Television mini-series
Subject
Subject Source: Library of Congress Subject Headings
Found in 303 Collections and/or Records:
Part III, "The Plains"
Sub-Series
Series Description
From the Series:
Suzanne de Passe, president of Motown Productions, enlisted Bill Wittliff to write the screenplay for Lonesome Dove. Wittliff, a native Texan, had been writing films since 1977, beginning with the CBS-TV movie Thaddeus Rose and Eddie and including credit for The Black Stallion (1979),Honeysuckle Rose (1980), Raggedy Man (1981),...
Dates:
1986-1988
Part IV, "Return"
Sub-Series
Series Description
From the Series:
Suzanne de Passe, president of Motown Productions, enlisted Bill Wittliff to write the screenplay for Lonesome Dove. Wittliff, a native Texan, had been writing films since 1977, beginning with the CBS-TV movie Thaddeus Rose and Eddie and including credit for The Black Stallion (1979),Honeysuckle Rose (1980), Raggedy Man (1981),...
Dates:
1986-1988
Peabody, March 1990
File — Box 21, Folder: 6
Series Description
From the Series:
The letters of congratulations to Wittliff found here indicate the enthusiasm with which the miniseries was greeted. There are files on the many honors received by Lonesome Dove--18 Emmy nominations which resulted in seven Emmys, the award for Best Miniseries and Best Television Program of 1989 from the National Association of Television Critics, the D. W. Griffith Award for Best Television Miniseries, the National Cowboy Hall of Fame Wrangle Award for the...
Dates:
March 1990
Photographs of production taken by Bill Wittliff
File — Box 16, Folder: 6
Series Description
From the Series:
This series deals with material used or generated during the filming of Lonesome Dove from March through July 1988. Glenn Headley contributed her script for the character Elmira marked with her notes. Bill Wittliff, not only a screenwriter and producer, but also an accomplished photographer, publisher and book designer, contributed many of his photographs of performers and scenes taken during the filming. A complete set of the dailies on 3/4 inch tape is also...
Dates:
1988
Playbills, undated
File — Box 2908, Folder: 3
Scope and Contents
From the Series:
The archive of Emmy-award winning costume designer, Van Broughton Ramsey spans 1980-2013 and measures 32 boxes. The bulk of the collection comprises his design binders for various projects; these are arranged according to genre: plays, films, television movies, television mini-series, and television series. There is one binder for his work designing the walk-around costume McGolf, an official mascot of the PGA. There are also several binders containing detailed research files, most arranged...
Dates:
undated
Plays, 1988 - 2014
Sub-Series
Sub-Series Description
Binders containing scripts, sketches, budgets, and character plots for a variety of plays. Arranged alphabetically by play title.
Dates:
1988 - 2014
Polished draft, March 8-9, 1987
File — Box 3, Folder: 6-8
Series Description
From the Series:
Suzanne de Passe, president of Motown Productions, enlisted Bill Wittliff to write the screenplay for Lonesome Dove. Wittliff, a native Texan, had been writing films since 1977, beginning with the CBS-TV movie Thaddeus Rose and Eddie and including credit for The Black Stallion (1979),Honeysuckle Rose (1980), Raggedy Man (1981),...
Dates:
March 8-9, 1987
Post-Production, 1988-1989
Series
Series Description
Editor: Corky EhlersMusic: Basil PaledourisThis series covers the material used in the post-production phase--film editing and the addition of music and sound. It contains the post-production schedule, budget, location breakdown and cost reports. The cutting notes include the suggestions of Wittliff, the producer Dyson Lovell and the director Simon Wincer. The various cuts--the editor's rough cut, the director's cut, the producer's cuts and the final cuts--are...
Dates:
1988-1989
Post-production budget and cost reports
File — Box 17, Folder: 2
Series Description
From the Series:
Editor: Corky EhlersMusic: Basil PaledourisThis series covers the material used in the post-production phase--film editing and the addition of music and sound. It contains the post-production schedule, budget, location breakdown and cost reports. The cutting notes include the suggestions of Wittliff, the producer Dyson Lovell and the director Simon Wincer. The various cuts--the editor's rough cut, the director's cut, the producer's cuts and the final cuts--are...
Dates:
1988-1989
Producer's memos, September 1987-January 1990
File — Box 8, Folder: 9
Series Description
From the Series:
Executive Producers: Suzanne de Passe and Bill Wittliff
Assistant to Mr. Wittliff: Connie ToddCo-executive Producer: Robert HalmiProducer: Dyson LovellSupervising Producer: Michael WeisbarthThis series is primarily made up of correspondence among the producers. The majority of the memos are from Dyson Lovell and deal with scheduling, hiring, budget, set behavior, etc. Wittliff's files contain letters, thank yous from...
