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Literature

 Subject
Subject Source: Library of Congress Subject Headings

Found in 5880 Collections and/or Records:

Final shooting script

 File — Box 34, Folder: 9
Series Description From the Series: This series is also divided into Produced and Unproduced work. The Produced sub-series is arranged by production date. It contains similar materials: drafts, correspondence, contracts, promotional materials and press clippings. The three projects Shrake was most closely involved with — Kid Blue, Songwriter and Pair of Aces — contain the most materials. The Beverly Hills Cop II folders...
Dates: 1978-1979

Final shooting script

 File — Box 35, Folder: 1
Series Description From the Series: This series is also divided into Produced and Unproduced work. The Produced sub-series is arranged by production date. It contains similar materials: drafts, correspondence, contracts, promotional materials and press clippings. The three projects Shrake was most closely involved with — Kid Blue, Songwriter and Pair of Aces — contain the most materials. The Beverly Hills Cop II folders...
Dates: 1978-1985, undated

Final Shooting Script, November 1989

 File — Box 43, Folder: 2
Series Description From the Series: This series is also divided into Produced and Unproduced work. The Produced sub-series is arranged by production date. It contains similar materials: drafts, correspondence, contracts, promotional materials and press clippings. The three projects Shrake was most closely involved with — Kid Blue, Songwriter and Pair of Aces — contain the most materials. The Beverly Hills Cop II folders...
Dates: November 1989

Final shooting script, April 22, 1985

 File — Box 307, Folder: 4
Sub-Series Description From the Sub-Series:

Final shooting script has original drawing by Wittliff and is autographed by Wittliff and Willie Nelson. Produced by Nelson and Wittliff. Directed by Wittliff. Script Supervisor Cate Hardman Roach. Film was edited in Wittliff's offices by Eric A. Williams and Stephen Purvis. Slides removed from original sleeves and put in archival sleeves. Marked original sleeves are in front of re-sleeved slides.

Dates: April 22, 1985

Final Steppenwolf re-write, annotated typescript, 1996

 File — Box 1, Folder: 12
Series Description From the Series:

The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.

Dates: 1996

“Final” typescript, undated

 File — Box 22, Folder: 8
Sub-Series Description From the Sub-Series:

Drafts of plays (mostly handwritten in pencil and annotated) and typescripts (mostly mimeographs or photocopies with annotations) are arranged in this subseries in alphabetical order. For reviews and further information regarding the author’s plays, see Series II: Personal, Newsclippings.

Dates: undated

Final typescript, 1982

 File — Box 23, Folder: 3
Sub-Series Description From the Sub-Series:

Drafts of plays (mostly handwritten in pencil and annotated) and typescripts (mostly mimeographs or photocopies with annotations) are arranged in this subseries in alphabetical order. For reviews and further information regarding the author’s plays, see Series II: Personal, Newsclippings.

Dates: 1982

Final Version, April 1998

 File — Box 7, Folder: 5
Series Description From the Series:

The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.

Dates: April 1998

Financial

 File — Box 73, Folder: 2
Series Description From the Series: Again, this series is divided into Produced and Unproduced material.The sub-series of produced works is arranged by production date. The bulk of the sub-series consists of Pancho Villa’s Wedding Day, which, after Shrake turned it from a film script into a play script, underwent more incarnations, including as a musical. Numerous, corrected drafts are included, from 1977 to 1994, when he stopped revising it. The play was staged in 1984. The...
Dates: 1977-1994, undated

Financial, 1993-2002

 File — Box 98, Folder: 5
Scope and Contents From the Series: Though essentially consisting of only three projects, all published, this sub-series contains a voluminous amount of research on its subjects, especially Willie Nelson. Included in the Willie materials are numerous tapes and transcripts of interviews Shrake and others did with Nelson and his acquaintances. Also included are clipping files on Nelson and country music going back to 1978 (when Shrake was writing the Songwriter screenplay), and many files of...
Dates: 1993-2002

Financial notes and notebooks, 1960 - 1980

 Sub-Series — Box 39, Folder: 1-6
Sub-Series Description From the Sub-Series:

Check registers, bank statements, tax receipts and notes comprise one-half of this subseries. The second half includes financial notes and notebooks maintained by R. G. Vliet, which document expenditures relating to research and writing and may have been tax deductible.

