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Motion pictures

 Subject
Subject Source: Library of Congress Subject Headings
Scope Note: Here are entered works on motion pictures themselves, including motion pictures as an art form, copyrighting, distribution, editing, plots, production, etc. Works about the technical aspects of making motion pictures and their projection onto a screen are entered under [Cinematography.] Works about the technical aspects of making video recordings, i.e., creating and storing moving images in an electronic form and displaying them on an electronic display are entered under [Video recording.] Works about the artistic aspects of making video recordings are entered under [Video recordings--Production and direction.]

Found in 2071 Collections and/or Records:

Brothers in Arms uncorrected proof, 1986 (with laid-in correction); Alfred A. Knopf publishing catalog, Spring 1986

 File — Box 3931, Folder: 9
Scope and Contents From the Series: Archival material donated by writer William Broyles, the bulk of the material is from 1965-2013. This addition includes many materials relating to his magazine career, including clippings documenting the founding of Texas Monthly, Broyles’ time as editor of Newsweek, and many of the articles he wrote for other publications. It also documents his film career, with many “progress files” for movies he wrote that include all correspondence documenting the project usually from inception to the...
Dates: Spring 1986

“Broyle’s Family Photos”, floppy disk , undated

 File — Box 3004, item: 24
Scope and Contents From the Series: This collection consists of archival materials relating to the career of screenplay writer and author, William (Bill) Broyles, Jr. from 1957-2014. Majority of the materials in the collection are research, notes, and drafts for Broyles’s screenplays for Khe Sanh, Spies, Emperor, and The Polar Express. The collection also includes annotated manuscript draft of Billy the Kid by David Killiam; screenplay drafts revised by Broyles of McFarland, Eragon, and Widowmaker; cassettes for China Beach;...
Dates: undated

William Broyles, Jr. Additions

 Collection
Identifier: UPWC-12010
Abstract

This collection predominately consists of screenplay drafts written or edited by William Broyles, Jr.

Dates: 1930-2021; Majority of material found within 1976-2021

“Broyles-Stubbe”, floppy disk, undated

 File — Box 3004, item: 54
Scope and Contents From the Series: This collection consists of archival materials relating to the career of screenplay writer and author, William (Bill) Broyles, Jr. from 1957-2014. Majority of the materials in the collection are research, notes, and drafts for Broyles’s screenplays for Khe Sanh, Spies, Emperor, and The Polar Express. The collection also includes annotated manuscript draft of Billy the Kid by David Killiam; screenplay drafts revised by Broyles of McFarland, Eragon, and Widowmaker; cassettes for China Beach;...
Dates: undated

Broyles’s Boy Scout backpack, undated

 File — Box 3002, Folder: 1
Scope and Contents From the Series: This collection consists of archival materials relating to the career of screenplay writer and author, William (Bill) Broyles, Jr. from 1957-2014. Majority of the materials in the collection are research, notes, and drafts for Broyles’s screenplays for Khe Sanh, Spies, Emperor, and The Polar Express. The collection also includes annotated manuscript draft of Billy the Kid by David Killiam; screenplay drafts revised by Broyles of McFarland, Eragon, and Widowmaker; cassettes for China Beach;...
Dates: undated

Broyles’s Boy Scout badges, 1955-1956

 File — Box 3001, Folder: 6
Scope and Contents From the Series: This collection consists of archival materials relating to the career of screenplay writer and author, William (Bill) Broyles, Jr. from 1957-2014. Majority of the materials in the collection are research, notes, and drafts for Broyles’s screenplays for Khe Sanh, Spies, Emperor, and The Polar Express. The collection also includes annotated manuscript draft of Billy the Kid by David Killiam; screenplay drafts revised by Broyles of McFarland, Eragon, and Widowmaker; cassettes for China Beach;...
Dates: 1955-1956

