Dramatists
Found in 776 Collections and/or Records:
Photographs, circa 1900-1980
Photographs in this subseries are divided into the following groups: photographs of R.G. Vliet alone, Vliet and his immediate family, Vliet and extended family, Mexico snapshots, friends, workspaces, and pets. Most are color snapshots from Vliet’s personal life, most are not labeled with identifying information. See also Subseries C : Scrapbook, for additional photographs, especially from Vliet’s youth.
Photographs from set: 8x10 black and white of Alan Bates, Dermot Mulroney, and a female in front of stagewagon and 3x5 of burial tree
Photographs of production
Drafts of plays (mostly handwritten in pencil and annotated) and typescripts (mostly mimeographs or photocopies with annotations) are arranged in this subseries in alphabetical order. For reviews and further information regarding the author’s plays, see Series II: Personal, Newsclippings.
Photographs of productions (University of Nebraska and Southwest Texas State University), both 1960
Drafts of plays (mostly handwritten in pencil and annotated) and typescripts (mostly mimeographs or photocopies with annotations) are arranged in this subseries in alphabetical order. For reviews and further information regarding the author’s plays, see Series II: Personal, Newsclippings.
Photographs on set of Shepard and Julie Delpy by Bridgette LaCombe, includes 16 black and white faxes and 19 color copies, 1990
Places (7) - including Wichita Theater, Riverside Cemetery, Abandoned gas station near Olney, Old Magnolia Recovery, Burl’s apartment, Medicine Park home, The Holy City (near Lawton)
Color 3.5”x5” snapshots taken and annotated by Hauptman document people (including Hauptman’s brother and father), places (including Wichita Falls and the Oklahoma Union Power Plant), and various tornadoes and cloud formations. Includes one 11x14 photograph.
Plain Fate (unfinished, February, 1988)
Plate proofs
This series contains documents pertaining to Flynn’s novels North to Yesterday, In the House of Our Lord, and The Last Klick. Also included in this series are materials related to Flynn’s published memoir A Personal War in Vietnam. Included are various draft typescripts, galleys, and plate proofs.
Plate Proofs
This series contains documents pertaining to Flynn’s novels North to Yesterday, In the House of Our Lord, and The Last Klick. Also included in this series are materials related to Flynn’s published memoir A Personal War in Vietnam. Included are various draft typescripts, galleys, and plate proofs.
Play program
Drafts of plays (mostly handwritten in pencil and annotated) and typescripts (mostly mimeographs or photocopies with annotations) are arranged in this subseries in alphabetical order. For reviews and further information regarding the author’s plays, see Series II: Personal, Newsclippings.
Play program from New York production: Kraine Theater, and correspondence
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Play programs, 1964-1967
This series is comprised of material relating to Flynn’s play Journey to Jefferson. Documents include a typescript draft of the play and various play programs.
Playbill
Drafts, manuscripts, and typescripts of Hauptman’s plays, teleplay, screenplays, short stories, poetry, novel, articles and criticism are located in this series. Titles under each genre are filed alphabetically. Related correspondence, reviews, clippings, publicity, and playbills are filed after the draft or script for each title.
Playbill and poster
Drafts, manuscripts, and typescripts of Hauptman’s plays, teleplay, screenplays, short stories, poetry, novel, articles and criticism are located in this series. Titles under each genre are filed alphabetically. Related correspondence, reviews, clippings, publicity, and playbills are filed after the draft or script for each title.
Playbill and publicity from Queensland Theater production, April 1996
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Playbill for Manhattan Theater Club production, January 1998
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Playbill from American Place Theater production, April 1994
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Playbill from Le Theatre National de Belgique signed by Shepard, 1985
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Playbills
Drafts, manuscripts, and typescripts of Hauptman’s plays, teleplay, screenplays, short stories, poetry, novel, articles and criticism are located in this series. Titles under each genre are filed alphabetically. Related correspondence, reviews, clippings, publicity, and playbills are filed after the draft or script for each title.
Playbills (2), Brooks Atkinson Theater, New York, April-May, 1996
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.