Popular music -- Writing and publishing
Found in 1916 Collections and/or Records:
Texas Music w/ Hendrix on cover, Fall 2007
Texas Nights Concerts w/ Lloyd Maines (2 copies), November 17, 2002
Texas Nights Concerts w/ Lloyd Maines “B” label, November 17, 2002
Texas Playboys / Johnny Gimble – 7 photographs
Additions to the John T. Davis Accessions include his extensive subject files, arranged alphabetically by artist. Contents vary, but typically include promotional photographs, Davis’ writings and interview notes, press releases, newspaper clippings, and other ephemera. Not everything in the folders is listed below, but when they exist, photos, interviews, and select items are noted. Folders titles are Davis’.
Texas Singer-Songwriters Photographs by Gary Goldberg (2 copies)
“Texas Summer Nights”, March 14, 1999
Texas Theatre, August 8, 2003
Texas Tornados – 3 photographs; interview notes with Doug Sahm, Augie Meyers, Freddy Fender, 1990
Additions to the John T. Davis Accessions include his extensive subject files, arranged alphabetically by artist. Contents vary, but typically include promotional photographs, Davis’ writings and interview notes, press releases, newspaper clippings, and other ephemera. Not everything in the folders is listed below, but when they exist, photos, interviews, and select items are noted. Folders titles are Davis’.
Texas Union Theatre, June 19, 2004
“T.H. Berges Fest”, June 15, 2001
TH Wilory Test
“Thanksgiving/Columbus Day in the hotel lounge …” (notepad and loose pages)
Series II, “Lyrics for Singles, Unrecorded Songs, and Unidentified Songs,” contains 94 folders of lyrics for released as singles or that have yet to be recorded or released. Songs are separated into their own folders, and labeled either by song title (if known) or by a key phrase or line that either “opens” the song or appear to be thematically significant.
“The All You Can Eat Texas Music Café: Terri Hendrix", November 5, 1998
The American Society of Composers Authors and Publishers Award of Merit to Susanna Clark for her song “Easy From Now On”, October 10, 1979
This series is composed of five subseries: Correspondence, Personal Materials, Photographs, Artwork, and Awards.
The American Society of Composers, Authors and Publishers Award of Merit to Susanna Clark, Writer of the Outstanding Country Song “I’ll Be Your San Antone Rose,” , October 13, 1976
This series is composed of five subseries: Correspondence, Personal Materials, Photographs, Artwork, and Awards.
The Art of Removing Wallpaper (3 copies)
“The Austin Chronicle” 2005-2006 Austin Music Awards issue (Spoon on cover), March 17, 2005
Series VIII, “Press Clippings and Publicity,” contains an assortment of articles and reviews from throughout James McMurtry’s career, including some copies of The Austin Chronicle, Entertainment Weekly, and Texas Monthly. Series VIII, “Non-Music Notes and Assorted,” contains a shooting schedule and call sheets for Lonesome Dove, a calendar from Archer City, TX illustrated by cartoonist Ace Reid, and an anti-George W. Bush political button.
The Austin Chronicle “Guy Clark In The Raw” (3 copies) , July 19, 2013
This series documents Saviano's extensive research for her biography of Guy Clark, Without Getting Killed or Caught. It contains five subseries: Interviews/Interview Questions, Research Files, Photographs, Magazines, and Correspondence
“The Austin Chronicle” James McMurtry cover story by Andy Langer, September 9, 2005
Series VIII, “Press Clippings and Publicity,” contains an assortment of articles and reviews from throughout James McMurtry’s career, including some copies of The Austin Chronicle, Entertainment Weekly, and Texas Monthly. Series VIII, “Non-Music Notes and Assorted,” contains a shooting schedule and call sheets for Lonesome Dove, a calendar from Archer City, TX illustrated by cartoonist Ace Reid, and an anti-George W. Bush political button.
"The banker handed me the keys …” (loose pages)
Series II, “Lyrics for Singles, Unrecorded Songs, and Unidentified Songs,” contains 94 folders of lyrics for released as singles or that have yet to be recorded or released. Songs are separated into their own folders, and labeled either by song title (if known) or by a key phrase or line that either “opens” the song or appear to be thematically significant.