Poetry

Abstract From the Series: Archival materials from author Miles Wilson dating 1965-2016. Material includes correspondence pertaining to the acquisition of the J. Frank Dobie papers by William Wittliff and the inception of the Southwest Writers Collection at Southwest Texas State University (Texas State University) San Marcos, Texas, as well as annotated drafts of early poetry and short prose; submissions to various poetry and short story anthologies; rejection slips and editor correspondence. The bulk of the material...

Contents

“Andy Adams: His Life and Writing by Wilson Hudson” printed on cover of three way folded pamphlet on beige paper, inside is a picture and biography on Adams (3 copies)

Biographical draft about Andy Adams written by Wilson Hudson on yellow paper, the biography is different from the one printed in the pamphlet, white out used on part of the document, at the bottom is suggested reading referring to Hudson’s book Andy Adams: His Life and Writing

Subseries Description From the Sub-Series:

Cisneros’ 2015 book of essays, A House of My Own appears to have originally been titled “Writing in My Pajamas.” There are no final drafts of the book since the archive was acquired before its publication, but the material does provide evidence of her early essay selections. Many of the essays were previously published, and some overlap with series VII: Writings – Nonfiction.

Series Description From the Series: Notebooks and Journals span 1979-2012 and often overlap with the items in series III: Diaries. They include notes, story ideas, lists, addresses, and a number of other jottings by Cisneros. Some notable entries include notes and quotes concerning what poetry is while she was working as a counselor at Loyola University in Chicago in 1981; drafts and notes for poems and for The House on Mango Street in 1982; a list of stories for Mango Street in 1983; and notes from 1987 which Cisneros titled”...

Subseries Description From the Sub-Series:

Cisneros’ 2015 book of essays, A House of My Own appears to have originally been titled “Writing in My Pajamas.” There are no final drafts of the book since the archive was acquired before its publication, but the material does provide evidence of her early essay selections. Many of the essays were previously published, and some overlap with series VII: Writings – Nonfiction.

Subseries Description From the Sub-Series:

Cisneros’ 2015 book of essays, A House of My Own appears to have originally been titled “Writing in My Pajamas.” There are no final drafts of the book since the archive was acquired before its publication, but the material does provide evidence of her early essay selections. Many of the essays were previously published, and some overlap with series VII: Writings – Nonfiction.

Series Description From the Series:

Publicity Material spans 1978-2014 and is divided into the following subseries: Cisneros Cover Stories; Magazines with Articles about Cisneros; Newspaper and Other Articles; Appearance Publicity; Oversized; and Book Publisher Catalogs.

Subseries Description From the Sub-Series:

Portraits are formal, posed photographs of Cisneros, and are arranged chronologically. Photographers include her brother, Henry (Kiki) Cisneros, Joan Frederick, Alexandro Galindo, Ruben Guzman, Armando Rascón, Al Rendon, and Diana Solís, among others. Also included are a number of portraits of Cisneros with others, notably with her mother in 1998, and Gertrude Baker, Ruben Guzman, Denise Chavez, Jasna Karaula, and Emma Tenayuca.

Series Description

These writings about Cisneros are arranged chronologically from 1981-2012 and include academic articles, interviews, and writer’s biographies. Undated writings about Cisneros are housed in box 89 and are arranged alphabetically by author. Newspaper articles and publicity writings about Cisneros can be found in Series XIX: Publicity.

Series Description

Includes poems, published works, collaborated works, offprints, signed offprints, drafts etc. They are arranged alphabetically by book title from rough draft to final product. Two copies of each offprint are to be kept unless a signed copy is present. Does not include those writings associated with the Texas Folklore Society, obituaries, or printed newspapers and magazines for preservation reasons.

Series Description

Writings by others span 1985-2014 and contain works by contemporaries and friends of Cisneros, as well as writings sent to her either by an author or publisher. Of note are works by: Norma Alarcón; Julia Alvarez; Daniel Arreola; Tony Beckwith; Ruth Behar; Norma Cantú; Denise Chávez; Joan Frederick; Pat LittleDog; Levi Romero; Jim Sagel; Liliana Valenzuela; and Reggie Young.

Series Description Monographs represent a significant portion of the archive and include material relating to each of Cisneros’ published books, as well as her children’s storybooks. The series is arranged chronologically according to publication date: The House on Mango Street (1984); My Wicked Wicked Ways (1987); Woman Hollering Creek (1991); Loose Woman (1994); Caramelo (2002); A House of My Own (2015). Storybook materials follow: Hairs/Pelitos (1994); Bravo Bruno (2011); Have You Seen Marie? (2012);...

Series Description

Cisneros’ nonfiction writings are arranged alphabetically and include speeches, editorials, and essays. Many were eventually published in anthologies or magazines. In cases when the date and location of a speech is known, that information is included in the listing. This series also contains interviews Cisneros conducted with other writers while working at the Guadalupe Cultural Arts Center (box 41).

Series Description

The series Notes consists of loose pages and clippings for story ideas. Of particular interest are seven folders of “buttons” – often a single phrase or line, that Cisneros filed away as inspiration for potential poems or stories.

Series Description

Poetry is arranged into five sub-series: early poems; Europe poems; later poems; poems translated into Spanish; and unfinished poems.

Series Description From the Series:

Includes publications and other specially preserved media from Hudson’s time on a variety of subjects including the Texas Folklore Society and offprints sent to Hudson by other writers.

Subseries Description Short Stories span 1982-2012 and are arranged alphabetically. A number of stories were originally housed in a folder title “Antojitos collection,” dating from 1982-1987. These stories were kept together in box 45, folders 1-15. The rest of the short stories follow, and are also arranged alphabetically. Many include multiple drafts, with stories such as “Machu Pichu,” “Martita te Requerdo,” and “The Snow Queen,” a poem inspired by former San Antonio mayor, Henry Cisneros, comprising several...

Series Description From the Series: The extensive correspondence files span 1980-2013 and are arranged alphabetically by correspondent. Every correspondent is included in the container list, and when known, organizational affiliations are listed in parenthesis. Individuals with a significant quantity of letters include: Jeffrey Abrahams; Norma Alarcón; Dorothy Allison; Julia Alvarez; Beatrix Badikian; Gertrude Baker; Ruth Behar; Ronnie Burke; Norma Cantu; Ana Castillo; Denise Chávez; Carlos Cumpián; Ted Dvoracek; Gayle...

Series Description From the Series:

These writings about Cisneros are arranged chronologically from 1981-2012 and include academic articles, interviews, and writer’s biographies. Undated writings about Cisneros are housed in box 89 and are arranged alphabetically by author. Newspaper articles and publicity writings about Cisneros can be found in Series XIX: Publicity.

Abstract From the Series: Archival materials following the career of Texas State University professor and writer, Miles Wilson from 1966-2016. Majority of the materials in the collection are manuscript drafts for Line of Fall and Fire Season. Included are book catalogs; royalties for the drafts; and characters analyses and synopsis for Fire Season. Some of the materials within the collection are in poor condition because they were charred in a fire. The folder titles preceding a semicolon reflect Wilson’s original...