Screenwriters -- United States
Found in 3762 Collections and/or Records:
Corrected typescript photocopy with insert, incomplete, September 1983
Corrected typescript photocopy with inserts, May 4, 1979
Corrected typescript photocopy with inserts, circa August 1973
Corrected typescript photocopy with inserts, December 1980-February 1981
Corrected typescript photocopy with three inscribed cover pages
Corrected typescript with inserts
Corrected typescript with inserts, September 1986
Corrected typescript with notes, circa March 21, 1982
Correspondence
Produced works comprise the bulk of the collection. It consists of screenplays, notes, publicity, and other production material for the films Bad Company, Kramer vs. Kramer, Still of the Night, Nadine, Places in the Heart, Billy Bathgate, and Nobody’s Fool.
Correspondence, undated
The works by others in this series are from Sullivan Street (by Walter Bernstein), Hoffa (by David Mamet), and The Homesman or Seeing the Elephant (by Naomi Foner).
Correspondence, 1972-1990, undated
Correspondence, 1971-1981, undated
Correspondence, 1980 - 1982
Correspondence, 1982 - 1984
Correspondence, 1983-1985
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Correspondence, 1985-1992
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Correspondence, 1993
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Correspondence, 1982
Lawson, Wayne, November 10, 1982
Correspondence, 1983
Phillips, Jerrold, March 2, 1983
Berman, Lois, August 18, 1983
Cuyama Valley Exchange Club. August 29, 1983
Mitchell, Joni, circa 1983
