Dramatists
Found in 776 Collections and/or Records:
Annotated unfinished typescript, November 1989
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Annotated work play, February 1984
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Articles, 1990-1991, undated
Arranged by genre (articles, books, sound recordings, screenplays, short stories and teleplays), most of the works in this series are based on or inspired by Shepard’s works. Authors mailed the works to Shepard for his comments, and many items include typescripts annotated by Shepard and correspondence.
Articles, 1983-1992, undated
“They Love Him Tender, Love Him True” New York Times Magazine. August 7, 1988
"Close Encounters with Tornadoes” Reader’s Digest. July 1985
"Will the World Flock to Wichita Falls?” New York Times Magazine. August 7, 1988
“The Desert : A Short Story” The Atlantic Monthly. March 1983
“On the Dryline” The Atlantic Monthly. May 1984
Articles
Handwritten and typed notes, clippings, and photocopies, arranged in alphabetical order by the author’s subject categories, comprise the majority of this subseries. Also included are several folders of topographical and road maps of various Texas counties and other locations.
Articles and Criticism, 1984-1992, undated
Drafts, manuscripts, and typescripts of Hauptman’s plays, teleplay, screenplays, short stories, poetry, novel, articles and criticism are located in this series. Titles under each genre are filed alphabetically. Related correspondence, reviews, clippings, publicity, and playbills are filed after the draft or script for each title.
Articles and Essays, 1960, undated
Articles and essays in this subseries relate to Vliet’s own writing process and influences. All are in typescript form and most have handwritten annotations.
Articles on Chaikin and Shepard
Topics include the publication of Shepard’s works in magazines and journals as excerpts, as well as in their entirety; correspondence with agent Lois Berman. Aside from general correspondence, this series also includes correspondence from Joseph Chaikin and Barry Daniels and correspondence from Shepard’s son, Jesse, as noted [Restricted]. For Shepard’s 40-year correspondence with Johnny Dark, see the Southwestern Writers Collection 106, The Sam Shepard and Johnny Dark Collection.
Artifacts, undated
This series includes a harmonica owned by Hauptman.
Artifacts, 1982, undated
One award (from Southwest Texas State University) and several items of clothing, as well as Vliet’s eyeglasses and case, are included in this subseries. The embroidered white cotton shirt worn by Vliet at his daughter’s wedding (see Series 2 : Personal, Subseries B : Photographs) can also be found here.
As published by Samuel French Inc., 1975
Drafts, manuscripts, and typescripts of Hauptman’s plays, teleplay, screenplays, short stories, poetry, novel, articles and criticism are located in this series. Titles under each genre are filed alphabetically. Related correspondence, reviews, clippings, publicity, and playbills are filed after the draft or script for each title.
Audio book cover art proposals, undated
Audiocassette musical recording by Token Oldies
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Audiocassette of medicine show music, undated
Audiocassette of New York City-New Orleans music sessions, undated
Audiocassette recording of Pecos Bill, undated
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Audiocassette tapes of rehearsals (2), 1984, undated
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Audiocassettes, 1984
Arranged by genre (articles, books, sound recordings, screenplays, short stories and teleplays), most of the works in this series are based on or inspired by Shepard’s works. Authors mailed the works to Shepard for his comments, and many items include typescripts annotated by Shepard and correspondence.
Audiotape and LP recordings of 24 poems, by R.G. Vliet
One award (from Southwest Texas State University) and several items of clothing, as well as Vliet’s eyeglasses and case, are included in this subseries. The embroidered white cotton shirt worn by Vliet at his daughter’s wedding (see Series 2 : Personal, Subseries B : Photographs) can also be found here.
Australian reviews and publicity, 1984
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.