Dramatists

Sub-Series Description From the Sub-Series:

Individual handwritten and typed poems, and hand-bound books of poetry, comprise this subseries. Many of the individual poems are accompanied by drafts, some are single copies. Individual poems are arranged alphabetically, followed by books of poetry, also arranged alphabetically. See also Series 2 : Personal, Subseries C: Scrapbook, for early drafts of poetry.

Sub-Series Description From the Sub-Series:

Articles and essays in this subseries relate to Vliet’s own writing process and influences. All are in typescript form and most have handwritten annotations.

Sub-Series Description From the Sub-Series:

This subseries includes drafts and typescripts of four speeches which address Vliet’s writing process and influences. Also included here is the author’s acceptance speech for the 1978 Texas Institute of Letters Award received for his novel, Solitudes.

Sub-Series Description From the Sub-Series:

Individual handwritten and typed poems, and hand-bound books of poetry, comprise this subseries. Many of the individual poems are accompanied by drafts, some are single copies. Individual poems are arranged alphabetically, followed by books of poetry, also arranged alphabetically. See also Series 2 : Personal, Subseries C: Scrapbook, for early drafts of poetry.

Sub-Series Description From the Sub-Series:

Individual handwritten and typed poems, and hand-bound books of poetry, comprise this subseries. Many of the individual poems are accompanied by drafts, some are single copies. Individual poems are arranged alphabetically, followed by books of poetry, also arranged alphabetically. See also Series 2 : Personal, Subseries C: Scrapbook, for early drafts of poetry.

Series Description From the Series:

This series contains documents pertaining to Flynn’s novels North to Yesterday, In the House of Our Lord, and The Last Klick. Also included in this series are materials related to Flynn’s published memoir A Personal War in Vietnam. Included are various draft typescripts, galleys, and plate proofs.

Scope and Contents

quotes dated August, 1992

“Separation: Horrors of the Road,” September 1992

“Simms – Tall Stories Solid 7,” September, 1993

“One Last Favor,” playscript September, 1992

“No Better Place than the Present,” undated

Scope and Contents “Turkey Sag,” January, 1994 “Gary Cooper ofthe Landscape,” January, 1994 “A Weakness for Horses,” January, 1994 Actors, Simpatico, “An Actors Doubt,” January, 1994poem “My mother loved the sea...” March, 1994“Dreaming of a way to Enter the Unbearable Present,” April, 1994“Self Made Man (Divine Providence,” undated“Questions for Junior Brown,” March, 1995“Once,” May, 1995“Dignity,” May, 1995“A Man’s...

Scope and Contents

“Thin Skin – What Any Woman Can Do To You,” 1989

“J.D.’s Collapse,” December 1998

“Southwest Chief – L.A. to Chicago,” February 1989

“More Urgent Emergencies,” April, 1989

“Wild to the Wild,” May, 1989

“Ancient Fear of the Fiddle,” May, 1989

“Open Suitcase,” January, 1990

Scope and Contents

“Brecht Clown Play - Joe - World Was Green - At theEdge of the World,” November 1993

“Confession - Obsession - Blessing or Curse,” “Oedipus,” October 1995

“Great Place,” November 1995

“Sins of the Distant Past,” “Marfa Lights,” February 1996; November 1993-January 1996,(black cover)

Series Description From the Series:

The Notebooks series includes handwritten notes, dialogue ideas, small drawings, and journal entries, usually in spiral bound notebooks. Some entries are personal and many were or were intended to be developed into longer works.

Scope and Contents

“Machine Dreams: “Film Synopsis,” December 25, 1984

“Denial,” film sketch, February 1984

“History of the Dog,” undated

Film sketch beginning, “A Man has a dream about a murder...” undated

“Jealousy is not a pretty thing,” October 23, 1988

“States” notes, February, 1989

“1957” film notes, January 1, 1987

“The Man Who Could Not Stop Crying,” October 3, 1988

Series Description From the Series:

The Notebooks series includes handwritten notes, dialogue ideas, small drawings, and journal entries, usually in spiral bound notebooks. Some entries are personal and many were or were intended to be developed into longer works.

Series Description From the Series: This series is divided into two subseries. The first, films for which Shepard wrote the screenplay, includes: notes, annotated drafts, dialogue rewrites, publicity, correspondence, contracts, music notes, production notes and schedules. Of the films in this subseries, Silent Tongueincludes the most information (1 linear foot), followed by Far North(.25 linear feet.), Onibaba(.25 linear feet),...

Series Description From the Series: This series is divided into two subseries. The first, films for which Shepard wrote the screenplay, includes: notes, annotated drafts, dialogue rewrites, publicity, correspondence, contracts, music notes, production notes and schedules. Of the films in this subseries, Silent Tongueincludes the most information (1 linear foot), followed by Far North(.25 linear feet.), Onibaba(.25 linear feet),...

Sub-Series Description From the Sub-Series: Business correspondence relates to Vliet’s writing career, and covers such subjects as writing submissions, editing of works to be published, royalties for published works. Correspondents include various poetry and literary journals, Texas Institute of Letters, the Ford Foundation, and Vliet’s agent, Lucy Kroll, of the Lucy Kroll Agency. Two non-correspondence files were filed by the author with this business correspondence, and are located at the beginning of this group of...

Series Description From the Series: This series is divided into two subseries. The first, films for which Shepard wrote the screenplay, includes: notes, annotated drafts, dialogue rewrites, publicity, correspondence, contracts, music notes, production notes and schedules. Of the films in this subseries, Silent Tongueincludes the most information (1 linear foot), followed by Far North(.25 linear feet.), Onibaba(.25 linear feet),...

Series Description From the Series: This series is divided into two subseries. The first, films for which Shepard wrote the screenplay, includes: notes, annotated drafts, dialogue rewrites, publicity, correspondence, contracts, music notes, production notes and schedules. Of the films in this subseries, Silent Tongueincludes the most information (1 linear foot), followed by Far North(.25 linear feet.), Onibaba(.25 linear feet),...

Series Description

Included in this series are materials from Flynn’s tenure as a war correspondent for True magazine. This series is comprised of handwritten notes, clippings, military records, Vietnamese money, and other related ephemera.

Sub-Series Description From the Sub-Series: Business correspondence relates to Vliet’s writing career, and covers such subjects as writing submissions, editing of works to be published, royalties for published works. Correspondents include various poetry and literary journals, Texas Institute of Letters, the Ford Foundation, and Vliet’s agent, Lucy Kroll, of the Lucy Kroll Agency. Two non-correspondence files were filed by the author with this business correspondence, and are located at the beginning of this group of...