Broyles’s first baseball mitt, undated

 File — Box 3002, Folder: 2
Scope and Contents From the Series: This collection consists of archival materials relating to the career of screenplay writer and author, William (Bill) Broyles, Jr. from 1957-2014. Majority of the materials in the collection are research, notes, and drafts for Broyles’s screenplays for Khe Sanh, Spies, Emperor, and The Polar Express. The collection also includes annotated manuscript draft of Billy the Kid by David Killiam; screenplay drafts revised by Broyles of McFarland, Eragon, and Widowmaker; cassettes for China Beach;...
Dates: undated

Broyles’s football helmet, undated

 File — Box 3002, Folder: 3
Scope and Contents From the Series: This collection consists of archival materials relating to the career of screenplay writer and author, William (Bill) Broyles, Jr. from 1957-2014. Majority of the materials in the collection are research, notes, and drafts for Broyles’s screenplays for Khe Sanh, Spies, Emperor, and The Polar Express. The collection also includes annotated manuscript draft of Billy the Kid by David Killiam; screenplay drafts revised by Broyles of McFarland, Eragon, and Widowmaker; cassettes for China Beach;...
Dates: undated

Buck Owens - Correspondence, 1977

 File — Box 63, Folder: 15
Series Description From the Series: This series is arranged alphabetically according to either title or subject of work. The bulk of this series is comprised of two large, unrealized projects: The Code of the West(a novel)and Goodbye If You Call That Gone (a memoir).Both of these projects reflect immensely important aspects of Lewis’s life. The Code of the West reflects his intense love of the cinema—especially the...
Dates: 1977

Buck Owens - Handwritten notes and related material, 1977

 File — Box 63, Folder: 16
Series Description From the Series: This series is arranged alphabetically according to either title or subject of work. The bulk of this series is comprised of two large, unrealized projects: The Code of the West(a novel)and Goodbye If You Call That Gone (a memoir).Both of these projects reflect immensely important aspects of Lewis’s life. The Code of the West reflects his intense love of the cinema—especially the...
Dates: 1977

Buffalo Nickel typescript, 6th draft, undated

 File — Box 1, Folder: 2-5
Scope and Contents From the Collection:

The collection contains a copy of the screenplay for the 1975 novel Country Music, a copy of a typescript of the 1989 novel Buffalo Nickel, and an issue of the Poseidon Press Spring Selections 1989 containing an excerpt from Buffalo Nickel. The material was donated through Bill Wittliff to whom Smith had submitted these copies for comments.

Dates: undated

"Bull Shots and Bloody Marys Truth? Consequences? Wretched Excess Character Assasinations"; Handwritten and photocopied notes correspondence newspaper clippings pertaining to Annie Leibovitz and Paul Kragsner, ironminds.com printout "Gladiator: The Sequel" parody with Jann Wenner as marcus Aurelias and Grover Lewis as Maximus, personnel list for Arrow Books, 1972-1975, 1994, 2002

 File — Box 3668, Folder: 18
Scope and Contents From the Series: Archival material donated by Rae Lewis relating to the life, writing career, and death of Rolling Stone and Texas Monthly journalist, Grover Lewis’ dating 1962-2015. Materials include extensive notes, research materials, correspondence, publishing contracts and manuscript drafts for Lewis’ unpublished memoir, “Goodbye If You Call That Gone” and unpublished novel, “Code of the West”, the posthumous anthology, Splendor in the Short Grass: The Grover Lewis Reader, drafts of unproduced...
Dates: 1972-1975, 1994, 2002

Business cards, library cards, various personal papers

 File — Box 3, Folder: 3
Series Description From the Series: This series is arranged by subject and contains material reflecting important aspects of Lewis’s Life. The Rolling Stone material is a sub-series containing mostly office memoranda, but also some humorous general correspondence and related ephemera. Other notable material is the transcription of Robert Draper’s interview with Lewis, which Draper conducted for his book-length expose, Rolling Stone Magazine: The Uncensored History. Lewis’s...
Dates: 1960-1995

