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Dramatists

 Subject
Subject Source: Library of Congress Subject Headings

Found in 776 Collections and/or Records:

Speeches, 1978-1983, undated

 Sub-Series
Sub-Series Description

This subseries includes drafts and typescripts of four speeches which address Vliet’s writing process and influences. Also included here is the author’s acceptance speech for the 1978 Texas Institute of Letters Award received for his novel, Solitudes.

Dates: 1978-1983, undated

Spiral bound handwritten draft of Volador includes notes, story drafts, clippings, and photographs. Subjects and titles include: Train Film outline, Chain Chain Chain, Wayne Grace, Madagascar, Phone Call, “Apart,” Chappy, Rich Hole, Papantle, Spencer Tracy Had the Right Idea, Nightmare, How I Came by Train, Blythe, Paris, Train to Munich, and Athens, 1989-1991

 File — Box 10, Folder: 5
Series Description From the Series: Many of the short stories represented in this series were published in short story compilations Motel Chronicles(1982) and Cruising Paradise(1996). The series has been arranged by those compilation titles. Volador was a working title for Cruising Paradise; those files immediately precede the files labeled Cruising Paradise. The...
Dates: 1989-1991

Stage Notes for Magic Theater, handwritten orange notebook, 1983

 File — Box 3, Folder: 10
Series Description From the Series:

The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.

Dates: 1983

Stage set drawing sand letter from Bill Stabilie, undated

 File — Box 5, Folder: 11
Series Description From the Series:

The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.

Dates: undated

States of Shock (1991)

 Sub-Series
Series Description From the Series:

The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.

Dates: 1982-1999

Steppenwolf Chicago Poster, 1996

 File — Box 2, Folder: 7
Series Description From the Series:

The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.

Dates: 1996

Storm Season (typescript), 1992

 File — Box 2, Folder: 12
Series Description From the Series:

Drafts, manuscripts, and typescripts of Hauptman’s plays, teleplay, screenplays, short stories, poetry, novel, articles and criticism are located in this series. Titles under each genre are filed alphabetically. Related correspondence, reviews, clippings, publicity, and playbills are filed after the draft or script for each title.

Dates: 1992

Storyboards for scenes 38, 40, 70, 119-122, and 131-133 (photocopies)

 File — Box 18, Folder: 17
Series Description From the Series: This series is divided into two subseries. The first, films for which Shepard wrote the screenplay, includes: notes, annotated drafts, dialogue rewrites, publicity, correspondence, contracts, music notes, production notes and schedules. Of the films in this subseries, Silent Tongueincludes the most information (1 linear foot), followed by Far North(.25 linear feet.), Onibaba(.25 linear feet),...
Dates: 1989-1998

Stray Hand / Slow Dawning of a Sudden Loss, 1991-1993

 Sub-Series
Series Description From the Series:

Two annotated typescripts of Stray Hand(working title Slow Dawning of a Sudden Loss), 1991.

Dates: 1991-1993

Subject Files, undated

 Sub-Series
Sub-Series Description

Handwritten and typed notes, clippings, and photocopies, arranged in alphabetical order by the author’s subject categories, comprise the majority of this subseries. Also included are several folders of topographical and road maps of various Texas counties and other locations.

Dates: undated

“Sweetly Sings the Mocker” (typescript), undated

 Sub-Series — Box 23, Folder: 9
Sub-Series Description From the Sub-Series:

Drafts of plays (mostly handwritten in pencil and annotated) and typescripts (mostly mimeographs or photocopies with annotations) are arranged in this subseries in alphabetical order. For reviews and further information regarding the author’s plays, see Series II: Personal, Newsclippings.

Dates: undated

Synopsis for press kit draft, undated

 File — Box 17, Folder: 8
Series Description From the Series: This series is divided into two subseries. The first, films for which Shepard wrote the screenplay, includes: notes, annotated drafts, dialogue rewrites, publicity, correspondence, contracts, music notes, production notes and schedules. Of the films in this subseries, Silent Tongueincludes the most information (1 linear foot), followed by Far North(.25 linear feet.), Onibaba(.25 linear feet),...
Dates: undated

Tax Receipts and Notes, 1984

 Sub-Series — Box 38, Folder: 6
Sub-Series Description From the Sub-Series:

Check registers, bank statements, tax receipts and notes comprise one-half of this subseries. The second half includes financial notes and notebooks maintained by R. G. Vliet, which document expenditures relating to research and writing and may have been tax deductible.

Dates: 1984

Teleplays

 Sub-Series
Series Description From the Series:

Arranged by genre (articles, books, sound recordings, screenplays, short stories and teleplays), most of the works in this series are based on or inspired by Shepard’s works. Authors mailed the works to Shepard for his comments, and many items include typescripts annotated by Shepard and correspondence.

Dates: 1984-1998

Teleplays, 1981

 Sub-Series
Series Description From the Series:

Drafts, manuscripts, and typescripts of Hauptman’s plays, teleplay, screenplays, short stories, poetry, novel, articles and criticism are located in this series. Titles under each genre are filed alphabetically. Related correspondence, reviews, clippings, publicity, and playbills are filed after the draft or script for each title.

Dates: 1981

Texas City High School, 1968

 File — Box 34, Box: 8
Sub-Series Description From the Sub-Series: Personal correspondence in this subseries includes letters to Vliet from long-time friends such as Ruth Bloom, Harry Clauss, Alan Distler, John Haag, Ralph Houston, and David Lyttle. Several letters from Vliet to Ralph Houston are also included here, presumably sent to Ann Vliet after R.G. Vliet’s death. These letters are of special interest in that they discuss Vliet’s writing and his health. Correspondence from Vliet’s family include genealogical information, and a letter from Vliet’s...
Dates: 1968

Texas clippings

 File — Box 32, Folder: 4
Sub-Series Description From the Sub-Series:

Handwritten and typed notes, clippings, and photocopies, arranged in alphabetical order by the author’s subject categories, comprise the majority of this subseries. Also included are several folders of topographical and road maps of various Texas counties and other locations.

Dates: undated

Texas folklore photocopies

 File — Box 32, Folder: 5
Sub-Series Description From the Sub-Series:

Handwritten and typed notes, clippings, and photocopies, arranged in alphabetical order by the author’s subject categories, comprise the majority of this subseries. Also included are several folders of topographical and road maps of various Texas counties and other locations.

Dates: undated

Texas Institute of Letters (including Paisano fellowship notes, application), 1967 - 1983

 File — Box 33, Folder: 1
Sub-Series Description From the Sub-Series: Business correspondence relates to Vliet’s writing career, and covers such subjects as writing submissions, editing of works to be published, royalties for published works. Correspondents include various poetry and literary journals, Texas Institute of Letters, the Ford Foundation, and Vliet’s agent, Lucy Kroll, of the Lucy Kroll Agency. Two non-correspondence files were filed by the author with this business correspondence, and are located at the beginning of this group of...
Dates: 1967 - 1983

Texas Observer, 1980

 File — Box 33, Folder: 2
Sub-Series Description From the Sub-Series: Business correspondence relates to Vliet’s writing career, and covers such subjects as writing submissions, editing of works to be published, royalties for published works. Correspondents include various poetry and literary journals, Texas Institute of Letters, the Ford Foundation, and Vliet’s agent, Lucy Kroll, of the Lucy Kroll Agency. Two non-correspondence files were filed by the author with this business correspondence, and are located at the beginning of this group of...
Dates: 1980