Screenwriters -- United States
Found in 3762 Collections and/or Records:
“Vortex" script #10, contains-text, notes, and illustrations , 1958-2008
“Vortex" script #12, contains–draft, notes, and synopsis, 1958-2008
Voyager (1991)
“W” newspaper with quote by Crumley, 1983
Wallenda Files, 1982-1984, undated
“Wamba” draft by Max Crawford, undated
“War in the Val D’orcia”, undated
This addition to the Benton archives includes drafts of several screenplays in partnership with David Newton (including Bad Company, Places In The Heart, Lovesick Blues, War in the Val D’orcia, Stolen, Places in Samarra) photographs of movie sets and actors, and original movie posters. Artifacts include Benton’s awards and Bachelor’s degree.
“War in the Val D’orcia” Notes and Outline, undated
This addition to the Benton archives includes drafts of several screenplays in partnership with David Newton (including Bad Company, Places In The Heart, Lovesick Blues, War in the Val D’orcia, Stolen, Places in Samarra) photographs of movie sets and actors, and original movie posters. Artifacts include Benton’s awards and Bachelor’s degree.
“War in the Val D’orcia” Outline, undated
This addition to the Benton archives includes drafts of several screenplays in partnership with David Newton (including Bad Company, Places In The Heart, Lovesick Blues, War in the Val D’orcia, Stolen, Places in Samarra) photographs of movie sets and actors, and original movie posters. Artifacts include Benton’s awards and Bachelor’s degree.
“War in the Val D’orcia”-Production Meeting, November 6, 1989
This addition to the Benton archives includes drafts of several screenplays in partnership with David Newton (including Bad Company, Places In The Heart, Lovesick Blues, War in the Val D’orcia, Stolen, Places in Samarra) photographs of movie sets and actors, and original movie posters. Artifacts include Benton’s awards and Bachelor’s degree.
“War in the Val D’orcia”-Research and Legal Documents, 1988-1989
This addition to the Benton archives includes drafts of several screenplays in partnership with David Newton (including Bad Company, Places In The Heart, Lovesick Blues, War in the Val D’orcia, Stolen, Places in Samarra) photographs of movie sets and actors, and original movie posters. Artifacts include Benton’s awards and Bachelor’s degree.
Warchus, Matthew and Nicholls, David. "Simpatico." First draft typescript and correspondence, 1996
Arranged by genre (articles, books, sound recordings, screenplays, short stories and teleplays), most of the works in this series are based on or inspired by Shepard’s works. Authors mailed the works to Shepard for his comments, and many items include typescripts annotated by Shepard and correspondence.
Wardrobe, undated
The Screenplays are arranged chronologically according to when they were written. The order does not reflect the order in which the films were released. The date following the title in parentheses is the release date. Photographs, film, and videotape may not be duplicated without permission from the Wittliff estate.
“Warrior’s Revenge”: includes typed list of characters, including the "Fantastic Four", along with numerous hand written sheets , 1958-2008
Water and Light, 1987-1992, undated
W.B. Shelton (2 copies; second incomplete)
Weber, Bruce. Photocopy of proposed book of photographs of Shepard to raise funds for Film Forum Theater, 1990
Arranged by genre (articles, books, sound recordings, screenplays, short stories and teleplays), most of the works in this series are based on or inspired by Shepard’s works. Authors mailed the works to Shepard for his comments, and many items include typescripts annotated by Shepard and correspondence.
“Weird War”; signed draft of “Bad Day on the Sajo”, includes-text, illustrations, and correspondence , 1958-2008
Wenders, Wim and Dommartin, Solveig, story. Almereyda, Michael, screenplay. "Until the End of the World, "typescript, with letter from Wenders, 1987-1988
Arranged by genre (articles, books, sound recordings, screenplays, short stories and teleplays), most of the works in this series are based on or inspired by Shepard’s works. Authors mailed the works to Shepard for his comments, and many items include typescripts annotated by Shepard and correspondence.