Popular music -- Writing and publishing
Found in 2836 Collections and/or Records:
Texas Folklife Resources
Additions to the John T. Davis Accessions include his extensive subject files, arranged alphabetically by artist. Contents vary, but typically include promotional photographs, Davis’ writings and interview notes, press releases, newspaper clippings, and other ephemera. Not everything in the folders is listed below, but when they exist, photos, interviews, and select items are noted. Folders titles are Davis’.
“Texas Hwy. Stories, ACL, Marathon”
Newspaper articles, SXSW and ACL programs, and drafts for the John T. Davis archive. This collection includes a wide expanse of Davis’s articles from 1980-2010, including articles from Davis’s music review column in the Austin-American Statesman. This collection also contains official SXSW and ACL music and program guides, as well as drafts of Davis’s comprehensive ACL book, Austin City Limits: 25 Years of Music.
Texas Matters and Songs (4 discs)
“Texas Monthly” “A Celebration of Texas Music” issue (Lloyd and Natalie Maines cover); James is included in the “A Great Day in Austin” centerfold photo of 106 Austin musicians, May 2000
Series VIII, “Press Clippings and Publicity,” contains an assortment of articles and reviews from throughout James McMurtry’s career, including some copies of The Austin Chronicle, Entertainment Weekly, and Texas Monthly. Series VIII, “Non-Music Notes and Assorted,” contains a shooting schedule and call sheets for Lonesome Dove, a calendar from Archer City, TX illustrated by cartoonist Ace Reid, and an anti-George W. Bush political button.
Texas Music, Spring 2012
Texas Music and American Songwriter , 2008 - 2013
This series documents Saviano's extensive research for her biography of Guy Clark, Without Getting Killed or Caught. It contains five subseries: Interviews/Interview Questions, Research Files, Photographs, Magazines, and Correspondence
Texas Music Cafe, “Class of 87” Episode #702
Texas Music, Misc.
Additions to the John T. Davis Accessions include his extensive subject files, arranged alphabetically by artist. Contents vary, but typically include promotional photographs, Davis’ writings and interview notes, press releases, newspaper clippings, and other ephemera. Not everything in the folders is listed below, but when they exist, photos, interviews, and select items are noted. Folders titles are Davis’.
Texas Music w/ Hendrix on cover, Fall 2007
Texas Nights Concerts w/ Lloyd Maines (2 copies), November 17, 2002
Texas Nights Concerts w/ Lloyd Maines “B” label, November 17, 2002
Texas Playboys / Johnny Gimble – 7 photographs
Additions to the John T. Davis Accessions include his extensive subject files, arranged alphabetically by artist. Contents vary, but typically include promotional photographs, Davis’ writings and interview notes, press releases, newspaper clippings, and other ephemera. Not everything in the folders is listed below, but when they exist, photos, interviews, and select items are noted. Folders titles are Davis’.
Texas Singer-Songwriters Photographs by Gary Goldberg (2 copies)
“Texas Summer Nights”, March 14, 1999
Texas Theatre, August 8, 2003
Texas Tornados – 3 photographs; interview notes with Doug Sahm, Augie Meyers, Freddy Fender, 1990
Additions to the John T. Davis Accessions include his extensive subject files, arranged alphabetically by artist. Contents vary, but typically include promotional photographs, Davis’ writings and interview notes, press releases, newspaper clippings, and other ephemera. Not everything in the folders is listed below, but when they exist, photos, interviews, and select items are noted. Folders titles are Davis’.
Texas Union Theatre, June 19, 2004
“T.H. Berges Fest”, June 15, 2001
TH Wilory Test
“Thanksgiving/Columbus Day in the hotel lounge …” (notepad and loose pages)
Series II, “Lyrics for Singles, Unrecorded Songs, and Unidentified Songs,” contains 94 folders of lyrics for released as singles or that have yet to be recorded or released. Songs are separated into their own folders, and labeled either by song title (if known) or by a key phrase or line that either “opens” the song or appear to be thematically significant.