Screenwriters -- United States
Found in 3419 Collections and/or Records:
Egan, Tom – “Limo”, 1979
"El Norte/The North" – info and publicity
Elders, 1993
Electronic draft files on two diskettes/one CD-R
Elementary school certificate, undated
Eli Cutter Promotional Material (basis for the series)
6 part series, five of which aired August 1993 on CBS-TV.
Embosser
This seriesdocuments the two corporations that Shrake started and operated: Mad Dog, Inc. and East Pole Corporation. The Mad Dog, Inc. Corporate Structure and correspondence reflect the company’s satirical nature. The East Pole Corporation materials include receipts, reports, a budget, tax records, pension plan and an embosser.
Empty file folders, undated
Encino Press, 1968 - 1975
Encino Press Bibliography, galley, 1989
Encino Press Bibliography, mss. and galley, 1989
Encino Press catalog
Encino Press Memorandum of Agreement
End of the Line by Jay Russell & John Wohlbruck, October 1, 1985
English language reviews
Produced works comprise the bulk of the collection. It consists of screenplays, notes, publicity, and other production material for the films Bad Company, Kramer vs. Kramer, Still of the Night, Nadine, Places in the Heart, Billy Bathgate, and Nobody’s Fool.
Entertainment Industries Council resource encyclopedia, undated
Entertainment industry notebook gives suggestions on the media presentation of various social issues such as alcoholism, seat belts, tobacco, etc. Props file has drawings of gear by Brad Johnson. Continuity photos have photos from 1991 pilot mixed in.
Entrapment, 1997 - 1999
In 1998, Broyles was hired to rewrite the Y2K caper, Entrapment, starring Sean Connery and Catherine Zeta Jones. Broyles shares writing credits with Ron Bass and Don Macpherson, both of whom worked on earlier versions of the screenplay. Correspondence, research, scripts (including drafts by Bass and Macpherson), production materials, and videocassettes document Broyles’ contribution to the film.
Environment
Eric Williams script and notes, 1985
A western starring Gary Busey and Willie Nelson. This series contains drafts of the script, costumes, photographs by Wittliff, the script supervisor's files, the editing and sound notes, publicity, distribution, and clippings of reviews and interviews. The archive also contains the dailies on film reels and a 16mm print of the film.