Popular music -- Writing and publishing
Found in 1916 Collections and/or Records:
Ruffs, March 4, 2010
“Rumors Articles”
Newspaper articles, SXSW and ACL programs, and drafts for the John T. Davis archive. This collection includes a wide expanse of Davis’s articles from 1980-2010, including articles from Davis’s music review column in the Austin-American Statesman. This collection also contains official SXSW and ACL music and program guides, as well as drafts of Davis’s comprehensive ACL book, Austin City Limits: 25 Years of Music.
Russell, Calvin – 1 photographs of The Characters
Additions to the John T. Davis Accessions include his extensive subject files, arranged alphabetically by artist. Contents vary, but typically include promotional photographs, Davis’ writings and interview notes, press releases, newspaper clippings, and other ephemera. Not everything in the folders is listed below, but when they exist, photos, interviews, and select items are noted. Folders titles are Davis’.
Russell, Shake – 1 photograph with Jack Saunders
Additions to the John T. Davis Accessions include his extensive subject files, arranged alphabetically by artist. Contents vary, but typically include promotional photographs, Davis’ writings and interview notes, press releases, newspaper clippings, and other ephemera. Not everything in the folders is listed below, but when they exist, photos, interviews, and select items are noted. Folders titles are Davis’.
Russell, Tom – 2 photographs; handwritten notes; interview notes, 1995, 1997, 1999
Additions to the John T. Davis Accessions include his extensive subject files, arranged alphabetically by artist. Contents vary, but typically include promotional photographs, Davis’ writings and interview notes, press releases, newspaper clippings, and other ephemera. Not everything in the folders is listed below, but when they exist, photos, interviews, and select items are noted. Folders titles are Davis’.
“Safe Side” (loose pages)
Sahm, Doug – 1 photograph; interviews with Alejandro Escovedo, Bill Bentley, 2009
Additions to the John T. Davis Accessions include his extensive subject files, arranged alphabetically by artist. Contents vary, but typically include promotional photographs, Davis’ writings and interview notes, press releases, newspaper clippings, and other ephemera. Not everything in the folders is listed below, but when they exist, photos, interviews, and select items are noted. Folders titles are Davis’.
Saint Mary of the Woods, 2002
Saint Mary of the Woods. ames McMurtry Apogee Versions (3 of 3), May 23, 2002
“Gone to the Y”: 1) Master Mix, 2) Vocal Up, 3) Vocal Up More, Slide Up, 4) Slide Up “Red Dress” (DAT)
Saint Mary of the Woods. James McMurtry Apogee Versions (1 of 3), May 23, 2002
“Broken Bed”: 1) Master Mix, 2) Master Mix Safety Print, 3) Vocal, Kick, Snare Up “St. Mary”, 4) Master Mix, 5) Vocal Mix (DAT)
Saint Mary of the Woods. James McMurtry Apogee Versions (2 of 3), May 23, 2002
“Out Here in the Middle”: 1) Master Mix, 2) Vocal Up, 3) Vocal Up More, BGVc Up “Gulf Road”, 4) Master Mix, 5) Vocal Up (DAT)
“Saint Mary of the Woods” (loose pages)
San Antonio, TX (2 discs), March 22, 2013
“San Marcos”, 2001
San Marcos (TX) River Pub, July 10, 2005
San Marcos (TX) River Pub, September 10, 2005
San Marcos (TX) River Pub, Father’s Day, June 2006
“Santa Claus rides …” (loose page)
Series II, “Lyrics for Singles, Unrecorded Songs, and Unidentified Songs,” contains 94 folders of lyrics for released as singles or that have yet to be recorded or released. Songs are separated into their own folders, and labeled either by song title (if known) or by a key phrase or line that either “opens” the song or appear to be thematically significant.
“Save Yourself” (notepad and loose pages)
“Scars from surgery …” (loose pages)
Series II, “Lyrics for Singles, Unrecorded Songs, and Unidentified Songs,” contains 94 folders of lyrics for released as singles or that have yet to be recorded or released. Songs are separated into their own folders, and labeled either by song title (if known) or by a key phrase or line that either “opens” the song or appear to be thematically significant.