Dramatists
Found in 776 Collections and/or Records:
13 1/2” x 19 1/2” framed poster from the Brazilian production of Fool for Love, Louco de Amor,in Portuguese (black and white photo of woman holding man’s leg)
Includes 4 posters that were removed from the collection and framed for exhibit. Additional unframed posters can be found listed within the collection.
20 1/2” x 28” framed poster for the Turkish production of True West, Vahsi Bati (white background with brown hat and red tie)
Includes 4 posters that were removed from the collection and framed for exhibit. Additional unframed posters can be found listed within the collection.
24 1/2” x 34” framed poster for True West, L’ouest, Le vraipresented by Theatre National, in French (black background with white, red and blue lettering)
Includes 4 posters that were removed from the collection and framed for exhibit. Additional unframed posters can be found listed within the collection.
28” x 39” framed poster for True Westproduction presented by the Nouvelle Compagnie Theatrale, in French (black background with white lettering)
Includes 4 posters that were removed from the collection and framed for exhibit. Additional unframed posters can be found listed within the collection.
61 black and white and 16 color photographs of Vietnam, soldiers, and Vietnamese citizens and envelope from First Sargeant C.E. Buckley
Included in this series are materials from Flynn’s tenure as a war correspondent for True magazine. This series is comprised of handwritten notes, clippings, military records, Vietnamese money, and other related ephemera.
1920’s Background research notes, undated
“A Cloudy Day”
Individual handwritten and typed poems, and hand-bound books of poetry, comprise this subseries. Many of the individual poems are accompanied by drafts, some are single copies. Individual poems are arranged alphabetically, followed by books of poetry, also arranged alphabetically. See also Series 2 : Personal, Subseries C: Scrapbook, for early drafts of poetry.
“A Correspondence of Forms”, undated
This subseries includes drafts and typescripts of four speeches which address Vliet’s writing process and influences. Also included here is the author’s acceptance speech for the 1978 Texas Institute of Letters Award received for his novel, Solitudes.
“A Fable” Southern Theater News, Fall, 1960
Articles and essays in this subseries relate to Vliet’s own writing process and influences. All are in typescript form and most have handwritten annotations.
"A Friend in Sahara”
Individual handwritten and typed poems, and hand-bound books of poetry, comprise this subseries. Many of the individual poems are accompanied by drafts, some are single copies. Individual poems are arranged alphabetically, followed by books of poetry, also arranged alphabetically. See also Series 2 : Personal, Subseries C: Scrapbook, for early drafts of poetry.
“A Friend in the Sahara", 1978, undated
Drafts of plays (mostly handwritten in pencil and annotated) and typescripts (mostly mimeographs or photocopies with annotations) are arranged in this subseries in alphabetical order. For reviews and further information regarding the author’s plays, see Series II: Personal, Newsclippings.
A Friend in the Sahara (unpublished), undated
A Lie of the Mind (1985)
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
A Personal War in Vietnam , 1989
This series contains documents pertaining to Flynn’s novels North to Yesterday, In the House of Our Lord, and The Last Klick. Also included in this series are materials related to Flynn’s published memoir A Personal War in Vietnam. Included are various draft typescripts, galleys, and plate proofs.
A Rage of Unknown Origin, undated
“A Sort of Preface”
Articles and essays in this subseries relate to Vliet’s own writing process and influences. All are in typescript form and most have handwritten annotations.
A Young Woman’s Reading
Accent, 1956 - 1958
Address re Storm Season
Drafts, manuscripts, and typescripts of Hauptman’s plays, teleplay, screenplays, short stories, poetry, novel, articles and criticism are located in this series. Titles under each genre are filed alphabetically. Related correspondence, reviews, clippings, publicity, and playbills are filed after the draft or script for each title.