Screenwriters -- United States
Found in 3419 Collections and/or Records:
Correspondence, 1998
Shepard, Sam (to Magic Theater ), April 29, 1998
Boals, Judy, July 23, 1998
Callahan, Michael (to Judy Boals), September 14, 1998
Correspondence, undated
"Freddie and Lara" (first names only)
McAdams, "Coach"
Multiple authors (first names only)
Correspondence, 1987-1989
Topics include the publication of Shepard’s works in magazines and journals as excerpts, as well as in their entirety; correspondence with agent Lois Berman. Aside from general correspondence, this series also includes correspondence from Joseph Chaikin and Barry Daniels and correspondence from Shepard’s son, Jesse, as noted [Restricted]. For Shepard’s 40-year correspondence with Johnny Dark, see the Southwestern Writers Collection 106, The Sam Shepard and Johnny Dark Collection.
Correspondence, 1982-1998
Topics include the publication of Shepard’s works in magazines and journals as excerpts, as well as in their entirety; correspondence with agent Lois Berman. Aside from general correspondence, this series also includes correspondence from Joseph Chaikin and Barry Daniels and correspondence from Shepard’s son, Jesse, as noted [Restricted]. For Shepard’s 40-year correspondence with Johnny Dark, see the Southwestern Writers Collection 106, The Sam Shepard and Johnny Dark Collection.
Correspondence, 1983-1985
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Correspondence, 1985-1992
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Correspondence, agreements
Correspondence, agreements
Correspondence and clippings
Correspondence and contracts , undated
Correspondence and contracts , undated
Correspondence and IRS, 1989-1996, undated
This seriesdocuments the two corporations that Shrake started and operated: Mad Dog, Inc. and East Pole Corporation. The Mad Dog, Inc. Corporate Structure and correspondence reflect the company’s satirical nature. The East Pole Corporation materials include receipts, reports, a budget, tax records, pension plan and an embosser.
Correspondence and lawsuit
Correspondence and miscellaneous office papers , undated
Correspondence and office papers; includes “Badwater Canyon” correspondence, blurbs; and “Flight of the Butterflies” , undated
Correspondence and royalty statements
Correspondence, bibliography, articles
Correspondence - contacts include James P. Hart, Albert C. Lewis, Outside magazine, Houston City Magazine, Texas Institute of Letters, PEN: An Association of Writers, Esquire, Simon and Schuster Publishing, and others, 1981-1988
Correspondence - contacts include Marge Harrigan, Justin Green, John Deaton, the University of Texas, Julian Bach Literary Agency, the University of Iowa, Houghton Mifflin Publishing, John A. Sterling, Paul R. Reynolds, Bill Broyles, and fan mail, 1976-1980, undated
Correspondence; contracts; financial documents , undated
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