Screenwriters -- United States
Found in 3419 Collections and/or Records:
“First Weekend – Press Kit”
“Five Suns: Origin Myths of Central Mexico”, September 4, 1990
“Five Times One”; three drafts of “Four Times One”, contains-correspondence, and writer’s agreement , 1958-2008
Fly Away, Lulu
Flyers
“Focus” section of "The Dallas Morning News" with article “Texas Writers on a Sci-Fi High” featuring Barrett and others; One page from "The Austin Chronicle" with a book review of Barrett’s "Piggs" , 1958-2008
Folder containing: crew resumes, production telephone messages, information about stuntmen, casting suggestions for “Reeves,” production schedule, and storyboard drawings by Michael Peal, undated
Folder containing final draft (March 1991) and re-writes, April4, 1991 and May 5, 1991. Heavily annotated typescript with music and sound cues, and rehearsal schedule for American Place Theater production, 1991
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Folder for Austin production: working script, rehearsal schedules, 1998
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Folder for Chicago production includes: correspondence, contact sheets, rehearsal schedules, and heavily annotated working scripts
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Folder with cast photo, newspaper, and press release
Folder with March 1996 and October 1996 re-writes, December 1996 schedules, contact sheets, reviews, for New York Production. Includes photograph of Mohammed Ali, 1996
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Foley tracks, sound effects
Fool For Love (1983)
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Foote, Horton. "Lily Dale," Plano Production. Includes: production notes, one-line schedules, and typescript, December 1995
Arranged by genre (articles, books, sound recordings, screenplays, short stories and teleplays), most of the works in this series are based on or inspired by Shepard’s works. Authors mailed the works to Shepard for his comments, and many items include typescripts annotated by Shepard and correspondence.
Foote, Horton. "Lily Dale," typescript, November 1995
Arranged by genre (articles, books, sound recordings, screenplays, short stories and teleplays), most of the works in this series are based on or inspired by Shepard’s works. Authors mailed the works to Shepard for his comments, and many items include typescripts annotated by Shepard and correspondence.
For All Who Love the Game, 1995, undated
“Ford Truck found near Sacramento”
Foreign press reviews
Produced works comprise the bulk of the collection. It consists of screenplays, notes, publicity, and other production material for the films Bad Company, Kramer vs. Kramer, Still of the Night, Nadine, Places in the Heart, Billy Bathgate, and Nobody’s Fool.
Foreign publicity
Produced works comprise the bulk of the collection. It consists of screenplays, notes, publicity, and other production material for the films Bad Company, Kramer vs. Kramer, Still of the Night, Nadine, Places in the Heart, Billy Bathgate, and Nobody’s Fool.