Screenwriters -- United States
Found in 3419 Collections and/or Records:
Air Travel, circa 1980-1999
Al Franklin, Stage Manager script, December 1982
"Alamo – The Price of Freedom"
"Alamo…The Price of Freedom" – shooting script, plus media, August 23, 1987
“Aldair in Albion”, contains-handwritten manuscript on multiple notepads and portion of a map inscribed “one of Aldair’s maps”,signed by Barrett; (note: pages discolored in fragile condition, torn edges) , 1958-2008
All revisions through, April 22, 1985
Final shooting script has original drawing by Wittliff and is autographed by Wittliff and Willie Nelson. Produced by Nelson and Wittliff. Directed by Wittliff. Script Supervisor Cate Hardman Roach. Film was edited in Wittliff's offices by Eric A. Williams and Stephen Purvis. Slides removed from original sleeves and put in archival sleeves. Marked original sleeves are in front of re-sleeved slides.
Alphabetical, 1954-2009, undated
Alternate plot piece, not used, undated
This started as a rewrite of Pistoleers--"My first couple of drafts were set in New York City--then Crocodile Dundee came out and the studio asked me to reset the story in Washington, D. C. to avoid comparison. Against my better judgment I agreed to give it a try and the whole thing (meaning the writing) went downhill after that." Bill Wittliff, February 16, 1989. Includes notes by Wittliff's assistant at the time, Connie Todd.
“American Bookseller” magazine, August 1988
American Heritage, 1986
In addition to his employment at several prominent magazines, Broyles frequently contributed articles to other publications through freelance work. This series includes drafts of articles and correspondence relating to work done for American Heritage, Atlantic Monthly, Esquire, New York Times, Reader’s Digest, Texas Monthly, and U.S. News and World Report.
American Place Theater annotated re-write, February 13, 1991
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
American Place Theater annotated re-write, February 1991
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
American Place Theater re-write, heavily annotated cover page, February 13, 1991
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
American Place Theater re-write with music percussion notes, February 13, 1991
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.