Poetry
Found in 3680 Collections and/or Records:
American Place Theater , 2009
Book Contracts are separate from publisher’s correspondence and span 1985-2012. They are arranged by year in boxes 150-151, with files for each publisher listed alphabetically.
American Way, vol 24, no 24. Includes “Woman Hollering Creek” (2 copies), December 15, 1991
Arranged chronologically, Publications span 1970-2003 and include magazines and journals that contain contributions by Cisneros. The earliest items are literary magazines Now and Cadence, from Josephinum Academy and Loyola University, respectively. For each publication, the date and title of the Cisneros contribution is included in the container list. Oversized publications are in box 85.
“Amiddle the Fence”, 1961
Drafts of plays (mostly handwritten in pencil and annotated) and typescripts (mostly mimeographs or photocopies with annotations) are arranged in this subseries in alphabetical order. For reviews and further information regarding the author’s plays, see Series II: Personal, Newsclippings.
“Amorcito,” 5 drafts, some with corrections
“Amorcito Corazon,” 2 photocopy pages, no corrections, April 17, 1989
The bulk of the material for Loose Woman are the poems, arranged alphabetically. Many were originally housed in a folder titled “complete book.” Additional material includes proofs from Knopf, promotional displays, and Spanish translations by Paloma Zozaya and Marilar Aleixandre.
[Amsterdam], circa 1991
(25 photographs)
Amsterdam, circa 2002
Subjects include Jasna Karaula (32 photographs)
Amsterdam, Europe, 1999
Subjects include Jasna Karaula (12 photographs)
“An Ofrenda for My Father on Day of the Dead,” 5 print out pages (11 copies); San Antonio Express article by Elda Silva, October 13, 1997
Cisneros’ nonfiction writings are arranged alphabetically and include speeches, editorials, and essays. Many were eventually published in anthologies or magazines. In cases when the date and location of a speech is known, that information is included in the listing. This series also contains interviews Cisneros conducted with other writers while working at the Guadalupe Cultural Arts Center (box 41).
“An Ofrenda for My Father on the Day of the Dead,” “For Mama,” , 1997
The material relating to Cisneros’ mother spans 1964-2007 and was kept by her mother until her death in 2007. It includes correspondence with Sandra from 1977-2007; various documents and ephemera; and condolence letters that Cisneros received after her mother’s death. Oversized clippings and newspaper articles that her mother collected are located in box 8.
“An Ofrenda for My Father on the Day of the Dead,” photograph of altar
The Alfredo Cisneros materials span 1941-1949 and 1962-1997. It includes correspondence, military papers, obituaries, and condolence letters that Cisneros relieved after her father’s death in 1997.
“An Ofrenda For My Mother,” 5 print out pages, no corrections, July 24, 2009
Cisneros’ nonfiction writings are arranged alphabetically and include speeches, editorials, and essays. Many were eventually published in anthologies or magazines. In cases when the date and location of a speech is known, that information is included in the listing. This series also contains interviews Cisneros conducted with other writers while working at the Guadalupe Cultural Arts Center (box 41).
[An Old Man in the Orchard…]
Individual handwritten and typed poems, and hand-bound books of poetry, comprise this subseries. Many of the individual poems are accompanied by drafts, some are single copies. Individual poems are arranged alphabetically, followed by books of poetry, also arranged alphabetically. See also Series 2 : Personal, Subseries C: Scrapbook, for early drafts of poetry.
Ana Castillo, NACS conference, Austin, Texas, March 8, 1984
Cisneros’ nonfiction writings are arranged alphabetically and include speeches, editorials, and essays. Many were eventually published in anthologies or magazines. In cases when the date and location of a speech is known, that information is included in the listing. This series also contains interviews Cisneros conducted with other writers while working at the Guadalupe Cultural Arts Center (box 41).
Anaya, Rudolfo, 1984, 1989, 1994-1999, 2007-2011, undated
“Ancianos, Antepasa dos y otros,” 13 holograph pages
Cisneros’ nonfiction writings are arranged alphabetically and include speeches, editorials, and essays. Many were eventually published in anthologies or magazines. In cases when the date and location of a speech is known, that information is included in the listing. This series also contains interviews Cisneros conducted with other writers while working at the Guadalupe Cultural Arts Center (box 41).
“and where are the women poets?”. Broadside featuring poem by Rosemary Catacalos. 11 W x 17 H, November 4, 1975
“Andale,” 1 typed page, no corrections; 2 photocopies, July 1991
Later Poems span 1985-2014 and did not come in any original order. They are arranged alphabetically. Most poems are single drafts, but or insight into Cisneros’ revision process, there are eight progressive drafts of the 1995 poem “Morning After Tango.”
Andros, W (Dr.), , 1999, 2006-2013
Aneka Sure Prema: Adhunika Chikano Kavita or Love in Many Tunes: a Collection of Modern Chicano Poems. Kalikata: De Buka Stora. Thakura, Manaba. ed. and translator. Includes “By Way of Explanation” and “No Mercy.” Also includes a photocopy of the text in English, 1985
Arranged chronologically, Publications span 1970-2003 and include magazines and journals that contain contributions by Cisneros. The earliest items are literary magazines Now and Cadence, from Josephinum Academy and Loyola University, respectively. For each publication, the date and title of the Cisneros contribution is included in the container list. Oversized publications are in box 85.