Screenwriters -- United States
Found in 3762 Collections and/or Records:
One “Montana Centennial Commemorative” belt buckle with image of grizzly bear , undated
One mounted antler hat rack, used by Crumley (deer shot by Crumley): 20” x 15”; One wooden “South Bend” fishing net: 24” x 11” , undated
One pair of black suspenders , undated
One pair of fingerless gray knitted gloves , undated
One rock belt buckle with image of brown bear, undated
One “Shugrue & Milo’s Bordersnakes Pilsner” beer bottle, undated
One skull with Texas flag bikini top attached-inspired by “The Final Country” book cover: 15” x 17” , undated
One “Tattered Cover” bookmark award, May 26, 2005
One videocassette: “A Club Med Forum in Columbus Isle” on the mystery novel: “Darkness”-a film by Patricia Desmortiers, December 2000
One videocassette: “L’Esprit de la Route/The Way of the Road” , undated
One whetstone in wooden box: “Buck Knives Hard Arkansas Stone #135”, undated
Onibaba (1991)
Onion, bee, pig, cow, roadrunner, chicken
Opening title sequence
Produced works comprise the bulk of the collection. It consists of screenplays, notes, publicity, and other production material for the films Bad Company, Kramer vs. Kramer, Still of the Night, Nadine, Places in the Heart, Billy Bathgate, and Nobody’s Fool.
Optical sheets/sound notes
Order forms for “…and the Earth did not devour him…”
Original annotated typescript, 1957
Original clippings of Co-op ads, preservation photocopies can be found in Series I.
This series includes photocopies of newspaper clippings about Harrigan and his work saved by the author and original clippings of his ads for the University Co-op. His Co-op ads have been preservation photocopied and reside in Series I.
Original manuscript bound in spiral notebook, August 25, 1989
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.