Screenwriters -- United States
Found in 3419 Collections and/or Records:
Plays, 1984
This series includes notes, drafts, and correspondence for a play titled Boot (early working title, “Blown Away: A Play in Two Acts.”) The play takes place in a bunker in Vietnam and focuses on three marines: Crockett, Dupree, and Mills, joined by a new recruit they nickname “Boot.” The plot follows the young men as they try to cope with the realities of war.
Plays, 1980-1997, undated
Plays, 1972-1986, undated
Drafts, manuscripts, and typescripts of Hauptman’s plays, teleplay, screenplays, short stories, poetry, novel, articles and criticism are located in this series. Titles under each genre are filed alphabetically. Related correspondence, reviews, clippings, publicity, and playbills are filed after the draft or script for each title.
Plaza de la Raza articles, April 18, 1987
Plaza de la Raza clippings
Plaza de la Raza (Perez directed a film series there), 1987
Plum Creek, Part I
6 part series, five of which aired August 1993 on CBS-TV.
Poetry, undated
Drafts, manuscripts, and typescripts of Hauptman’s plays, teleplay, screenplays, short stories, poetry, novel, articles and criticism are located in this series. Titles under each genre are filed alphabetically. Related correspondence, reviews, clippings, publicity, and playbills are filed after the draft or script for each title.
Polish, August 2, 1990
This started as a rewrite of Pistoleers--"My first couple of drafts were set in New York City--then Crocodile Dundee came out and the studio asked me to reset the story in Washington, D. C. to avoid comparison. Against my better judgment I agreed to give it a try and the whole thing (meaning the writing) went downhill after that." Bill Wittliff, February 16, 1989. Includes notes by Wittliff's assistant at the time, Connie Todd.
Polish, September 19-October 10, 1979
A film loosely based on Wittliff’s mother’s life about a young, divorced mother of two sons working as a telephone operator in small-town Texas during World War II. Starring Sissy Spacek, Sam Shepard, and Eric Roberts. Early drafts are titled "Nita, Henry and Harry."
Polish, August 21 - 26, 1982
The film was eventually produced in 2013 starring Robert Duvall.
Polish , October 21 - November 11, 1985
The film was eventually produced in 2013 starring Robert Duvall.
Polish, December 12-18, 1988
The film was eventually produced in 2013 starring Robert Duvall.
Polish, February 11 - 12, 1985
"This one got stuck between thinking and feeling. The best stuff (the old men, the feathered airplane, the Mask itself) come from cutting the subconscious loose. Much of the rest of the story is contrivance--that is to say, thought out. The two didn't mix." Bill Wittliff, February 24, 1989
Polish and revisions, July - September, 1991
The Screenplays are arranged chronologically according to when they were written. The order does not reflect the order in which the films were released. The date following the title in parentheses is the release date. Photographs, film, and videotape may not be duplicated without permission from the Wittliff estate.
Polish begun, January 27, 1981
The film was eventually produced in 2013 starring Robert Duvall.
Polish begun, October 21, 1985
The film was eventually produced in 2013 starring Robert Duvall.
Polish of Aug 28, 1980 draft, September 11, 1980
A western starring Gary Busey and Willie Nelson. This series contains drafts of the script, costumes, photographs by Wittliff, the script supervisor's files, the editing and sound notes, publicity, distribution, and clippings of reviews and interviews. The archive also contains the dailies on film reels and a 16mm print of the film.
Polish of first complete draft
The Screenplays are arranged chronologically according to when they were written. The order does not reflect the order in which the films were released. The date following the title in parentheses is the release date. Photographs, film, and videotape may not be duplicated without permission from the Wittliff estate.
Polish of rewrite, July 28 - 31, 1990
This started as a rewrite of Pistoleers--"My first couple of drafts were set in New York City--then Crocodile Dundee came out and the studio asked me to reset the story in Washington, D. C. to avoid comparison. Against my better judgment I agreed to give it a try and the whole thing (meaning the writing) went downhill after that." Bill Wittliff, February 16, 1989. Includes notes by Wittliff's assistant at the time, Connie Todd.