Dramatists
Found in 776 Collections and/or Records:
Published compilations, 1984-1993
Cover art proposals and galleys for compilations of Shepard’s work published by Vintage and Bantam comprise this series.
Published script with Steppenwolf/Chicago re-write annotations
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Quarterly Review of Literature (Bard College), 1960 - 1961
R. G. Vliet's driver’s license, State of Massachusetts and International Certificate of Vaccination , undated
R.G. Vliet’s Last Will and Testament (1983) is included in this subseries, along with documents relating to a 1983 purchase of land in Kyle, Texas, and Ann Vliet’s 1985-86 retirement and move to Kyle.
Random House (Rob Cowley), 1980 - 1985
Re-write, annotated typescript, 1996
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Re-writes, September 1992, July 1993, June 1994
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Readings, 1991-1994
This series is comprised of Shepard’s notes, correspondence and annotated photocopies of excerpts of his work read at various events. Arranged in chronological order by the event’s date.
Religions / Superstitions
Remedies and cures
Repertory Theater of St. Louis program, 1983-1984
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Reprint page proofs
Reptiles/dinosaur tracks
Handwritten and typed notes, clippings, and photocopies, arranged in alphabetical order by the author’s subject categories, comprise the majority of this subseries. Also included are several folders of topographical and road maps of various Texas counties and other locations.
Research citations
Research notes
Drafts of plays (mostly handwritten in pencil and annotated) and typescripts (mostly mimeographs or photocopies with annotations) are arranged in this subseries in alphabetical order. For reviews and further information regarding the author’s plays, see Series II: Personal, Newsclippings.
Research notes for play on Abraham Lincoln (untitled)
Drafts of plays (mostly handwritten in pencil and annotated) and typescripts (mostly mimeographs or photocopies with annotations) are arranged in this subseries in alphabetical order. For reviews and further information regarding the author’s plays, see Series II: Personal, Newsclippings.
Review by Shepard of Peter Handke’s novel The Weight of the World, including letter from Handke’s editor, Shepard’s draft and a copy of the essay published in Vanity Fair, September 1984
This series is comprised of a review by Shepard of Peter Handke’s novel The Weight of the World, including a letter from Handke’s editor, Shepard’s draft, and a copy of the essay as published in Vanity Fair, September 1984.
Review, New York Times, 1996
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.