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Screenwriters -- United States

 Subject
Subject Source: Library of Congress Subject Headings

Found in 3762 Collections and/or Records:

Voyager (1991)

 Sub-subseries
Series Description From the Series: This series is divided into two subseries. The first, films for which Shepard wrote the screenplay, includes: notes, annotated drafts, dialogue rewrites, publicity, correspondence, contracts, music notes, production notes and schedules. Of the films in this subseries, Silent Tongueincludes the most information (1 linear foot), followed by Far North(.25 linear feet.), Onibaba(.25 linear feet),...
Dates: 1989-1998

“W” newspaper with quote by Crumley, 1983

 File — Box 1893, Folder: 28
Scope and Contents From the Series: Personal papers of author James Crumley. These items were collected from his home and reflect Crumley’s professional writing career and personal life. This collection includes multiple drafts of Crumley’s screenplays and novels, international translations, and publicity; some writings by other authors; drawings and work by Crumley’s first wife, Martha Elizabeth; correspondence; a sampling of documents that reflect his medical and financial history; reviews; publicity; photographs; office...
Dates: 1983

Wallenda Files, 1982-1984, undated

 Sub-Series — Box 75
Sub-Series Description From the Sub-Series: Broyles was appointed editor-in-chief of Newsweek from 1982-1984. Correspondence, editorial files, speeches, and subject files document his leadership of this magazine. General correspondence is arranged chronologically, followed by alphabetical correspondence files for individuals such as Jonathan Alter, Katherine Graham, Peter McGrath, Richard West, and George Will. Also within the Newsweek series are speeches Broyles made while serving as editor-in-chief. Included are his remarks at the...
Dates: 1982-1984, undated

“Wamba” draft by Max Crawford, undated

 File — Box 1892, Folder: 21
Scope and Contents From the Series: Personal papers of author James Crumley. These items were collected from his home and reflect Crumley’s professional writing career and personal life. This collection includes multiple drafts of Crumley’s screenplays and novels, international translations, and publicity; some writings by other authors; drawings and work by Crumley’s first wife, Martha Elizabeth; correspondence; a sampling of documents that reflect his medical and financial history; reviews; publicity; photographs; office...
Dates: undated

“War in the Val D’orcia”, undated

 File — Box 33, Folder: 3
Scope and Contents From the Collection:

This addition to the Benton archives includes drafts of several screenplays in partnership with David Newton (including Bad Company, Places In The Heart, Lovesick Blues, War in the Val D’orcia, Stolen, Places in Samarra) photographs of movie sets and actors, and original movie posters. Artifacts include Benton’s awards and Bachelor’s degree.

Dates: undated

“War in the Val D’orcia” Notes and Outline, undated

 File — Box 33, Folder: 16
Scope and Contents From the Collection:

This addition to the Benton archives includes drafts of several screenplays in partnership with David Newton (including Bad Company, Places In The Heart, Lovesick Blues, War in the Val D’orcia, Stolen, Places in Samarra) photographs of movie sets and actors, and original movie posters. Artifacts include Benton’s awards and Bachelor’s degree.

Dates: undated

“War in the Val D’orcia” Outline, undated

 File — Box 33, Folder: 11
Scope and Contents From the Collection:

This addition to the Benton archives includes drafts of several screenplays in partnership with David Newton (including Bad Company, Places In The Heart, Lovesick Blues, War in the Val D’orcia, Stolen, Places in Samarra) photographs of movie sets and actors, and original movie posters. Artifacts include Benton’s awards and Bachelor’s degree.

Dates: undated

“War in the Val D’orcia”-Production Meeting, November 6, 1989

 File — Box 35, Folder: 12
Scope and Contents From the Collection:

This addition to the Benton archives includes drafts of several screenplays in partnership with David Newton (including Bad Company, Places In The Heart, Lovesick Blues, War in the Val D’orcia, Stolen, Places in Samarra) photographs of movie sets and actors, and original movie posters. Artifacts include Benton’s awards and Bachelor’s degree.

Dates: November 6, 1989

“War in the Val D’orcia”-Research and Legal Documents, 1988-1989

 File — Box 37, Folder: 11
Scope and Contents From the Collection:

This addition to the Benton archives includes drafts of several screenplays in partnership with David Newton (including Bad Company, Places In The Heart, Lovesick Blues, War in the Val D’orcia, Stolen, Places in Samarra) photographs of movie sets and actors, and original movie posters. Artifacts include Benton’s awards and Bachelor’s degree.

Dates: 1988-1989

Warchus, Matthew and Nicholls, David. "Simpatico." First draft typescript and correspondence, 1996

 File — Box 25, Folder: 3
Series Description From the Series:

Arranged by genre (articles, books, sound recordings, screenplays, short stories and teleplays), most of the works in this series are based on or inspired by Shepard’s works. Authors mailed the works to Shepard for his comments, and many items include typescripts annotated by Shepard and correspondence.

Dates: 1996

Wardrobe, undated

 File — Box 335, Folder: 1
Series Description From the Series:

The Screenplays are arranged chronologically according to when they were written. The order does not reflect the order in which the films were released. The date following the title in parentheses is the release date. Photographs, film, and videotape may not be duplicated without permission from the Wittliff estate.

Dates: undated

Water and Light, 1987-1992, undated

 Sub-subseries
Series Description From the Series: This series surveys Harrigan's creative works from his work as ad writer at the University Co-op to the publication of his book, Water and Light. It includes manuscript drafts, notes, notebooks, galley proofs, correspondence, magazines, clippings, financial and legal papers, screenplays, photographs and artifacts. In some cases Harrigan added notes and inscriptions describing the materials and providing background information....
Dates: 1987-1992, undated

W.B. Shelton (2 copies; second incomplete)

 File — Box 81, Folder: 14
Scope and Contents From the Series: Though essentially consisting of only three projects, all published, this sub-series contains a voluminous amount of research on its subjects, especially Willie Nelson. Included in the Willie materials are numerous tapes and transcripts of interviews Shrake and others did with Nelson and his acquaintances. Also included are clipping files on Nelson and country music going back to 1978 (when Shrake was writing the Songwriter screenplay), and many files of...
Dates: 1978-2002, undated

Weber, Bruce. Photocopy of proposed book of photographs of Shepard to raise funds for Film Forum Theater, 1990

 File — Box 23, Folder: 7
Series Description From the Series:

Arranged by genre (articles, books, sound recordings, screenplays, short stories and teleplays), most of the works in this series are based on or inspired by Shepard’s works. Authors mailed the works to Shepard for his comments, and many items include typescripts annotated by Shepard and correspondence.

Dates: 1990

Wenders, Wim and Dommartin, Solveig, story. Almereyda, Michael, screenplay. "Until the End of the World, "typescript, with letter from Wenders, 1987-1988

 File — Box 25, Folder: 4
Series Description From the Series:

Arranged by genre (articles, books, sound recordings, screenplays, short stories and teleplays), most of the works in this series are based on or inspired by Shepard’s works. Authors mailed the works to Shepard for his comments, and many items include typescripts annotated by Shepard and correspondence.

Dates: 1987-1988

West Ave. Joint Venue, 2000

 File — Box 122, Folder: 12
Series Description From the Series: This series is arranged chronologically, and contains receipts, income taxes, expense reports, financial statements and other documents related to various aspects of Shrake’s life. The financial records tend to give snapshots of Shrake’s financial situation and lifestyle through the years, rather than a complete picture. Besides expense reports from Sports Illustrated that go to 1976, the financial records do not contain any documents between 1972 and...
Dates: 2000