Dramatists
Found in 776 Collections and/or Records:
When the World Was Green (1996)
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Whitehead and Whitehead , undated
Whitworth, Mr. and Mrs. (from Vliet), 1964
“Wild Life in Canada”, by Hauptman and Frank Joiner, photocopy of manuscript, 1954
Drafts, manuscripts, and typescripts of Hauptman’s plays, teleplay, screenplays, short stories, poetry, novel, articles and criticism are located in this series. Titles under each genre are filed alphabetically. Related correspondence, reviews, clippings, publicity, and playbills are filed after the draft or script for each title.
Williams, Tennessee. "The Man in the Overstuffed Chair," photocopy from published source
Arranged by genre (articles, books, sound recordings, screenplays, short stories and teleplays), most of the works in this series are based on or inspired by Shepard’s works. Authors mailed the works to Shepard for his comments, and many items include typescripts annotated by Shepard and correspondence.
Wisconsin Players (University of Wisconsin), 1956
Words and Phrases
Work, 1954-1993, undated
Drafts, manuscripts, and typescripts of Hauptman’s plays, teleplay, screenplays, short stories, poetry, novel, articles and criticism are located in this series. Titles under each genre are filed alphabetically. Related correspondence, reviews, clippings, publicity, and playbills are filed after the draft or script for each title.
Working copy (typescript, annotated) , undated
Working draft, annotated typescript, September 1997
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Working script for Joseph Papp Public Theater production, November 1994
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Works
This series is arranged into the following sub-series: Novels, Plays, Poetry, Stories, Articles and Essays, Speeches, and Subject Files.
Works by Others, 1984-1998
Arranged by genre (articles, books, sound recordings, screenplays, short stories and teleplays), most of the works in this series are based on or inspired by Shepard’s works. Authors mailed the works to Shepard for his comments, and many items include typescripts annotated by Shepard and correspondence.
Workspaces and desks
Photographs in this subseries are divided into the following groups: photographs of R.G. Vliet alone, Vliet and his immediate family, Vliet and extended family, Mexico snapshots, friends, workspaces, and pets. Most are color snapshots from Vliet’s personal life, most are not labeled with identifying information. See also Subseries C : Scrapbook, for additional photographs, especially from Vliet’s youth.
"Y" of New York City (Unterberg Poetry Center on 92nd Street and Lexington Avenue, New York City) includes guest pass, letter regarding travel arrangements, and Shepard's annotated readings
Cover art proposals and galleys for compilations of Shepard’s work published by Vintage and Bantam comprise this series.
Yale School of Drama, “History of the Theater”, 1955
This subseries is comprised of Vliet’s handwritten notes for a class taken at Yale School of Drama, “History of the Theater”, in 1955.