Dates: 1960 - 1980

Financial Papers, 1963-2000

 Series
Series Description This series is arranged chronologically, and contains receipts, income taxes, expense reports, financial statements and other documents related to various aspects of Shrake’s life. The financial records tend to give snapshots of Shrake’s financial situation and lifestyle through the years, rather than a complete picture. Besides expense reports from Sports Illustrated that go to 1976, the financial records do not contain any documents between 1972 and...
Dates: 1963-2000

Financial Records, 1969-1970

 File — Box 122, Folder: 14
Series Description From the Series:

This seriesdocuments the two corporations that Shrake started and operated: Mad Dog, Inc. and East Pole Corporation. The Mad Dog, Inc. Corporate Structure and correspondence reflect the company’s satirical nature. The East Pole Corporation materials include receipts, reports, a budget, tax records, pension plan and an embosser.

Dates: 1969-1970

Financial Records, 1964 - 1990

 Sub-Series
Sub-Series Description

Check registers, bank statements, tax receipts and notes comprise one-half of this subseries. The second half includes financial notes and notebooks maintained by R. G. Vliet, which document expenditures relating to research and writing and may have been tax deductible.

Dates: 1964 - 1990

Financial Statements, 1996-1997

 File — Box 122, Folder: 9
Series Description From the Series: This series is arranged chronologically, and contains receipts, income taxes, expense reports, financial statements and other documents related to various aspects of Shrake’s life. The financial records tend to give snapshots of Shrake’s financial situation and lifestyle through the years, rather than a complete picture. Besides expense reports from Sports Illustrated that go to 1976, the financial records do not contain any documents between 1972 and...
Dates: 1996-1997

“Finding Our Voice: Latinos in the Cultural and Political Debates of the United States”, 2010

 File — Box 10, Folder: 4
Scope and Contents From the Series: This series contains drafts of Troncoso’s published works and makes up the bulk of the collection. The series is arranged chronologically beginning with The Last Tortilla and Other Stories(1999) and ending with From This Wicked Patch of Dust(2011). The Nature of Truth(2003; 2014) is particularly well-represented with multiple drafts, many with Troncoso’s handwritten edits. Also of note is the 1987 copy of the short story “The...
Dates: 2010

Fine art photography by Diana Solís, (9) 5x7 prints, (7) postcards, and contact sheets, plus (12) 5x7 prints and (8) 4x6 prints of Cisneros with her mother Elvira., 1998

 File — Box 162, Folder: 17
Subseries Description From the Sub-Series:

Portraits are formal, posed photographs of Cisneros, and are arranged chronologically. Photographers include her brother, Henry (Kiki) Cisneros, Joan Frederick, Alexandro Galindo, Ruben Guzman, Armando Rascón, Al Rendon, and Diana Solís, among others. Also included are a number of portraits of Cisneros with others, notably with her mother in 1998, and Gertrude Baker, Ruben Guzman, Denise Chavez, Jasna Karaula, and Emma Tenayuca.

Dates: 1998

First Among the Best, 1984-2002, undated

 Sub-subseries
Series Description From the Series: This series is also divided into Produced and Unproduced work. The Produced sub-series is arranged by production date. It contains similar materials: drafts, correspondence, contracts, promotional materials and press clippings. The three projects Shrake was most closely involved with — Kid Blue, Songwriter and Pair of Aces — contain the most materials. The Beverly Hills Cop II folders...
Dates: 1984-2002, undated

"First books are interesting - I imagine in these heady days the inscriptions are where the top dollar is…" Handwritten on Booked Up letterhead, 1 page plus envelope, July 18, 2005

 File — Box 1, Folder: 6
Scope and Contents From the Collection:

The Sipper Collection is comprised of over 100 letters from Larry McMurtry to Ralph Sipper ranging from 1982-2018. Arranged chronologically, they document McMurtry’s practice of and thoughts on book selling and buying. Frequent topics include the sale of screenplays, his work in the film business, and mutual acquaintances in the literary world.

Dates: July 18, 2005

“First diary ever written.” Includes laid-in photograph and ribbon, and a photo of teacher, Sister Jacinta. Approximately 370 pages. Cream cover (loose spine), 1967

 File — Box 12, Folder: 1
Series Description From the Series: This series includes 23 diaries spanning forty years (1967-2007). Arranged chronologically, they provide an insight into Cisneros’ daily activities and thoughts. Many of the diaries include drafts of poems or story ideas, including the 1982 diary from France and Italy with “Martita Te Recuerdo,” and the 1989-1990 diary from San Antonio with notes for “Eyes of Zapata” and “Lorenzo, Center of the Universe.” Many of the early diaries have laid-in items that include letters, notes, postcards,...
Dates: 1967