Dates:
September 1987-January 1990
Producer's Unit, 1987-1991
Series
Series Description
Executive Producers: Suzanne de Passe and Bill Wittliff
Assistant to Mr. Wittliff: Connie ToddCo-executive Producer: Robert HalmiProducer: Dyson LovellSupervising Producer: Michael WeisbarthThis series is primarily made up of correspondence among the producers. The majority of the memos are from Dyson Lovell and deal with scheduling, hiring, budget, set behavior, etc. Wittliff's files contain letters, thank yous from...
Dates:
1987-1991
Production, 1988
Series
Series Description
This series deals with material used or generated during the filming of Lonesome Dove from March through July 1988. Glenn Headley contributed her script for the character Elmira marked with her notes. Bill Wittliff, not only a screenwriter and producer, but also an accomplished photographer, publisher and book designer, contributed many of his photographs of performers and scenes taken during the filming. A complete set of the dailies on 3/4 inch tape is also...
Dates:
1988
Production Board
File — Box 9, Folder: 6
Series Description
From the Series:
Production Manager: Dick GalleglyAssistant Production Manager: Adam Merims1st Assistant Director: Robert RooyKey 2nd Assistant Director: Matt BearsonProduction Coordinator: Jill LopezAsst. Production Coordinator: Nikol HegartyLocation Manager: John Gibson Script Supervisor: Cynthia Upstill
Here is found the paperwork of the production manager and the script supervisor. The production manager...
Dates:
1987-1988
Production Manager's memos, August 1987-March 1988
File — Box 8, Folder: 10
Series Description
From the Series:
Production Manager: Dick GalleglyAssistant Production Manager: Adam Merims1st Assistant Director: Robert RooyKey 2nd Assistant Director: Matt BearsonProduction Coordinator: Jill LopezAsst. Production Coordinator: Nikol HegartyLocation Manager: John Gibson Script Supervisor: Cynthia Upstill
Here is found the paperwork of the production manager and the script supervisor. The production manager...
Dates:
August 1987-March 1988
Production Manager's memos, April-July 1988
File — Box 9, Folder: 1
Series Description
From the Series:
Production Manager: Dick GalleglyAssistant Production Manager: Adam Merims1st Assistant Director: Robert RooyKey 2nd Assistant Director: Matt BearsonProduction Coordinator: Jill LopezAsst. Production Coordinator: Nikol HegartyLocation Manager: John Gibson Script Supervisor: Cynthia Upstill
Here is found the paperwork of the production manager and the script supervisor. The production manager...
Dates:
April-July 1988
Production polish, March 3, 1988
File — Box 6, Folder: 8
Series Description
From the Series:
Suzanne de Passe, president of Motown Productions, enlisted Bill Wittliff to write the screenplay for Lonesome Dove. Wittliff, a native Texan, had been writing films since 1977, beginning with the CBS-TV movie Thaddeus Rose and Eddie and including credit for The Black Stallion (1979),Honeysuckle Rose (1980), Raggedy Man (1981),...
Dates:
March 3, 1988
Production Staff, 1987-1988
Series
Series Description
Production Manager: Dick GalleglyAssistant Production Manager: Adam Merims1st Assistant Director: Robert RooyKey 2nd Assistant Director: Matt BearsonProduction Coordinator: Jill LopezAsst. Production Coordinator: Nikol HegartyLocation Manager: John Gibson Script Supervisor: Cynthia Upstill
Here is found the paperwork of the production manager and the script supervisor. The production manager...
Dates:
1987-1988
Property master's continuity photos
File — Multiple Containers
Series Description
From the Series:
Production Designer: Cary White
Assistant Production Designer: John FrickStoryboard Artist: Michael PealProperty Master: Eric WilliamsHere are found the set designs as drawn by the Production Designer Cary White and his assistant, John Frick. Cary White, a Texas-based designer, had worked with Wittliff on Red Headed Stranger(1986)and had also designed for Texas Chainsaw Massacre II(1986) and ...
Dates:
1988
Props and memorabilia
File — Box 13, Folder: 12-13
Series Description
From the Series:
Production Designer: Cary White
Assistant Production Designer: John FrickStoryboard Artist: Michael PealProperty Master: Eric WilliamsHere are found the set designs as drawn by the Production Designer Cary White and his assistant, John Frick. Cary White, a Texas-based designer, had worked with Wittliff on Red Headed Stranger(1986)and had also designed for Texas Chainsaw Massacre II(1986) and ...
Dates:
1988
Publicity, 1986-1991
Series
Series Description
The publicity files contain videotapes and clippings produced by CBS to promote the miniseries. In addition, there are various newspaper clippings and articles on Lonesome Dove including critical reviews and interviews with the cast.
Dates:
1986-1991