Screenwriters -- United States

Series Description From the Series:

The Screenplays are arranged chronologically according to when they were written. The order does not reflect the order in which the films were released. The date following the title in parentheses is the release date. Photographs, film, and videotape may not be duplicated without permission from the Wittliff estate.

Sub-Series Description From the Sub-Series:

This started as a rewrite of Pistoleers--"My first couple of drafts were set in New York City--then Crocodile Dundee came out and the studio asked me to reset the story in Washington, D. C. to avoid comparison. Against my better judgment I agreed to give it a try and the whole thing (meaning the writing) went downhill after that." Bill Wittliff, February 16, 1989. Includes notes by Wittliff's assistant at the time, Connie Todd.

Sub-Series Description From the Sub-Series:

This started as a rewrite of Pistoleers--"My first couple of drafts were set in New York City--then Crocodile Dundee came out and the studio asked me to reset the story in Washington, D. C. to avoid comparison. Against my better judgment I agreed to give it a try and the whole thing (meaning the writing) went downhill after that." Bill Wittliff, February 16, 1989. Includes notes by Wittliff's assistant at the time, Connie Todd.

Sub-Series Description From the Sub-Series:

This started as a rewrite of Pistoleers--"My first couple of drafts were set in New York City--then Crocodile Dundee came out and the studio asked me to reset the story in Washington, D. C. to avoid comparison. Against my better judgment I agreed to give it a try and the whole thing (meaning the writing) went downhill after that." Bill Wittliff, February 16, 1989. Includes notes by Wittliff's assistant at the time, Connie Todd.

Sub-Series Description From the Sub-Series:

A western starring Gary Busey and Willie Nelson. This series contains drafts of the script, costumes, photographs by Wittliff, the script supervisor's files, the editing and sound notes, publicity, distribution, and clippings of reviews and interviews. The archive also contains the dailies on film reels and a 16mm print of the film.

Series Description From the Series:

The Screenplays are arranged chronologically according to when they were written. The order does not reflect the order in which the films were released. The date following the title in parentheses is the release date. Photographs, film, and videotape may not be duplicated without permission from the Wittliff estate.

Series Description From the Series:

The Screenplays are arranged chronologically according to when they were written. The order does not reflect the order in which the films were released. The date following the title in parentheses is the release date. Photographs, film, and videotape may not be duplicated without permission from the Wittliff estate.

Series Description From the Series: Shrake kept files of works by various writers, which are kept in this series. Some of these files contain editing notes by Shrake or correspondence from the writer. The series is arranged alphabetically by author’s last name. Included are the production files for Another Pair of Aces, a TV movie written by Rob Gilmer that was a sequel to Shrake and Cartwright’s Pair of Aces. Shrake was a co-producer of this movie. In the late...

Series Description From the Series: This series contains materials belonging to Shrake of a more personal nature and is arranged chronologically. The oldest item in this series, and in the collection, is Shrake’s father’s baby dress. Also included are certificates, clippings about Shrake and friends, photographs of Shrake, family and friends, scrapbooks, short stories written for class, two typewriters, a briefcase Shrake used for traveling on Sports Illustrated assignments, Artwork by Shrake...

Series Description From the Series: Two main subseries constitute the Correspondence series: Alphabetical and Chronological. This arrangement reflects Shrake’s, in that he filed some of his letters by correspondent, and some by year. Most correspondence in the Alphabetical sub-series are with friends, collaborators, and family members. The Chronological sub-series contains correspondence from a far wider range of addressors, some strangers to Shrake and others intimate friends. A name index for the chronological...

Series Description From the Series: Two main subseries constitute the Correspondence series: Alphabetical and Chronological. This arrangement reflects Shrake’s, in that he filed some of his letters by correspondent, and some by year. Most correspondence in the Alphabetical sub-series are with friends, collaborators, and family members. The Chronological sub-series contains correspondence from a far wider range of addressors, some strangers to Shrake and others intimate friends. A name index for the chronological...

Series Description From the Series: Two main subseries constitute the Correspondence series: Alphabetical and Chronological. This arrangement reflects Shrake’s, in that he filed some of his letters by correspondent, and some by year. Most correspondence in the Alphabetical sub-series are with friends, collaborators, and family members. The Chronological sub-series contains correspondence from a far wider range of addressors, some strangers to Shrake and others intimate friends. A name index for the chronological...

Series Description From the Series: Two main subseries constitute the Correspondence series: Alphabetical and Chronological. This arrangement reflects Shrake’s, in that he filed some of his letters by correspondent, and some by year. Most correspondence in the Alphabetical sub-series are with friends, collaborators, and family members. The Chronological sub-series contains correspondence from a far wider range of addressors, some strangers to Shrake and others intimate friends. A name index for the chronological...

Series Description From the Series: Two main subseries constitute the Correspondence series: Alphabetical and Chronological. This arrangement reflects Shrake’s, in that he filed some of his letters by correspondent, and some by year. Most correspondence in the Alphabetical sub-series are with friends, collaborators, and family members. The Chronological sub-series contains correspondence from a far wider range of addressors, some strangers to Shrake and others intimate friends. A name index for the chronological...

Series Description From the Series: Two main subseries constitute the Correspondence series: Alphabetical and Chronological. This arrangement reflects Shrake’s, in that he filed some of his letters by correspondent, and some by year. Most correspondence in the Alphabetical sub-series are with friends, collaborators, and family members. The Chronological sub-series contains correspondence from a far wider range of addressors, some strangers to Shrake and others intimate friends. A name index for the chronological...

Series Description From the Series: Two main subseries constitute the Correspondence series: Alphabetical and Chronological. This arrangement reflects Shrake’s, in that he filed some of his letters by correspondent, and some by year. Most correspondence in the Alphabetical sub-series are with friends, collaborators, and family members. The Chronological sub-series contains correspondence from a far wider range of addressors, some strangers to Shrake and others intimate friends. A name index for the chronological...

Series Description From the Series: Two main subseries constitute the Correspondence series: Alphabetical and Chronological. This arrangement reflects Shrake’s, in that he filed some of his letters by correspondent, and some by year. Most correspondence in the Alphabetical sub-series are with friends, collaborators, and family members. The Chronological sub-series contains correspondence from a far wider range of addressors, some strangers to Shrake and others intimate friends. A name index for the chronological...

Series Description From the Series: Two main subseries constitute the Correspondence series: Alphabetical and Chronological. This arrangement reflects Shrake’s, in that he filed some of his letters by correspondent, and some by year. Most correspondence in the Alphabetical sub-series are with friends, collaborators, and family members. The Chronological sub-series contains correspondence from a far wider range of addressors, some strangers to Shrake and others intimate friends. A name index for the chronological...

Scope and Contents From the Series: Though essentially consisting of only three projects, all published, this sub-series contains a voluminous amount of research on its subjects, especially Willie Nelson. Included in the Willie materials are numerous tapes and transcripts of interviews Shrake and others did with Nelson and his acquaintances. Also included are clipping files on Nelson and country music going back to 1978 (when Shrake was writing the Songwriter screenplay), and many files of...

Scope and Contents From the Series: Personal papers of author James Crumley. These items were collected from his home and reflect Crumley’s professional writing career and personal life. This collection includes multiple drafts of Crumley’s screenplays and novels, international translations, and publicity; some writings by other authors; drawings and work by Crumley’s first wife, Martha Elizabeth; correspondence; a sampling of documents that reflect his medical and financial history; reviews; publicity; photographs; office...