Screenwriters -- United States

Scope and Contents From the Series:

Produced works comprise the bulk of the collection.  It consists of screenplays, notes, publicity, and other production material for the films Bad Company, Kramer vs. Kramer, Still of the Night, Nadine, Places in the Heart, Billy Bathgate, and Nobody’s Fool.

Scope and Contents From the Collection:

This addition to the Benton archives includes drafts of several screenplays in partnership with David Newton (including Bad Company, Places In The Heart, Lovesick Blues, War in the Val D’orcia, Stolen, Places in Samarra) photographs of movie sets and actors, and original movie posters. Artifacts include Benton’s awards and Bachelor’s degree.

Scope and Contents From the Collection:

This addition to the Benton archives includes drafts of several screenplays in partnership with David Newton (including Bad Company, Places In The Heart, Lovesick Blues, War in the Val D’orcia, Stolen, Places in Samarra) photographs of movie sets and actors, and original movie posters. Artifacts include Benton’s awards and Bachelor’s degree.

Scope and Contents From the Collection:

This addition to the Benton archives includes drafts of several screenplays in partnership with David Newton (including Bad Company, Places In The Heart, Lovesick Blues, War in the Val D’orcia, Stolen, Places in Samarra) photographs of movie sets and actors, and original movie posters. Artifacts include Benton’s awards and Bachelor’s degree.

Scope and Contents From the Collection:

This addition to the Benton archives includes drafts of several screenplays in partnership with David Newton (including Bad Company, Places In The Heart, Lovesick Blues, War in the Val D’orcia, Stolen, Places in Samarra) photographs of movie sets and actors, and original movie posters. Artifacts include Benton’s awards and Bachelor’s degree.

Scope and Contents From the Collection:

This addition to the Benton archives includes drafts of several screenplays in partnership with David Newton (including Bad Company, Places In The Heart, Lovesick Blues, War in the Val D’orcia, Stolen, Places in Samarra) photographs of movie sets and actors, and original movie posters. Artifacts include Benton’s awards and Bachelor’s degree.

Scope and Contents From the Collection:

This addition to the Benton archives includes drafts of several screenplays in partnership with David Newton (including Bad Company, Places In The Heart, Lovesick Blues, War in the Val D’orcia, Stolen, Places in Samarra) photographs of movie sets and actors, and original movie posters. Artifacts include Benton’s awards and Bachelor’s degree.

Scope and Contents From the Collection:

This addition to the Benton archives includes drafts of several screenplays in partnership with David Newton (including Bad Company, Places In The Heart, Lovesick Blues, War in the Val D’orcia, Stolen, Places in Samarra) photographs of movie sets and actors, and original movie posters. Artifacts include Benton’s awards and Bachelor’s degree.

Scope and Contents From the Collection:

This addition to the Benton archives includes drafts of several screenplays in partnership with David Newton (including Bad Company, Places In The Heart, Lovesick Blues, War in the Val D’orcia, Stolen, Places in Samarra) photographs of movie sets and actors, and original movie posters. Artifacts include Benton’s awards and Bachelor’s degree.

Scope and Contents From the Collection:

This addition to the Benton archives includes drafts of several screenplays in partnership with David Newton (including Bad Company, Places In The Heart, Lovesick Blues, War in the Val D’orcia, Stolen, Places in Samarra) photographs of movie sets and actors, and original movie posters. Artifacts include Benton’s awards and Bachelor’s degree.

Scope and Contents From the Collection:

This addition to the Benton archives includes drafts of several screenplays in partnership with David Newton (including Bad Company, Places In The Heart, Lovesick Blues, War in the Val D’orcia, Stolen, Places in Samarra) photographs of movie sets and actors, and original movie posters. Artifacts include Benton’s awards and Bachelor’s degree.

Scope and Contents From the Collection:

This addition to the Benton archives includes drafts of several screenplays in partnership with David Newton (including Bad Company, Places In The Heart, Lovesick Blues, War in the Val D’orcia, Stolen, Places in Samarra) photographs of movie sets and actors, and original movie posters. Artifacts include Benton’s awards and Bachelor’s degree.

Scope and Contents From the Collection:

This addition to the Benton archives includes drafts of several screenplays in partnership with David Newton (including Bad Company, Places In The Heart, Lovesick Blues, War in the Val D’orcia, Stolen, Places in Samarra) photographs of movie sets and actors, and original movie posters. Artifacts include Benton’s awards and Bachelor’s degree.

Scope and Contents From the Collection:

This addition to the Benton archives includes drafts of several screenplays in partnership with David Newton (including Bad Company, Places In The Heart, Lovesick Blues, War in the Val D’orcia, Stolen, Places in Samarra) photographs of movie sets and actors, and original movie posters. Artifacts include Benton’s awards and Bachelor’s degree.

Series Description From the Series:

Drafts, manuscripts, and typescripts of Hauptman’s plays, teleplay, screenplays, short stories, poetry, novel, articles and criticism are located in this series. Titles under each genre are filed alphabetically. Related correspondence, reviews, clippings, publicity, and playbills are filed after the draft or script for each title.

Scope and Contents From the Series: This series consists of story boards, posters, set designs, set drawings, set plans, and framed photoprints that are oversized and do not fit into standard size archival boxes. It includes story boards from Nadine and Places in the Heart; posters from Still of the Night, Billy Bathgate, Bad Company, The Late Show, Places in the Heart, Kramer vs. Kramer, Nobody’s Fool, Nadine (French version),...

Sub-Series Description From the Sub-Series:

Final shooting script has original drawing by Wittliff and is autographed by Wittliff and Willie Nelson. Produced by Nelson and Wittliff. Directed by Wittliff. Script Supervisor Cate Hardman Roach. Film was edited in Wittliff's offices by Eric A. Williams and Stephen Purvis. Slides removed from original sleeves and put in archival sleeves. Marked original sleeves are in front of re-sleeved slides.

Sub-Series Description From the Sub-Series:

Final shooting script has original drawing by Wittliff and is autographed by Wittliff and Willie Nelson. Produced by Nelson and Wittliff. Directed by Wittliff. Script Supervisor Cate Hardman Roach. Film was edited in Wittliff's offices by Eric A. Williams and Stephen Purvis. Slides removed from original sleeves and put in archival sleeves. Marked original sleeves are in front of re-sleeved slides.

Sub-Series Description From the Sub-Series:

Final shooting script has original drawing by Wittliff and is autographed by Wittliff and Willie Nelson. Produced by Nelson and Wittliff. Directed by Wittliff. Script Supervisor Cate Hardman Roach. Film was edited in Wittliff's offices by Eric A. Williams and Stephen Purvis. Slides removed from original sleeves and put in archival sleeves. Marked original sleeves are in front of re-sleeved slides.