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Screenwriters -- United States

 Subject
Subject Source: Library of Congress Subject Headings

Found in 3762 Collections and/or Records:

Old Scripts—The Terror” by Benton and Newman, undated

 File — Box 2028, Folder: 13
Scope and Contents From the Collection:

This addition to the Benton archives includes drafts of several screenplays in partnership with David Newton (including Bad Company, Places In The Heart, Lovesick Blues, War in the Val D’orcia, Stolen, Places in Samarra) photographs of movie sets and actors, and original movie posters. Artifacts include Benton’s awards and Bachelor’s degree.

Dates: undated

Old Scripts—“The Woman Next Door”, undated

 File — Box 2030, Folder: 26
Scope and Contents From the Collection:

This addition to the Benton archives includes drafts of several screenplays in partnership with David Newton (including Bad Company, Places In The Heart, Lovesick Blues, War in the Val D’orcia, Stolen, Places in Samarra) photographs of movie sets and actors, and original movie posters. Artifacts include Benton’s awards and Bachelor’s degree.

Dates: undated

Old Scripts—Third Draft-“Billy Bathgate” by Tom Stoppard-Director: Benton, June 15, 1990

 File — Box 2028, Folder: 15
Scope and Contents From the Collection:

This addition to the Benton archives includes drafts of several screenplays in partnership with David Newton (including Bad Company, Places In The Heart, Lovesick Blues, War in the Val D’orcia, Stolen, Places in Samarra) photographs of movie sets and actors, and original movie posters. Artifacts include Benton’s awards and Bachelor’s degree.

Dates: June 15, 1990

Old Scripts—Third Draft-“Dick and Tracy” A.K.A. “The Late Show”-Pilot Episode, November 14, 1984

 File — Box 40, Folder: 1
Scope and Contents From the Collection:

This addition to the Benton archives includes drafts of several screenplays in partnership with David Newton (including Bad Company, Places In The Heart, Lovesick Blues, War in the Val D’orcia, Stolen, Places in Samarra) photographs of movie sets and actors, and original movie posters. Artifacts include Benton’s awards and Bachelor’s degree.

Dates: November 14, 1984

Old Scripts—Third Draft-“STAB” by David Newman and Benton, July 24, 1980

 File — Box 39, Folder: 16
Scope and Contents From the Collection:

This addition to the Benton archives includes drafts of several screenplays in partnership with David Newton (including Bad Company, Places In The Heart, Lovesick Blues, War in the Val D’orcia, Stolen, Places in Samarra) photographs of movie sets and actors, and original movie posters. Artifacts include Benton’s awards and Bachelor’s degree.

Dates: July 24, 1980

Old Scripts—Third Draft-“The Texas Picture” by Benton, September 12, 1983

 File — Box 2029, Folder: 3
Scope and Contents From the Collection:

This addition to the Benton archives includes drafts of several screenplays in partnership with David Newton (including Bad Company, Places In The Heart, Lovesick Blues, War in the Val D’orcia, Stolen, Places in Samarra) photographs of movie sets and actors, and original movie posters. Artifacts include Benton’s awards and Bachelor’s degree.

Dates: September 12, 1983

Old Scripts—Third Draft-“War in the Val D’orcia” by Margaret Shultz, February 17, 1994

 File — Box 40, Folder: 19
Scope and Contents From the Collection:

This addition to the Benton archives includes drafts of several screenplays in partnership with David Newton (including Bad Company, Places In The Heart, Lovesick Blues, War in the Val D’orcia, Stolen, Places in Samarra) photographs of movie sets and actors, and original movie posters. Artifacts include Benton’s awards and Bachelor’s degree.

Dates: February 17, 1994

Old Scripts—Two Notebooks Containing “Emmaus” Notes, undated

 File — Box 2030, Folder: 11
Scope and Contents From the Collection:

This addition to the Benton archives includes drafts of several screenplays in partnership with David Newton (including Bad Company, Places In The Heart, Lovesick Blues, War in the Val D’orcia, Stolen, Places in Samarra) photographs of movie sets and actors, and original movie posters. Artifacts include Benton’s awards and Bachelor’s degree.

Dates: undated

Old Scripts—Two Unfinished Drafts-“Emmaus”, June 29, 1987, undated

 File — Box 2030, Folder: 2
Scope and Contents From the Collection:

This addition to the Benton archives includes drafts of several screenplays in partnership with David Newton (including Bad Company, Places In The Heart, Lovesick Blues, War in the Val D’orcia, Stolen, Places in Samarra) photographs of movie sets and actors, and original movie posters. Artifacts include Benton’s awards and Bachelor’s degree.

Dates: June 29, 1987, undated

Old Scripts—Untitled Screenplay, undated

 File — Box 2030, Folder: 32
Scope and Contents From the Collection:

This addition to the Benton archives includes drafts of several screenplays in partnership with David Newton (including Bad Company, Places In The Heart, Lovesick Blues, War in the Val D’orcia, Stolen, Places in Samarra) photographs of movie sets and actors, and original movie posters. Artifacts include Benton’s awards and Bachelor’s degree.

