Screenwriters -- United States
Found in 3762 Collections and/or Records:
Second draft, first 88 pages, undated
Produced works comprise the bulk of the collection. It consists of screenplays, notes, publicity, and other production material for the films Bad Company, Kramer vs. Kramer, Still of the Night, Nadine, Places in the Heart, Billy Bathgate, and Nobody’s Fool.
Second draft, includes correspondence with Texas Monthly Publishing, undated
Second draft, notes and revisions, March 1983
Produced works comprise the bulk of the collection. It consists of screenplays, notes, publicity, and other production material for the films Bad Company, Kramer vs. Kramer, Still of the Night, Nadine, Places in the Heart, Billy Bathgate, and Nobody’s Fool.
Second draft printout of audio abridgement, with correspondence
Second draft, revised (2 folders), March 1983
Produced works comprise the bulk of the collection. It consists of screenplays, notes, publicity, and other production material for the films Bad Company, Kramer vs. Kramer, Still of the Night, Nadine, Places in the Heart, Billy Bathgate, and Nobody’s Fool.
Second draft, revised (3 folders), July 25, 1983
Produced works comprise the bulk of the collection. It consists of screenplays, notes, publicity, and other production material for the films Bad Company, Kramer vs. Kramer, Still of the Night, Nadine, Places in the Heart, Billy Bathgate, and Nobody’s Fool.
Second draft, revised (4 folders), May 25, 1990
Produced works comprise the bulk of the collection. It consists of screenplays, notes, publicity, and other production material for the films Bad Company, Kramer vs. Kramer, Still of the Night, Nadine, Places in the Heart, Billy Bathgate, and Nobody’s Fool.
Second draft, revised, East Texas, May 1983
Produced works comprise the bulk of the collection. It consists of screenplays, notes, publicity, and other production material for the films Bad Company, Kramer vs. Kramer, Still of the Night, Nadine, Places in the Heart, Billy Bathgate, and Nobody’s Fool.
Second draft revision, November 12, 1974
The film was eventually produced in 2013 starring Robert Duvall.
Second Draft Revision-“War in the Val D’orcia” by Benton, March 23, 1990
This addition to the Benton archives includes drafts of several screenplays in partnership with David Newton (including Bad Company, Places In The Heart, Lovesick Blues, War in the Val D’orcia, Stolen, Places in Samarra) photographs of movie sets and actors, and original movie posters. Artifacts include Benton’s awards and Bachelor’s degree.
Second draft, revisions and miscellaneous pages, March 1983
Produced works comprise the bulk of the collection. It consists of screenplays, notes, publicity, and other production material for the films Bad Company, Kramer vs. Kramer, Still of the Night, Nadine, Places in the Heart, Billy Bathgate, and Nobody’s Fool.
Second draft screenplay, undated
Produced works comprise the bulk of the collection. It consists of screenplays, notes, publicity, and other production material for the films Bad Company, Kramer vs. Kramer, Still of the Night, Nadine, Places in the Heart, Billy Bathgate, and Nobody’s Fool.
Second Draft-“STAB” by David Newman and Benton, n.d.-Corrections by typewriter, undated
This addition to the Benton archives includes drafts of several screenplays in partnership with David Newton (including Bad Company, Places In The Heart, Lovesick Blues, War in the Val D’orcia, Stolen, Places in Samarra) photographs of movie sets and actors, and original movie posters. Artifacts include Benton’s awards and Bachelor’s degree.
Second Draft-“War in the Val D’orcia” by Benton, February 24, 1990
This addition to the Benton archives includes drafts of several screenplays in partnership with David Newton (including Bad Company, Places In The Heart, Lovesick Blues, War in the Val D’orcia, Stolen, Places in Samarra) photographs of movie sets and actors, and original movie posters. Artifacts include Benton’s awards and Bachelor’s degree.
Second Draft-“War in the Val D’orcia” by Benton, February 9, 1990
This addition to the Benton archives includes drafts of several screenplays in partnership with David Newton (including Bad Company, Places In The Heart, Lovesick Blues, War in the Val D’orcia, Stolen, Places in Samarra) photographs of movie sets and actors, and original movie posters. Artifacts include Benton’s awards and Bachelor’s degree.
Second Draft-“War in the Val D’orcia” by Benton, February 9, 1990
This addition to the Benton archives includes drafts of several screenplays in partnership with David Newton (including Bad Company, Places In The Heart, Lovesick Blues, War in the Val D’orcia, Stolen, Places in Samarra) photographs of movie sets and actors, and original movie posters. Artifacts include Benton’s awards and Bachelor’s degree.
Second Draft-“War in the Val D’orcia” by Benton-Annotated, February 24, 1990
This addition to the Benton archives includes drafts of several screenplays in partnership with David Newton (including Bad Company, Places In The Heart, Lovesick Blues, War in the Val D’orcia, Stolen, Places in Samarra) photographs of movie sets and actors, and original movie posters. Artifacts include Benton’s awards and Bachelor’s degree.
Second draft with Bud Shrake notes, June 24, 1980
A western starring Gary Busey and Willie Nelson. This series contains drafts of the script, costumes, photographs by Wittliff, the script supervisor's files, the editing and sound notes, publicity, distribution, and clippings of reviews and interviews. The archive also contains the dailies on film reels and a 16mm print of the film.
Second draft with Schepisi notes, June 24, 1980
A western starring Gary Busey and Willie Nelson. This series contains drafts of the script, costumes, photographs by Wittliff, the script supervisor's files, the editing and sound notes, publicity, distribution, and clippings of reviews and interviews. The archive also contains the dailies on film reels and a 16mm print of the film.
Second draft with Wittliff notes, June 24, 1980
A western starring Gary Busey and Willie Nelson. This series contains drafts of the script, costumes, photographs by Wittliff, the script supervisor's files, the editing and sound notes, publicity, distribution, and clippings of reviews and interviews. The archive also contains the dailies on film reels and a 16mm print of the film.