Dramatists
Found in 776 Collections and/or Records:
Correspondence, undated
"Freddie and Lara" (first names only)
McAdams, "Coach"
Multiple authors (first names only)
Correspondence, 1987-1989
Topics include the publication of Shepard’s works in magazines and journals as excerpts, as well as in their entirety; correspondence with agent Lois Berman. Aside from general correspondence, this series also includes correspondence from Joseph Chaikin and Barry Daniels and correspondence from Shepard’s son, Jesse, as noted [Restricted]. For Shepard’s 40-year correspondence with Johnny Dark, see the Southwestern Writers Collection 106, The Sam Shepard and Johnny Dark Collection.
Correspondence, 1982
Lawson, Wayne, November 10, 1982
Correspondence, 1983
Phillips, Jerrold, March 2, 1983
Berman, Lois, August 18, 1983
Cuyama Valley Exchange Club. August 29, 1983
Mitchell, Joni, circa 1983
Correspondence, 1984
Correspondence, 1985
* restricted Shepard, Jesse, February 20, 1985
Ward, Melinda, February 28, 1985
Weiler, Robert S., June 28, 1985
Allen, Lewis, July 3, 1985
Sato, Suzanne, July 8, 1985
Correspondence, 1986
* restricted Shepard, Jesse, February 2, 1986
Gotlieb, Howard, April 4, 1986. (Includes Boston University’s Shepard collection listing.)
Correspondence, 1988
Klein, Don, April 25, 1988
Mark, Steven (to Martin Licker), June 7, 1988
Wenders, Wim, July 22, 1988
Crane, Joan, July 28, 1988
Crane, Joan, August 2, 1988
Wexler, Haskell, September 30, 1988
Wexler, Haskell, October 21, 1988
“Mom,” November 2, 1988
Bryer, Jackson, November 30, 1988
Daugherty, Pat, December 19, 1988
Correspondence, 1989
Daniels, Barry, January 5, 1989
Berman, Lois, May 17, 1989. Includes “American Dreams” programs
Ford, Richard, August 10, 1989
Sinise, Gary, November 4, 1989
Correspondence, 1982-1998
Topics include the publication of Shepard’s works in magazines and journals as excerpts, as well as in their entirety; correspondence with agent Lois Berman. Aside from general correspondence, this series also includes correspondence from Joseph Chaikin and Barry Daniels and correspondence from Shepard’s son, Jesse, as noted [Restricted]. For Shepard’s 40-year correspondence with Johnny Dark, see the Southwestern Writers Collection 106, The Sam Shepard and Johnny Dark Collection.
Correspondence, 1983-1985
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Correspondence, 1985-1992
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Correspondence, 1993
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Correspondence from 7 Stages director Faye Allen and from lighting designer Ann Millitello regarding the death of a friend named John Dodd, 1991, 1998
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Correspondence from Judy Boals, 1996
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Correspondence from Knopf Publishers, 1965-1967
This series contains documents pertaining to Flynn’s novels North to Yesterday, In the House of Our Lord, and The Last Klick. Also included in this series are materials related to Flynn’s published memoir A Personal War in Vietnam. Included are various draft typescripts, galleys, and plate proofs.
Correspondence from Knopf Publishers
This series contains documents pertaining to Flynn’s novels North to Yesterday, In the House of Our Lord, and The Last Klick. Also included in this series are materials related to Flynn’s published memoir A Personal War in Vietnam. Included are various draft typescripts, galleys, and plate proofs.
Correspondence from Peter Kaminsky and Wim Wenders, 1982-1983
Correspondence, includes: program for Minnesota film premiere and program and materials from 1988 Telluride Film Festival, 1988-1989
Correspondence, includes: telegram from Bob Dylan, correspondence with agent Judy Boals, and American Theater magazine regarding publication of Buried Child, 1995-1996
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.