Dates: undated

Old Scripts—Untitled Screenplay, undated

 File — Box 2031, Folder: 5
Scope and Contents From the Collection:

This addition to the Benton archives includes drafts of several screenplays in partnership with David Newton (including Bad Company, Places In The Heart, Lovesick Blues, War in the Val D’orcia, Stolen, Places in Samarra) photographs of movie sets and actors, and original movie posters. Artifacts include Benton’s awards and Bachelor’s degree.

Dates: undated

Old Scripts—Untitled Screenplay, undated

 File — Box 2031, Folder: 7
Scope and Contents From the Collection:

This addition to the Benton archives includes drafts of several screenplays in partnership with David Newton (including Bad Company, Places In The Heart, Lovesick Blues, War in the Val D’orcia, Stolen, Places in Samarra) photographs of movie sets and actors, and original movie posters. Artifacts include Benton’s awards and Bachelor’s degree.

Dates: undated

Old Scripts—Untitled Screenplay, n.d.-Includes Correspondence to Benton from Russell Fink, December 1, 1971

 File — Box 2030, Folder: 34
Scope and Contents From the Collection:

This addition to the Benton archives includes drafts of several screenplays in partnership with David Newton (including Bad Company, Places In The Heart, Lovesick Blues, War in the Val D’orcia, Stolen, Places in Samarra) photographs of movie sets and actors, and original movie posters. Artifacts include Benton’s awards and Bachelor’s degree.

Dates: December 1, 1971

Old Scripts—“Val Dorcia” Notes and Untitled Screenplay, undated

 File — Box 2030, Folder: 25
Scope and Contents From the Collection:

This addition to the Benton archives includes drafts of several screenplays in partnership with David Newton (including Bad Company, Places In The Heart, Lovesick Blues, War in the Val D’orcia, Stolen, Places in Samarra) photographs of movie sets and actors, and original movie posters. Artifacts include Benton’s awards and Bachelor’s degree.

Dates: undated

Old Scripts—“You and Me” by Walter Betnstein-Annotated, December 3, 1989

 File — Box 40, Folder: 14
Scope and Contents From the Collection:

This addition to the Benton archives includes drafts of several screenplays in partnership with David Newton (including Bad Company, Places In The Heart, Lovesick Blues, War in the Val D’orcia, Stolen, Places in Samarra) photographs of movie sets and actors, and original movie posters. Artifacts include Benton’s awards and Bachelor’s degree.

Dates: December 3, 1989

“Old Tierra Budgets”

 File — Box 20, Folder: 2
Scope and Contents From the Collection: The papers of filmmaker and writer Severo Perez span 1972-2010 and document his career in film and television, and as a writer. The collection is arranged into six series: 1) Film; 2) Television; 3) Plays; 4) Books; 5) The National Endowment for the Humanities; and 6) Audio and Video Materials. Perez also donated an extensive amount of audiovisual material which includes film reels and prints for …and the earth did not swallow him as well as many of...
Dates: undated

Old Yeller screenplay, 1957-1958, undated

 Sub-Series
Scope and Contents From the Collection: These papers represent drafts of several of Gipson’s short stories, screenplays, and one nonfiction autobiographical piece, arranged by genre and in chronological order, with dates ranging from 1948-1957, and many items having no date. For each item there is typically one annotated typescript and one final draft typescript, along with a custom made folding box for the items related to each title. Of particular note is the 1957 shooting script for the Walt Disney film production of Gipson’s...
Dates: 1957-1958, undated

Old Yeller shooting script, with 2/22/1958 letter to Joe Small, 1957-1958

 File — Box 1, Folder: 6
Scope and Contents From the Collection: These papers represent drafts of several of Gipson’s short stories, screenplays, and one nonfiction autobiographical piece, arranged by genre and in chronological order, with dates ranging from 1948-1957, and many items having no date. For each item there is typically one annotated typescript and one final draft typescript, along with a custom made folding box for the items related to each title. Of particular note is the 1957 shooting script for the Walt Disney film production of Gipson’s...
Dates: 1957-1958

“On the Edge of Texas,” drafts, edited galley proofs, undated

 File — Box 13, Folder: 5
Series Description From the Series: This series surveys Harrigan's creative works from his work as ad writer at the University Co-op to the publication of his book, Water and Light. It includes manuscript drafts, notes, notebooks, galley proofs, correspondence, magazines, clippings, financial and legal papers, screenplays, photographs and artifacts. In some cases Harrigan added notes and inscriptions describing the materials and providing background information....
Dates: undated

“On the Edge of Texas,” maps, undated

 File — Box 13, Folder: 4
Series Description From the Series: This series surveys Harrigan's creative works from his work as ad writer at the University Co-op to the publication of his book, Water and Light. It includes manuscript drafts, notes, notebooks, galley proofs, correspondence, magazines, clippings, financial and legal papers, screenplays, photographs and artifacts. In some cases Harrigan added notes and inscriptions describing the materials and providing background information....
Dates: undated