Screenwriters -- United States

Scope and Contents From the Series:

Produced works comprise the bulk of the collection.  It consists of screenplays, notes, publicity, and other production material for the films Bad Company, Kramer vs. Kramer, Still of the Night, Nadine, Places in the Heart, Billy Bathgate, and Nobody’s Fool.

Scope and Contents From the Series:

Produced works comprise the bulk of the collection.  It consists of screenplays, notes, publicity, and other production material for the films Bad Company, Kramer vs. Kramer, Still of the Night, Nadine, Places in the Heart, Billy Bathgate, and Nobody’s Fool.

Scope and Contents From the Series:

Produced works comprise the bulk of the collection.  It consists of screenplays, notes, publicity, and other production material for the films Bad Company, Kramer vs. Kramer, Still of the Night, Nadine, Places in the Heart, Billy Bathgate, and Nobody’s Fool.

Scope and Contents From the Series:

Produced works comprise the bulk of the collection.  It consists of screenplays, notes, publicity, and other production material for the films Bad Company, Kramer vs. Kramer, Still of the Night, Nadine, Places in the Heart, Billy Bathgate, and Nobody’s Fool.

Scope and Contents From the Series:

Produced works comprise the bulk of the collection.  It consists of screenplays, notes, publicity, and other production material for the films Bad Company, Kramer vs. Kramer, Still of the Night, Nadine, Places in the Heart, Billy Bathgate, and Nobody’s Fool.

Series Description From the Series: Again, this series is divided into Produced and Unproduced material.The sub-series of produced works is arranged by production date. The bulk of the sub-series consists of Pancho Villa’s Wedding Day, which, after Shrake turned it from a film script into a play script, underwent more incarnations, including as a musical. Numerous, corrected drafts are included, from 1977 to 1994, when he stopped revising it. The play was staged in 1984. The...

Series Description From the Series: Again, this series is divided into Produced and Unproduced material.The sub-series of produced works is arranged by production date. The bulk of the sub-series consists of Pancho Villa’s Wedding Day, which, after Shrake turned it from a film script into a play script, underwent more incarnations, including as a musical. Numerous, corrected drafts are included, from 1977 to 1994, when he stopped revising it. The play was staged in 1984. The...

Description From the Sub-Series:

6 part series, five of which aired August 1993 on CBS-TV.

Series Description From the Series: This series surveys Harrigan's creative works from his work as ad writer at the University Co-op to the publication of his book, Water and Light. It includes manuscript drafts, notes, notebooks, galley proofs, correspondence, magazines, clippings, financial and legal papers, screenplays, photographs and artifacts. In some cases Harrigan added notes and inscriptions describing the materials and providing background information....

Series Description From the Series:

The Screenplays are arranged chronologically according to when they were written. The order does not reflect the order in which the films were released. The date following the title in parentheses is the release date. Photographs, film, and videotape may not be duplicated without permission from the Wittliff estate.

Series Description From the Series:

The Screenplays are arranged chronologically according to when they were written. The order does not reflect the order in which the films were released. The date following the title in parentheses is the release date. Photographs, film, and videotape may not be duplicated without permission from the Wittliff estate.

Sub-Series Description From the Sub-Series:

This started as a rewrite of Pistoleers--"My first couple of drafts were set in New York City--then Crocodile Dundee came out and the studio asked me to reset the story in Washington, D. C. to avoid comparison. Against my better judgment I agreed to give it a try and the whole thing (meaning the writing) went downhill after that." Bill Wittliff, February 16, 1989. Includes notes by Wittliff's assistant at the time, Connie Todd.

Sub-Series Description From the Sub-Series:

This started as a rewrite of Pistoleers--"My first couple of drafts were set in New York City--then Crocodile Dundee came out and the studio asked me to reset the story in Washington, D. C. to avoid comparison. Against my better judgment I agreed to give it a try and the whole thing (meaning the writing) went downhill after that." Bill Wittliff, February 16, 1989. Includes notes by Wittliff's assistant at the time, Connie Todd.

Sub-Series Description From the Sub-Series:

This started as a rewrite of Pistoleers--"My first couple of drafts were set in New York City--then Crocodile Dundee came out and the studio asked me to reset the story in Washington, D. C. to avoid comparison. Against my better judgment I agreed to give it a try and the whole thing (meaning the writing) went downhill after that." Bill Wittliff, February 16, 1989. Includes notes by Wittliff's assistant at the time, Connie Todd.

Sub-Series Description From the Sub-Series:

This started as a rewrite of Pistoleers--"My first couple of drafts were set in New York City--then Crocodile Dundee came out and the studio asked me to reset the story in Washington, D. C. to avoid comparison. Against my better judgment I agreed to give it a try and the whole thing (meaning the writing) went downhill after that." Bill Wittliff, February 16, 1989. Includes notes by Wittliff's assistant at the time, Connie Todd.

Sub-Series Description From the Sub-Series:

A western starring Gary Busey and Willie Nelson. This series contains drafts of the script, costumes, photographs by Wittliff, the script supervisor's files, the editing and sound notes, publicity, distribution, and clippings of reviews and interviews. The archive also contains the dailies on film reels and a 16mm print of the film.

Sub-Series Description From the Sub-Series:

A western starring Gary Busey and Willie Nelson. This series contains drafts of the script, costumes, photographs by Wittliff, the script supervisor's files, the editing and sound notes, publicity, distribution, and clippings of reviews and interviews. The archive also contains the dailies on film reels and a 16mm print of the film.

Sub-Series Description From the Sub-Series:

A film loosely based on Wittliff’s mother’s life about a young, divorced mother of two sons working as a telephone operator in small-town Texas during World War II. Starring Sissy Spacek, Sam Shepard, and Eric Roberts. Early drafts are titled "Nita, Henry and Harry."

Sub-Series Description From the Sub-Series:

A film loosely based on Wittliff’s mother’s life about a young, divorced mother of two sons working as a telephone operator in small-town Texas during World War II. Starring Sissy Spacek, Sam Shepard, and Eric Roberts. Early drafts are titled "Nita, Henry and Harry."

Sub-Series Description From the Sub-Series:

A film loosely based on Wittliff’s mother’s life about a young, divorced mother of two sons working as a telephone operator in small-town Texas during World War II. Starring Sissy Spacek, Sam Shepard, and Eric Roberts. Early drafts are titled "Nita, Henry and Harry."