Byrum, John, “Beatnik Confidential”, undated

 File — Box 67, Folder: 1
Series Description From the Series: This series is arranged alphabetically by author and includes mostly photocopied short stories and screenplays. Two notable items relating to Lewis are a forty-six page biography, Grover Lewis: The Uncommon Insight and Grace of an Ordinary Man, written by longtime friend and poet R.K. Scott; and the screenplay Deep Ellum, by Stan Vosper, Jr., based on Lewis’s adolescent days with Larry McMurtry and other North Texas friends. ...
Dates: undated

Cafésolo 9, “Lash LaRue in the Box Canyon” - Published copies, 1975

 File — Box 20, Folder: 11
Series Description From the Series: This series is arranged alphabetically by publication and surveys Lewis’s entire writing career from his earliest poetry and short fiction publications in Avesta (1955)—the student literary magazine of North Texas State College—to his last published piece, a profile of well-known photographer Birney Imes, published in the Los Angeles Times Magazine (1994). Material from a posthumous collection of Lewis’s writing,...
Dates: 1975

Calendar with written plans, schedules, 1995-2000

 File — Box 3009, Folder: 1
Scope and Contents From the Series: This collection consists of archival materials relating to the career of screenplay writer and author, William (Bill) Broyles, Jr. from 1957-2014. Majority of the materials in the collection are research, notes, and drafts for Broyles’s screenplays for Khe Sanh, Spies, Emperor, and The Polar Express. The collection also includes annotated manuscript draft of Billy the Kid by David Killiam; screenplay drafts revised by Broyles of McFarland, Eragon, and Widowmaker; cassettes for China Beach;...
Dates: 1995-2000

Calendars

 File — Box 4, Folder: 4
Series Description From the Series: This series is arranged by subject and contains material reflecting important aspects of Lewis’s Life. The Rolling Stone material is a sub-series containing mostly office memoranda, but also some humorous general correspondence and related ephemera. Other notable material is the transcription of Robert Draper’s interview with Lewis, which Draper conducted for his book-length expose, Rolling Stone Magazine: The Uncensored History. Lewis’s...
Dates: 1960-1995

California, “On the Road with Ray: The First Bradbury Novel in 23 Years Takes Some Serendipitous Turns” - Published copy and tear sheets, 1985

 File — Box 20, Folder: 14
Series Description From the Series: This series is arranged alphabetically by publication and surveys Lewis’s entire writing career from his earliest poetry and short fiction publications in Avesta (1955)—the student literary magazine of North Texas State College—to his last published piece, a profile of well-known photographer Birney Imes, published in the Los Angeles Times Magazine (1994). Material from a posthumous collection of Lewis’s writing,...
Dates: 1985

California, “On the Road with Ray: The First Bradbury Novel in 23 Years Takes Some Serendipitous Turns” - Related material, 1985

 File — Box 20, Folder: 12
Series Description From the Series: This series is arranged alphabetically by publication and surveys Lewis’s entire writing career from his earliest poetry and short fiction publications in Avesta (1955)—the student literary magazine of North Texas State College—to his last published piece, a profile of well-known photographer Birney Imes, published in the Los Angeles Times Magazine (1994). Material from a posthumous collection of Lewis’s writing,...
Dates: 1985

California, “On the Road with Ray: The First Bradbury Novel in 23 Years Takes Some Serendipitous Turns” - Typescripts and page proofs, 1985

 File — Box 20, Folder: 13
Series Description From the Series: This series is arranged alphabetically by publication and surveys Lewis’s entire writing career from his earliest poetry and short fiction publications in Avesta (1955)—the student literary magazine of North Texas State College—to his last published piece, a profile of well-known photographer Birney Imes, published in the Los Angeles Times Magazine (1994). Material from a posthumous collection of Lewis’s writing,...
Dates: 1985