Literature

Series Description From the Series:

The Screenplays are arranged chronologically according to when they were written. The order does not reflect the order in which the films were released. The date following the title in parentheses is the release date. Photographs, film, and videotape may not be duplicated without permission from the Wittliff estate.

Series Description From the Series: The series is composed of two sub-series Published and Unpublished material. Published material starts with the first short story Shrake published, in 1959, and ending with his last novel to be published, in 2006, this sub-series is arranged chronologically according to publication date. It contains handwritten, typewritten and computer-generated drafts, proofs of all kinds, correspondence, contracts, promotional materials, research files, and press clippings. The book with the...

Sub-Series Description From the Sub-Series: This subseries very clearly shows Vliet’s process of writing from preliminary research through final product. It includes extensive background research files including files by subject containing clippings from newspapers and magazines, library call slips, color and black and white photographs, and handwritten notes. Following these research files are drafts of chapters handwritten in pencil, annotated typescripts, clean typescripts, and (minimal) correspondence. Perhaps most meticulously...

Series Description From the Series: The extensive correspondence files span 1980-2013 and are arranged alphabetically by correspondent. Every correspondent is included in the container list, and when known, organizational affiliations are listed in parenthesis. Individuals with a significant quantity of letters include: Jeffrey Abrahams; Norma Alarcón; Dorothy Allison; Julia Alvarez; Beatrix Badikian; Gertrude Baker; Ruth Behar; Ronnie Burke; Norma Cantu; Ana Castillo; Denise Chávez; Carlos Cumpián; Ted Dvoracek; Gayle...

Series Description From the Series:

These writings about Cisneros are arranged chronologically from 1981-2012 and include academic articles, interviews, and writer’s biographies. Undated writings about Cisneros are housed in box 89 and are arranged alphabetically by author. Newspaper articles and publicity writings about Cisneros can be found in Series XIX: Publicity.

Sub-Series Description From the Sub-Series:

Handwritten and typed notes, clippings, and photocopies, arranged in alphabetical order by the author’s subject categories, comprise the majority of this subseries. Also included are several folders of topographical and road maps of various Texas counties and other locations.

Subseries Description From the Sub-Series:

Europe Poems were originally housed together in one folder and date from Cisneros’ time abroad in Greece, 1982-1983. Some were later published in My Wicked Wicked Ways and Loose Woman. The poems are arranged alphabetically, with untitled poems and fragments at the end.

Correspondents

Flato, Katy (San Antonio Public Library), 1995; Fleischman, Mel, 2012; FLOC, 1999, 2010; Flores, Anel I., 2004, 2012; Flores, Carlos, 1990; Flores, Leticia, 1999; Flores, Lucy, 2006-2007; Flores, Roger (Councilman), 1998; Flores, Yvette, 1990, 1992; Flores and Casasola Family, undated; Flusberg, Yael, 2007, 2010, 2011; Fly, Everett, 1995, 1997; Flying Chalupa Productions, undated; Flynn, Patricia, 2006, undated

Series Description From the Series:

These writings about Cisneros are arranged chronologically from 1981-2012 and include academic articles, interviews, and writer’s biographies. Undated writings about Cisneros are housed in box 89 and are arranged alphabetically by author. Newspaper articles and publicity writings about Cisneros can be found in Series XIX: Publicity.

Subseries Description From the Sub-Series:

Later Poems span 1985-2014 and did not come in any original order. They are arranged alphabetically. Most poems are single drafts, but or insight into Cisneros’ revision process, there are eight progressive drafts of the 1995 poem “Morning After Tango.”

Series Description From the Series:

These writings about Cisneros are arranged chronologically from 1981-2012 and include academic articles, interviews, and writer’s biographies. Undated writings about Cisneros are housed in box 89 and are arranged alphabetically by author. Newspaper articles and publicity writings about Cisneros can be found in Series XIX: Publicity.

Scope and Contents From the Series:

Series I: Novels (1991-1999) documents the writing and editing process of Bonner’s four published novels, Lily, Looking After Lily, The Passion of Dellie O’Barr, and Right from Wrong. This series also includesthe unpublished novel “Flossie/War Dreams." Formats include research notes, annotated drafts, proofs, and correspondence.

Scope and Contents From the Series:

Series I: Novels (1991-1999) documents the writing and editing process of Bonner’s four published novels, Lily, Looking After Lily, The Passion of Dellie O’Barr, and Right from Wrong. This series also includesthe unpublished novel “Flossie/War Dreams." Formats include research notes, annotated drafts, proofs, and correspondence.

Sub-Series Description From the Sub-Series: This subseries very clearly shows Vliet’s process of writing from preliminary research through final product. It includes extensive background research files including files by subject containing clippings from newspapers and magazines, library call slips, color and black and white photographs, and handwritten notes. Following these research files are drafts of chapters handwritten in pencil, annotated typescripts, clean typescripts, and (minimal) correspondence. Perhaps most meticulously...

Series Description From the Series: The series is composed of two sub-series Published and Unpublished material. Published material starts with the first short story Shrake published, in 1959, and ending with his last novel to be published, in 2006, this sub-series is arranged chronologically according to publication date. It contains handwritten, typewritten and computer-generated drafts, proofs of all kinds, correspondence, contracts, promotional materials, research files, and press clippings. The book with the...

Scope and Contents From the Series: This series is separated into three subseries: Appearances, Clippings, and Magazines. Appearances (1999-2020, undated) contains flyers, programs, and brochures of Troncoso’s many appearances at festivals and events. Of particular note is a souvenir from the 2003 Hispanic Scholarship Fund Alumni Hall of Fame Induction Ceremony that includes a video of the event where Troncoso won the Brilliante award.Clippings (1975-2011, undated) predominately contains newspaper...

Correspondents Foley, Neil (University of Texas at Austin), 2003; Fontana, Dawn, 2005; Fontes, Montserrat, 1991; Fortney, Olin, 1991; Fountain, Tammy, 1995; Fountain, Ben (Southwest Review), 2005; Fox, Laura A. (Notre Dame Literary Festival), 2005; Fox-Barber, Ana Maria, 1995, 1998; Francisca, Julie, 1992, 1999; Franco, Betsy, 1992; Franco, Josh, 2008; Frank M. Tejeda Academy, 2000, 2006; Franklin, J. Thomas (Tom), 1995; Franklin, Phyllis (Modern Language Association), 1995;...

Series Description From the Series: This series is divided into two subseries. The first, films for which Shepard wrote the screenplay, includes: notes, annotated drafts, dialogue rewrites, publicity, correspondence, contracts, music notes, production notes and schedules. Of the films in this subseries, Silent Tongueincludes the most information (1 linear foot), followed by Far North(.25 linear feet.), Onibaba(.25 linear feet),...

Series Description From the Series:

The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.

Series Description From the Series:

The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.