-represented with multiple drafts, many with Troncoso’s handwritten edits. Also of note is the 1987 copy of the short story “The...

Subseries Description From the Sub-Series:

Portraits are formal, posed photographs of Cisneros, and are arranged chronologically. Photographers include her brother, Henry (Kiki) Cisneros, Joan Frederick, Alexandro Galindo, Ruben Guzman, Armando Rascón, Al Rendon, and Diana Solís, among others. Also included are a number of portraits of Cisneros with others, notably with her mother in 1998, and Gertrude Baker, Ruben Guzman, Denise Chavez, Jasna Karaula, and Emma Tenayuca.